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Charcoal and chalk study of a standing male nude with a mustache, head turned, on grey paper.

Studienblatt: Schreitender männlicher Akt

Anton Heinrich Peschka, 1907

Drawing study sheet in grey chalk showing a standing male nude from behind, a seated nude, and a small desk figure.

Studienblatt: Sitzende Akte

Anton Heinrich Peschka, 1907

Graphite study sheet with seated male nude figures, head studies, and handwritten German notes beside them.

Studienblatt: Sitzende männliche Akte (Siegfried)

Anton Heinrich Peschka, 1907

Graphite and chalk study of a seated male nude, head bowed with hand on forehead, on gray paper.

Studienblatt: Sitzender männlicher Akt

Anton Heinrich Peschka, 1907

Pencil figure study on tan paper of a seated male nude with one leg raised and another reclining limb sketched below.

Studienblatt: Sitzender männlicher Akt

Anton Heinrich Peschka, 1909

Seated female nude drawn in soft chalk on toned paper, with hair pinned up and one hand resting on her knee.

Studienblatt: Sitzender weiblicher Akt

Anton Heinrich Peschka, 1908

Graphite study of a standing nude man with folded arms on a pedestal, signed A. Peschka and dated 1907.

Studienblatt: Stehender männlicher Akt

Anton Heinrich Peschka, 1907

Graphite sketch of a standing male nude with loose hatched shading on tan paper, signed and dated 1909 in the lower right.

Studienblatt: Stehender männlicher Akt

Anton Heinrich Peschka, 1909

Brown and white chalk study of a standing male nude leaning on a staff, drawn on gray paper.

Studienblatt: Stehender männlicher Akt

vermutlich: Egon Schiele, 1908

Anatomical study of a standing male nude in pencil with blue and orange accents and handwritten muscle labels.

Studienblatt: Stehender männlicher Akt (anatomische Zeichnung)

Anton Heinrich Peschka, 1907

Charcoal study of a standing male nude on tan paper, with a red signature at the lower right corner.

Studienblatt: Stehender männlicher Akt (Vorder- und Rückseite)

Anton Heinrich Peschka, 1907

Charcoal and white chalk study on grey paper of several nude women bending forward, one large figure seen from behind.

Studienblatt: Stehender weiblicher Akt mit Krug

Anton Heinrich Peschka, 1912

Pencil study sheet with several sketches of a dog lying down and resting, signed and dated 1908 in the lower right.

Studienblatt: Verschiedene Darstellungen eines Hundes

Anton Heinrich Peschka, 1908

Pencil study of a bent-forward nude male figure on toned paper, signed in the lower right corner.

Studienblatt: Vorgebeugter männlicher Akt

Anton Heinrich Peschka, 1907

Graphite study of a bent-over male nude seen from behind, drawn on tan paper, with a handwritten signature and date.

Studienblatt: Vorgebeugter männlicher Rückenakt

Anton Heinrich Peschka, 1909

Grey paper with faint pencil studies of female figures, a standing body, and loose sketches of heads and hair.

Studienblatt: Weibliche Akte

Anton Heinrich Peschka, 1907

Colored crayon study of a female nude seen from behind, bent forward with long hair falling across the page.

Studienblatt: Weiblicher Rückenakt

Anton Heinrich Peschka, 1916

Graphite figure study of two intertwined male nudes on tan paper, one bearded figure seated upper right.

Studienblatt: Zwei männliche Akte

Anton Heinrich Peschka, 1906

Graphite study sheet of two male nude figures, one seen from the front and one from behind, signed A. Peschka 07.

Studienblatt: Zwei männliche Akte

Anton Heinrich Peschka, 1907

Pencil study of two standing nude women, one facing forward with an arm around the other seen from behind, dated 1906.

Studienblatt: Zwei stehende weibliche Akte

Anton Heinrich Peschka, 1906

Charcoal study of an elderly bald man's head and shoulders in a draped garment, signed A. Peschka, on cream paper.

Studienkopf eines älteren Mannes

Anton Heinrich Peschka, 1906

Studienkopf eines älteren Mannes im Profil n.l

Peter Fendi, 1812

Susi

Anton Heinrich Peschka, 1925

Pen and grey wash drawing of a seated woman and a standing hiker with a walking stick among rocky mountains and a small hut.

Szene im Gebirge

Jakob Gauermann, 1819

Grey wash drawing of a crowd in top hats and bonnets gathered before an arched church portal, dated 1848.

Szene vor dem Liguorianerkloster 1848

Franz Brudermann, 1848

Brown wash drawing of a siege with armored soldiers, a cannon, a bishop in a mitre, and fallen figures before a city wall.

Szene während der Zweiten osmanischen Belagerung auf der Löwelbastei mit Fürst Starhemberg und Bischof Kollonitsch

Franz Brudermann, 1840

Hand-colored drawing of a man in a floral robe smoking a pipe while a younger man in a brown coat gestures nearby.

Szenenbild

Johann Christian Schoeller, 1841

Watercolor of two men on a cobbled street, one holding a cup aloft, with a woman watching from a window at right.

Szenenbild aus "Die Entführung vom Maskenball" mit Hopp und Scholz

Johann Christian Schoeller, 1841

Watercolour of a woman in a lilac bodice and a stout man in a checked suit and top hat in a garden scene, 1847.

Szenenbild aus "Eine Dorfgeschichte die in der Stadt endet."

Johann Christian Schoeller, 1847

Watercolour of a man gesturing to a woman in a bonnet at a doorway, with a handwritten caption below, dated 1848.

Szenenbild aus "Freiheit in Krähwinkel" mit Nestroy und Jeanette Schmidt-Demmer

Johann Christian Schoeller, 1848