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Wien Museum

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Hand-colored parody scene of figures in an elegant interior, a woman in a wedding gown reaching toward men in a shawl struggl

"Kabale und Liebe" von Bäuerle, Vorlage zum Druck für: Gallerie drolliger Scenen zur Theaterzeitung, 2. Jg., Nr. 8

Johann Christian Schoeller, 1828

Architectural floor plan of the first storey of a museum with labeled rooms, central court and stairs, in brown ink on paper.

"k.k. österr. Museum für Kunst und Industrie", 1. Stock

Heinrich von Ferstel, 1867

Pencil sketch of a group of caricatured faces with hats and collars in front of a grid of building windows.

"Die Unüberwindlichen" (Skizze)

Karl Wiener, 1935

Pencil sketch of a coffee house waiter pouring from a pot at a counter with cups, plates, and shelves of crockery.

Kaffeehauskoch Griensteidl

Friedrich Kaskeline, 1897

Pencil and ink floor plan of the second storey of a building, with labelled rooms, stairs and faint construction lines on cre

"k.k. österr. Museum für Kunst und Industrie", 2. Stock

Heinrich von Ferstel, 1867

Angular pencil drawing with soft colour washes showing two men and a woman walking in a row, in a cubist style.

"Die Verdammten" Zwei Männer und eine Frau schräg hintereinander

Karl Wiener, 1925

Ink and wash drawing of mounted riders passing a pavilion with spectators on its balconies, carriages and tall trees behind.

Kaiser Franz mit seinem Gefolge beim Lusthaus im Prater

Johann Nepomuk Hoechle, 1812

Pencil elevation drawing of a long multi-story museum facade with arched openings and a central balustraded block.

"k.k. österr. Museum für Kunst und Industrie", Aufriss

Heinrich von Ferstel, 1867

Pencil sketch of two hunched, elongated standing figures beside bare trees and a fence, with dense hatched shading.

"Die Verzweifelten" (Bleistiftskizze)

Karl Wiener, 1935

Sepia perspective drawing of a Vienna square with tall buildings, a tram stop pavilion, pedestrians and a winged statue in th

"Kaiserin Elisabeth-Platz. Pavillon der Haltestelle", Perspektivische Ansicht zum Generalregulierungsplan für Wien

Otto Wagner, 1892

Pencil architectural drawing showing a symmetrical museum facade elevation below and a building cross section above.

"k.k. österr. Museum für Kunst und Industrie", Aufriss der Hauptfassade, Schnitt

Heinrich von Ferstel, 1867

Pencil sketch of four loosely drawn standing male figures on an open ground with faint perspective lines, dated 1941.

Die vier verlorenen Männer

Karl Wiener, 1941

Pencil and brown wash sketch of an elderly woman in a feathered headdress and ruffled skirt, holding a parasol.

Kávé-nénike (Caffeeschwester)

Ladislaus von Thann, 1857

Ink and pencil ground floor plan of the Austrian Museum for Art and Industry with a central courtyard and labeled galleries.

"k.k. österr. Museum für Kunst und Industrie", Erdgeschoß

Heinrich von Ferstel, 1867

Pencil sketch of a man in a long coat raising a fist and holding a paper among rubble, broken weapons and ruined buildings.

Die Waffen nieder!

Karl Wiener, 1949

Pen and brown wash sketch of a female cashier at a coffeehouse counter beside a seated man at a table under arched ceilings.

Kávéházi-pénztárnökné (Caffeehaus-Cassierin)

Ladislaus von Thann, 1857

Ink and red wash ground floor plan of a glass-roofed courtyard with colonnades and a vestibule, labeled in German.

"k.k. österr. Museum für Kunst und Industrie", Erdgeschoß-Grundriss

Heinrich von Ferstel, 1867

Colored pen drawing of a dark hatched sphere in a green ringed base against a yellow scribbled background, with handwritten t

Die Wahrheit ist plastisch gebildet...

Karl Wiener, 1921

Pen and brown wash sketch of a walking man in a long coat and cap, hand raised to his mouth, labeled Kávès (Caffetier).

Kávès (Caffetier)

Ladislaus von Thann, 1857

Watercolour caricature of a distressed man in formal dress riding a donkey past a crowd, soldiers and banners, 1848.

"Kein Champagner! abgezogenen Johannisberger am Renweg" (Karikatur auf die Flucht Metternichs)

Johann Christian Schoeller, 1848

Ink drawing of a wide-eyed woman in a pale dress running forward against heavy black hatching.

Die Wahsinnige (1)

Karl Wiener, 1926

Ground plan drawing of a church design with nave, apse, altar and organ gallery, colored in green wash on paper.

Kirchenprojekt für Bruck-Kiralyhida

Ludwig Baumann, 1917

Pastel drawing of a cluster of colorful houses with red, black, and yellow roofs on tan paper.

Küstenland

Anton Heinrich Peschka, 1924

Ink drawing of a wild-eyed woman in a dark dress against dense crosshatched lines, one hand raised.

Die Wahsinnige (2)

Karl Wiener, 1926

Pencil architectural elevation of a multi-storey building facade with columns, tall windows, rooftop statues, and shop signs.

"Landeshof" (Ausstellungshallen am Karlsplatz), Hauptfassade, Aufriss

Otto Wagner, 1914

Architectural section drawing of arcaded halls, columns, a balustrade and a grand staircase, with red wash highlights.

Längendurchschnitt durch den Börsehof und die große Stiege

Heinrich von Ferstel, 1856

Pen and ink drawing of a wide-eyed woman in a pale dress striding forward against dense black hatching.

Die Wahsinnige (3)

Karl Wiener, 1926

Watercolor of passengers boarding a crowded lorry on a city street, with a uniformed officer and pedestrians nearby.

Lastautos als Straßenbahnersatz! / ('Nehmen S' mi a mit')

Karl Hornstein, 1945

Colour architectural section drawing of a courtyard building with arcades, glazed roof, staircase and cellars, titled Längens

Längenschnitt durch den Börsehof

Heinrich von Ferstel, 1856

Pencil drawing of a tall column of stacked cubes tapering upward toward a star and crescent moon on pale paper.

"Die Würfelsäule"; aus: "Die 150 Blätter"

Karl Wiener, 1942