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Pencil sketch of a top-hatted cab driver dozing on a carriage box, with wheels and two other figures around him.

Blatt eines Skizzenbuchs: Studie zu "Fiaker auf dem Kutschbock schlafend"

Josef Engelhart, 1888

Pencil sketch of a busy tree-lined street with crowds of people, a baby carriage and shopfronts on the left.

Blatt eines Skizzenbuchs: Studie zu einem Praterbild

Josef Engelhart, 1888

Pencil sketch on a sketchbook page of figures seated around a table in a hall with columns.

Blatt eines Skizzenbuchs: Studie zu einer Szene in einem Saal

Josef Engelhart, 1936

Pencil sketchbook page with figure studies under arches, including men in top hats and seated and standing women.

Blatt eines Skizzenbuchs: Studien für eine figurale Wanddekoration (Rückseite: Studien zu Damenbildnissen, Skizzen we…

Josef Engelhart, 1888

Pencil sketchbook page with studies of seated men in top hats, one larger figure in a dark interior with curtains.

Blatt eines Skizzenbuchs: Studien zu "Fiaker auf dem Kutschbock schlafend" (Rückseite: div. Figurenstudien)

Josef Engelhart, 1887

Pencil sketchbook page with studies of domed pavilions, columns, arches and small figures.

Blatt eines Skizzenbuchs: Studien zu Architektur und Architekturplastik (auf Vorder- und Rückseite)

Josef Engelhart, 1887

Two pencil studies on a sketchbook page showing a seated woman in a hat and loose blouse, with vertical background lines.

Blatt eines Skizzenbuchs: Studien zu einem Damenporträt

Josef Engelhart, 1936

Pen sketches on a sketchbook page of uniformed men, a woman, several heads, and two running horses.

Blatt eines Skizzenbuchs: Studien zu verschiedenen volkstümlichen Figuren u. Köpfen (u.a. "Eduard Strauß"), Pferdeski…

Josef Engelhart, 1884

Pencil sketch on a sketchbook page showing a gondolier, seated passengers and standing figures in a Venetian scene.

Blatt eines Skizzenbuchs: Szene mit Gondel in Venedig

Josef Engelhart, 1887

Pencil sketch of a gondola with a gondolier and passengers on a Venetian canal, with onlookers in an arched doorway.

Blatt eines Skizzenbuchs: Szene mit Gondel in Venedig (Rückseite: männl. Rückenfigur)

Josef Engelhart, 1887

Pencil sketchbook page with loose figures in a café interior, a standing man at left, seated patrons at right, and handwritte

Blatt eines Skizzenbuchs: Szenen aus einem (Pariser?) Café; (Rückseite: Skizzen zu einer Tänzerin)

Josef Engelhart, 1888

Pencil sketch on a sketchbook page showing two dancing couples in loose strokes, one pair turning and one pair seated.

Blatt eines Skizzenbuchs: Tanzpaare (Rückseite: Mann, sich verbeugend)

Josef Engelhart, 1888

Sketchbook page with black crayon and red chalk studies of women in skirts and hats, including a dancing couple.

Blatt eines Skizzenbuchs: versch. Frauengestalten (Studien zu einem Tanzpaar, Wäschermädel)

Josef Engelhart, 1888

Pencil sketchbook page with studies of standing and reclining figures, a man in a hat, and a sunburst motif.

Blatt eines Skizzenbuchs: verschiedene liegende und stehende Figuren

Josef Engelhart, 1936

Graphite sketchbook page with loose studies of seated and reclining figures, some hatched shading, and a color scale bar at b

Blatt eines Skizzenbuchs: volkstümliche Paare u. Einzelfiguren (Rückseite: Aktstudien und Kostümfiguren)

Josef Engelhart, 1888

Pencil sketchbook page by Josef Engelhart showing loose female figure studies and a small seated figure vignette.

Blatt eines Skizzenbuchs: weibl. Figuren; Rückseite: tanzendes Paar (Wäschermädel) und gotisches Grabmal

Josef Engelhart, 1888

Graphite sketch on a sketchbook page of a seated female figure seen from behind, with faint studies above.

Blatt eines Skizzenbuchs: weibliche sitzende Rückenfigur (Rückseite: Tanzpaare (Wäschermädel))

Josef Engelhart, 1888

Pencil sketchbook page with a seated woman in a bonnet and a smaller standing woman in a framed study.

Blatt eines Skizzenbuchs: zwei Skizzen zu Damenporträts

Josef Engelhart, 1936

Engraved caricature of men in robes and cloaks gathered at a table in a paneled room, with two portraits on the wall above.

Blatt zum Konflikt Joseph II. mit den südlichen Niederlanden: Der Kriegsrat in Brüssel am 9. November 1790

Heinrich von der Beeck, 1790

Pencil sketch of an interior with a standing figure, a table with a bottle and candle, and framed pictures on the walls.

Bleistiftskizze

Karl Wiener, 1935

Pencil sketch of several trees on cream paper, with a handwritten signature and date 1943 in the lower left corner.

Bleistiftskizze

Karl Wiener, 1943

Pencil sketch of tents below mountains, a flag on a pole, and a smiling figure waving at right.

Bleistiftskizze ("Internationale Jugendrepublik Ebensee")

Karl Wiener, 1930

Pencil sketch of a damaged tower-like building and collapsed houses with rubble under a pale sky.

Bleistiftskizze (eingestürzte, zerstörte Häuser)

Karl Wiener, 1942

Pencil sketch of swirling clouds, a wing, and a cross-topped gravestone on a mound, on a tan album page.

Bleistiftskizze (Grabstein)

Karl Wiener, 1940

Pencil sketch of rolling hills, a bare tree, a concentric sun and a ruined building on the right side of the field.

Bleistiftskizze (Landschaft mit Ruine)

Karl Wiener, 1942

Pencil sketch of a landscape with a ruined building on the left, bare trees on the right, and low hills below an open sky.

Bleistiftskizze (Landschaft mit Ruinen)

Karl Wiener, 1942

Pencil sketch of a seated woman with arms folded, gazing forward, on cream paper with construction lines.

Bleistiftskizze (sitzende Frau)

Karl Wiener, 1941

Pencil sketch of a woman and a man in a hat before a church tower, under a radiating sun and clouds, with handwritten notes a

Bleistiftskizze zu Holzschnitt

Karl Wiener, 1940

Pencil sketch of a group of uniformed National Guard men in shako caps and long coats, some holding sabres and rifles.

Bleistiftskizze zum Ölgemälde "Die Döblinger Nationalgarde im Jahre 1848" von Johann Michael Neder

Johann Michael Neder, 1848

Pencil sketch of a man in a long coat before gabled rooftops and chimneys, with handwritten annotations on the buildings.

Bleistiftskizze, Collage

Karl Wiener, 1940