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Polona (Biblioteka Narodowa)

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Watercolor of an ornate funerary monument with a veiled woman and an armored knight standing in arched niches.

[Nagrobek Stanisława i Katarzyny Orlików]

Jan Kanty Wojnarowski, 1847

Watercolor of a silver altar in an ornate Renaissance niche with gilded candlesticks, saint statues and a small altar server.

[Ołtarz srebrny w kaplicy Zygmuntowskiej na Wawelu]

Bogumił Gąsiorowski, 1850

Watercolor of a red stone epitaph with Latin capital lettering set against a painted brick wall on grey-blue paper.

[Epitafium Franciszka Zarzeckiego w krużgankach oo. Franciszkanów w Krakowie]

Jan Kanty Wojnarowski, 1850

Watercolor drawing of a red armored knight statue in a pedimented niche monument with a Latin inscription on its base.

[Nagrobek Piotra Kmity]

Jan Kanty Wojnarowski, 1857

Watercolor drawing of a stone tomb with a reclining bearded effigy, a coat of arms, and flaming finials.

[Domniemany nagrobek Hieronima Canavesiego w kościele oo. Franciszkanów w Krakowie]

Jan Kanty Wojnarowski, 1841

Watercolor drawing of a carved stone tomb slab with a praying female figure and Gothic inscription panels on each side.

[Płyta nagrobna Eufemii Borkowej w kościele oo. Franciszkanów w Krakowie, po pożarze]

Jan Kanty Wojnarowski, 1850

Pencil sketch of two pine trees behind a cracked stone wall and path, with small studies on the right page.

[Pejzaż z dwoma sosnami]

Piotr Stachiewicz, 1878

Watercolor design of a gray scrolled epitaph plaque with a Latin inscription and a small emblem at the top.

[Epitafium Franciszka Krzyżanowskiego]

Jan Kanty Wojnarowski, 1840

Pencil sketch of a battle scene with mounted soldiers, raised sabers, horses and fallen figures on an album page.

[Scena bitewna]

Piotr Stachiewicz, 1878

Architectural drawing with a palace elevation above and a colored floor plan below, with Polish room labels and a scale bar.

[Projekt oraz rzut pałacu do Kulikowa]

Sebastian Sierakowski, 1770

Pencil sketch of a group of figures in long coats and fur hats conversing, with women in headscarves, on pale paper.

[Grupa Żydów i Poleszanek podczas rozmowy]

Józef Ignacy Kraszewski, 1834

Hand-coloured plan of a bastioned fortification with ravelins and a grid of city blocks, with a scale bar below.

[Narys fragmentu fortyfikacji oktagonalnej, bastionowej z rawelinami]

CFS, 1675

Watercolor interior of a blue drawing room with draped windows, gilt mirrors, porcelain vases, flowers and a sleeping dog.

Gabinet hrny Arturowej Potockiej w Wiedniu 1824

Franz Malek von Werthenfels, 1824

Hand-coloured architectural floor plan of the second storey of a cloth factory hospital in Kluczbork, 1786.

Planta, Prospekt sytuacyi szpitalu fabryki sukienny w Kluczborku drugi kondygnacy

Piotr Widerlechner, 1786

Watercolor of castle ruins with a tall tower on a green hill, trees, a grazing cow and two figures in the foreground.

Rozwaliny zamku w Lipowcu

Edward Walenty Kainko, 1844

Watercolor drawing of a stone epitaph with Latin inscription, topped by a cross, orb and carved shield on a pale blue ground.

[Epitafium Stanisława Zająca]

Jan Kanty Wojnarowski, 1851

Pencil floor plan of a single-nave church with three bays, flanking chapels and a stair, drawn on pale paper.

[Projekt jednonawowego trójprzęsłowego kościoła]

Sebastian Sierakowski, 1790

Pencil drawing of an altar pilaster with acanthus ornament, a draped female statue on a pedestal, and an arched window.

[Projekt ołtarza dekorowanego stylizowanymi liśćmi akantu z rzeźbą świętej]

Sebastian Sierakowski, 1769

Faint pencil sketch of a man's head with shoulder-length hair on a lined, stained sheet of paper.

[Szkic głowy z włosami sięgającymi ramion]

Józef Ignacy Kraszewski, 1840

Architectural drawing of a chapel with front facade, cross-section showing altar, and floor plan with pink roofs.

[Projekt kaplicy pw. Św. Stanisława Kostki - fasada, przekrój poprzeczny oraz rzut]

Sebastian Sierakowski, 1790

Pencil sketch of a landscape with a group of trees on the right and open ground with shrubs in the foreground.

[Pejzaż z grupą drzew po prawej stronie]

Józef Ignacy Kraszewski, 1879

Stanislaus Konarski Scholi Priari Professor [...]

Michał Stachowicz, 1820

Drawing of a crowd with banners processing through a city square, framed by an ornate Gothic architectural border with portra

Vladislaus Jagello Academiam Cracoviensem de rure suburbano Bawół ad istas aedes proprio sumpta acquisitas [...]

Michał Stachowicz, 1820

Watercolor drawing of a stone epitaph with an oval portrait of a bearded man above a Latin inscription and coat of arms.

[Epitafium Krzysztofa Sapalskiego]

Jan Kanty Wojnarowski, 1840

Pencil drawing of a baroque church facade with towers and trees in an oval vignette, with handwritten poem text below.

[Widok fasady kościoła św. Łazarza w Krakowie]

Piotr Michalczewski, 1879

Watercolour of a spiny green Anona huricata fruit with leaves and a smaller bud on a cut branch, page 133.

Anona huricata

George De Alwis, 1893

Two painted leaves of Marantha Mokoyana, one green with dark blotches and one red-purple with pale stripes, on a cream page.

Marantha Mokoyana

George De Alwis, 1893

Watercolor botanical illustration of Gloriosa superba with red and yellow flowers, green striped leaves and tendrils on an al

Gloriosa superba

George De Alwis, 1893

Watercolor botanical drawing of a Lantana alba stem with pink flower clusters, green leaves and buds on cream paper.

Lantana alba

George De Alwis, 1893

Grey wash drawing of Bab al-Futuh gate in Cairo with tall towers, camels, robed figures and a minaret behind.

Bâbêl-Foutouhk, ou la Porte des Victoires au Caire in Egipte

Michał Stachowicz, 1800

Grayscale drawing of a bearded cardinal in biretta and cassock within an oval frame on a blue mount.

Arnoldus Ossatus S. R. E. Cardinalis

Michał Stachowicz, 1820

Ink floor plan of a building with labelled rooms in Polish, including a sala, hallway, bedroom and garderoba.

[Projekt dworu z portykiem kolumnowym - rozkład pomieszczeń]

Sebastian Sierakowski, 1800

Pen and ink technical drawing of a mill mechanism with gears, pulleys, shafts and a crank, with a lettered parts list.

Abrys młyna bez wody, bez wiatru, bez wołów, bez koni [...]

Sebastian Sierakowski, 1801

Watercolor of a multi-towered castle behind trees, with a dirt road and farm buildings in the green landscape.

Zamek w Gołuchowie

Edward Walenty Kainko, 1843

Watercolor of the castle in Uniejów with a round brick tower, a pale manor wing, a pond, trees and a dirt road.

Zamek w Uniejowie

Edward Walenty Kainko, 1843

Pen drawing of a tomb monument design with relief panels, a bishop figure, angels, heraldic shields and a Latin inscription.

Monumentum Fridericus Cardinalis Casimiri Filius

Michał Stachowicz, 1815

Watercolor of armed Polish insurgents with a mounted rider, lance, and banner, captioned Powstańcy polscy 1831.

Powstańcy polscy 1831

Jan Nepomucen Lewicki, 1838

Pen and wash drawing of two ornate column capitals with acanthus leaves and a lion mask, above shafts and bases.

[Budowla w stylu doryckim - fragment elewacji oraz jej rzut]

Sebastian Sierakowski, 1800

Pale sheet with brown handwritten inscription at top and a faint architectural sketch of a manor facade in the center.

[Projekt dwóch wariantów fasady dworu dla Antoniego Sierakowskiego do Dziekanowa]

Sebastian Sierakowski, 1770

Watercolor architectural elevations of an arcaded market building with pink roofs and a scale bar below.

[Projekt kramów, dwa warianty elewacji]

Sebastian Sierakowski, 1801

Pencil and wash sketch of a standing man in a straw hat and striped suit, one leg resting on a block.

[Elegant w kapeluszu, z laseczką]

Walerian Kryciński, 1880

Watercolor of the Adoration of the Magi: Mary and the Christ child in a shed, kneeling and crowned kings, onlookers, and an o

[Hołd trzech króli, fragment tryptyku Matki Boskiej Bolesnej z kaplicy Świętokrzyskiej w katedrze na Wawelu]

Jan Kanty Wojnarowski, 1850

Watercolour of a uniformed man in blue jacket and shako holding a sword, with a building and trees behind him.

[Policjant Milicji Wolnego Miasta Krakowa z lat 1832-1834 w mundurze letnim ze szpadą w dłoni]

Jan Kanty Wojnarowski, 1840

Pencil drawing of a neogothic church facade with pointed arches, rose window and pinnacles, plus a faint roof sketch.

[Projekt jednonawowego kościoła w stylu neogotyckim - fasada oraz szkic elewacji tylnej]

Sebastian Sierakowski, 1800

Colored architectural elevation of a two-story building with pointed pinnacles and pitched wings, drawn on paper.

[Projekt pałacyku w stylu neogotyckim - elewacja tylna]

Sebastian Sierakowski, 1800

Pink-washed architectural section of a domed temple with colonnades, sculpture, and two obelisks on a long sheet.

[Projekt Świątyni Wdzięczności - przekrój]

Sebastian Sierakowski, 1815

Architectural drawing in ink and wash of a baroque single-nave church longitudinal section with roof framing detail.

[Projekt jednonawowego kościoła w stylu barokowym - przekrój podłużny]

Sebastian Sierakowski, 1772

Pen and wash design of a wall tomb with a winged angel, carved masks, a coat of arms, and handwritten notes.

[Projekt przyściennego nagrobka z rzeźbą anioła oraz herbem Leliwa]

Sebastian Sierakowski, 1800

Watercolor drawing of a recumbent bishop's tomb effigy with mitre, crozier and Latin inscription panels, on a cream mount.

[Nagrobek Jana Chojeńskiego]

Jan Kanty Wojnarowski, 1858

Watercolor drawing of a carved stone epitaph with Latin inscription, acanthus scrolls, skulls and a coat of arms.

[Epitafium Jana Żurkowicza]

Jan Kanty Wojnarowski, 1851

Grey wash drawing of a valley with a thatched cottage, tree clusters on a hill, and distant village rooftops.

Aussicht durch das Lanier Thal auf die Kolonie Einsiedel nahe beim Stadt: Szczerzec

Monogramista Fr. B, 1794

Watercolor interior of a blue-papered room with parquet floor, tiled stove, and a figure at a window, with doors opening into

[Wnętrze mieszkania prof. Brodowicza z sylwetką profesora przygotowywującego poranną kawę]

Aleksander Brodowicz, 1851

Watercolor design of a Latin epitaph panel with scrolled frame and coat of arms above, on cream paper.

[Epitafium Jana Schilinga]

Jan Kanty Wojnarowski, 1851

Pencil study of clasped hands with interlocked fingers resting on an open book, on a cream sheet.

[Studium złożonych dłoni ze splecionymi pacami opartych o książkę]

Piotr Stachiewicz, 1878

Watercolor of a scholar writing at a desk in a green-walled study with portraits, a bust, glass cabinets and a sofa.

[Gabinet prof. Brodowicza w Klinice Chorób Wewnętrznych UJ z uczonym piszącym przy biurku]

Jan Kanty Wojnarowski, 1850

Pencil and white chalk study of a draped cloth with folds and a tied knot, on a tan paper background.

[Studium draperii]

Piotr Stachiewicz, 1878

Watercolor drawing of an ornate Latin memorial epitaph with flaming urns, pediment and heraldic coats of arms.

[Epitafium Andrzeja Żarskiego]

Jan Kanty Wojnarowski, 1840

Watercolor drawing of a stone tomb with a reclining effigy in an arched niche, scrolled crest, and Polish inscription.

[Nagrobek nieznanej kobiety, herbu Nowina]

Jan Kanty Wojnarowski, 1848

Full-length watercolor portrait of a bishop in blue cassock and white surplice, holding a rosary, beside a red-draped table w

[Portret biskupa Piotra Gembickiego]

Jan Kanty Wojnarowski, 1857

Watercolor drawing of a tall funerary monument with arched niches, kneeling figures, statues and a central cross.

[Nagrobek rodziny Cellarich w kościele N.M.P. w Krakowie]

Jan Kanty Wojnarowski, 1842

Watercolor of a man in a blue Kraków militia coat with red trim, holding a brass French horn and sword, on a hill.

[Milicja Krakowska, muzykant w ubraniu codziennym]

Jan Kanty Wojnarowski, 1840

Watercolor of a grenadier in white summer uniform with a tall fur cap, holding a musket and a folded note.

[Milicja Krakowska, grenadier w ubraniu letnim]

Jan Kanty Wojnarowski, 1840

Watercolor drawing of uniformed military officers in colorful period dress with sashes and sabers, standing on grass.

Manewry

Roman Jarosz, 1908

Colored architectural elevation of a palace hall with arched niches, columns, figure sculptures and rococo stucco ornament.

Portion de la décoration de la Grande Salle du nouveau Palais d'Hiver

Bartolomeo Francesco Rastrelli, 1759

Black-and-white print of four men in a tavern: two seated men lean forward, an apron-wearing waiter stands, and a man in a ca

[In Verlegenheit]

Oswald Kresse, 1900

Watercolor of a street seen through a window, with a carriage, pedestrians and an Orpheum restaurant facade.

Widok z mego okna

Celina Dominikowska, 1897

Watercolor and ink drawing of a street beside a church with a green dome and spire, bare trees, and two walking figures.

[Ulica przy kościele]

Ignacy Pinkas, 1919

Wash drawing of a feathered-hat figure in a cloak beside a pale kneeling figure, in brown and grey tones on a mounted sheet.

[Opowieść w ilustracji, część 2]

Cyprian Kamil Norwid, 1880

Wash drawing of a man with a feathered hat holding a staff beside a seated cloaked figure in a dim interior.

[Opowieść w ilustracji, część 3]

Cyprian Kamil Norwid, 1880

Pen and watercolor drawing of a bearded old man with wavy hair in a rose-colored draped cloak, looking to the side.

[Starzec z długą brodą]

Cyprian Kamil Norwid, 1882

Watercolor stage set design showing curtains framing a dusk landscape with willow trees and a domed church.

[Projekt scenografii do "Snu srebrnego Salomei" Juliusza Słowackiego, rys. 5]

Franciszek Siedlecki, 1909

Watercolor of a white manor house with tiled roof and smoking chimney on a grassy hill, with wooden fences and a pink sunset

[Dwór w Grzymałowie]

Władysław Brodowicz, 1850

Hand-coloured 1775 map of a school district with rococo floral borders, compass rose, river network and regional boundaries.

Mapa departementu szkół J. Wielmożnego Imć. Pana Potockiego Pisarza W.W.X. Litt

Adam Kukiel, 1775

Hand-colored technical drawing of a Polish hussar saddle with stirrup and straps, with a rear view below.

[Siodło huzarskie żołnierskie : projekt ilustracji do albumu "Rycerstwo i wojsko polskie od XI wieku do chwili obecnej"]

Bronisław Gembarzewski, 1941

Three numbered lancers on horseback in blue uniforms carry lances with pennants, painted in watercolour against a pale sky.

Wojsko Polskie Księstwo Warszawskie, Ułany

Roman Rupniewski, 1892

Watercolor of Polish lancers in feathered caps charging on horseback across a dusty plain under a warm sky.

[Lekka polska jazda podczas ataku]

Jan Nepomucen Lewicki, 1838

Watercolor of a winged figure on a cloud reaching down to rescue drowning people in waves, with a Latin banner above.

[Trzej aniołowie]

Juliusz Makarewicz, 1912

Watercolor of a wooden cross with kneeling bishop, crowned figures, censer and angels in clouds.

[Chrystus podejmujący Ofiarę Krzyża]

Juliusz Makarewicz, 1912

Pencil and watercolor study of two winged angels and a putto with an amphora, drawn on cloud bases.

[Dwaj aniołowie i putto trzymające emblematy Męki Pańskiej]

Juliusz Makarewicz, 1912

Watercolor of a kneeling saint with halo, pink robe and palm frond seated on a cloud.

Święty Szczepan

Juliusz Makarewicz, 1912

Watercolor ceiling design with three coffered domes, rococo scrollwork and red flower garlands, with Russian inscription belo

Resunok'' dlâ plafonu v'' maluû Gallereû čto podle cerkvi v'' novom'' Zimnem'' Dom[e] Eâ Imperatorskago Veličestva

Serafino Lodovico Barozzi, 1761

Pink building with red roof and tower on a hill, reached by stone stairs between dark cypress trees, in watercolor and pencil

[Kompozycja fantastyczna, gmach mieszkalny na szczycie kręconych schodów, zwieńczony wieżyczką kościoła jezuitów w Wa…

Tadeusz Cieślewski, 1918

Hand-coloured illustration of a brass cavalry bugle shown from several angles, with cords, tassels and a scale bar.

[Trąbka kawaleryjska : projekt ilustracji do albumu "Rycerstwo i wojsko polskie od XI wieku do chwili obecnej"]

Bronisław Gembarzewski, 1941

Pen and wash design for an oval ceiling with a central foliage panel, a peacock, scrollwork, garlands and figure medallions.

Pittura da farsi, nella volta della Camera Ovale

Vincenzo Brenna, 1781

Hand-coloured floor design drawing with symmetrical scrolls, rosettes and stars in brown, red and yellow, with a scale bar.

[Pałac Zimowy Czwarty, projekty posadzek do wnętrz w skrzydle południowym, posadzka sali nr 11]

Bartolomeo Francesco Rastrelli, 1762

Pencil drawing of a tall stone column topped by a canopy and a religious statue with small flanking figures.

W Ratułowie

Władysław Skoczylas, 1913

Pencil drawing of a carved wayside shrine with a cross finial and a standing religious figure in its panel.

[Kapliczka w Sieniawie]

Władysław Skoczylas, 1913

Painted devotional image of the Holy Family seated at a table with fruit, against a blue floral background with gold border.

Święta Rodzina : z kaplicy przydrożnej, wieś Gorzałków, powiat opoczyński

Szymon Poprzęcki, 1888

Colored design drawing of a symmetrical floor pattern with scrolls and quatrefoils in brown, cream, red and yellow, with a sc

[Pałac Zimowy Czwarty, projekty posadzek do apartamentów mieszkalnych cesarzowej Elżbiety Piotrowny, posadzka sali nr 7]

Bartolomeo Francesco Rastrelli, 1762

Ink elevation drawing of an ornate garden grotto facade with a central dome, statues on a balustrade and arched doorways.

Facade de la Grande Grot qui a eté batie dans le vieux jardin du Sarskezelau

Bartolomeo Francesco Rastrelli, 1749

Ink and wash architectural elevation of a neoclassical theatre with columns, pediment sculpture and rooftop statues, 1791.

[Projekt przebudowy Teatru Narodowego przy Placu Krasińskich w Warszawie, fasada teatru]

Stanisław Kostka Potocki, 1791

Hand-coloured technical plate showing a mantelzak with hooks, a canvas fodder bag, and a copper kettle, with a 1:5 scale bar.

[Mantelzak, płócienna torba do furażu i miedziany kociołek : projekt ilustracji do albumu "Rycerstwo i wojsko polskie…

Bronisław Gembarzewski, 1941

Coloured drawing of a Polish guard cavalry saddle cloth with yellow striped border, gold crown emblem and scale bar.

[Czaprak żołnierski pułku jazdy gwardii : projekt ilustracji do albumu "Rycerstwo i wojsko polskie od XI wieku do chw…

Bronisław Gembarzewski, 1941

Hand-coloured technical drawing of a Polish military shoulder strap, sword knot and sword hilt with a scale bar.

[Pendent żołnierski i temblak : projekt ilustracji do albumu "Rycerstwo i wojsko polskie od XI wieku do chwili obecnej"]

Bronisław Gembarzewski, 1941

Watercolor of a haloed angel with a scroll above a rocky mound of sprawled figures, putti, and an overturned basket.

[Anioł i dwa putta trzymające emblematy Męki Pańskiej]

Juliusz Makarewicz, 1912

Watercolor drawing of a white cross with palm fronds, a banner reading Victoria multis, and robed and armored figures below.

Victoria multis

Juliusz Makarewicz, 1912