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Polona (Biblioteka Narodowa)

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Pencil sketch of a rural farmstead with a gabled roof, surrounded by tall trees, shrubs, and a wooden fence on a dirt path.

[Krajobraz wiejski z gospodarstwem otoczonym drzewami i krzewami]

Józef Ignacy Kraszewski, 1850

Ink and watercolor elevation of a garden outbuilding with a gabled roof, arched windows, and a wall with an iron gate.

Officyna Ogrodowa

Sebastian Sierakowski, 1772

Watercolor design of a marble funerary epitaph with two inscribed tablets, columns, and heraldic shields on a pediment.

[Epitafium Stanisława i Władysława Fogelwederów]

Jan Kanty Wojnarowski, 1840

[Grupa postaci siedzących i stojących pod drzewem, na tle pejzażu]

Józef Ignacy Kraszewski, 1840

Colored architectural elevation of a symmetrical palace facade with a central pediment, mansard roof, and scale bar.

[Projekt pałacu z herbem Szreniawa umieszczonym w kartuszu na fasadzie]

Sebastian Sierakowski, 1770

Watercolor drawing of a gilt-framed memorial plaque with Latin inscription under a scrolled pediment against brick.

[Epitafium Stanisława Radoszyckiego]

Jan Kanty Wojnarowski, 1840

Pen drawing of a thatched cottage and trees by a lake, with a ruined castle on a hill in the distance.

[Pejzaż z chatą i ruinami zamku]

Józef Ignacy Kraszewski, 1840

Colored architectural floor plan with lettered rooms, staircases and a central courtyard, labeled Plan Nro. A.

[Plan ratusza, rzut parteru]

Sebastian Sierakowski, 1820

Watercolor drawing of a stone effigy of a crowned king holding an orb and scepter, set in a Gothic niche.

[Postać króla Władysława Łokietka z grobowca w katedrze na Wawelu]

Jan Kanty Wojnarowski, 1857

Pencil portrait study of a young woman with upswept hair and ruffled collar, with two smaller head studies below.

[Studium portretowe młodej kobiety]

Piotr Stachiewicz, 1878

Watercolor elevation of a neo-Gothic palace with pointed arches and corner tower, above two floor plans with a numbered legen

[Projekt i rzut pałacyku w stylu neogotyckim]

Sebastian Sierakowski, 1800

Watercolor drawing of a stone tomb with a reclining armored effigy, heraldic shield, skull, and lion supports in an arched ni

[Nagrobek Walentego Dembińskiego, kasztelana krakowskiego w katedrze na Wawelu]

Jan Kanty Wojnarowski, 1845

Sheet of pencil and watercolour studies of folk costume figures, women in headscarves, and two men in long coats, 1879.

[Studia typów ludowych z okolic Tarnopola oraz postaci dwóch szlachciców z obrazu w tarnopolskiej cerkwi]

Piotr Stachiewicz, 1879

Pen and wash drawing comparing five column orders labeled Toscana, Dorica, Jonica, Romana and Corinthica, with dimension note

[Projekt kolumn w pięciu porządkach architektoniczych]

Sebastian Sierakowski, 1800

Watercolor drawing of a Latin epitaph tablet for Jan Alantsee on a brick wall with a pale ochre border.

[Epitafium Jana Alantsee]

Jan Kanty Wojnarowski, 1840

[Portret Bohdana Chmielnickiego i portret Walentego Dembińskiego]

Piotr Stachiewicz, 1878

Pencil architectural drawing of a house elevation with roof and a floor plan with Polish room labels on aged paper.

[Projekt elewacji domu oraz jego rzut]

Sebastian Sierakowski, 1801

Watercolor design of a memorial epitaph with two oval portrait medallions, a winged cherub, a shield and an inscribed cartouc

[Epitafium Mikołaja Korycińskiego i jego żony Barbary]

Jan Kanty Wojnarowski, 1846

Watercolor of a street in Kraków with a domed church, a red brick Gothic church, and small figures in period dress.

[Widok kościoła dominikanów w Krakowie, po pożarze, od południowej strony]

Bogumił Gąsiorowski, 1850

Architectural drawing of a monument with two elevations, relief panels, and a colored floor plan with a central fountain.

[Projekt studni-pomnika unii Polski z Litwą z dwoma rozwiązaniami elewacji]

Sebastian Sierakowski, 1816

Watercolor of a bearded man in a fur-trimmed robe beside an altar with a crucifix and mitre, with a Latin inscription below.

[Epitafium Jakuba ze Skaryszewa]

Jan Kanty Wojnarowski, 1840

Pencil drawing of a standing man in a pointed hat and cloak holding a staff, with a covered cart and smoke beside him.

[Pasterz Stepowy]

Prosper Gorsʹkij, 1840

Hand-coloured neo-Gothic well monument design with spires, statues and relief scenes, plus a floor plan and scale bar.

[Projekt studni-pomnika w stylu neogotyckim z płaskorzeźbami przedstawiającymi sceny z legendarnej historii Polski]

Sebastian Sierakowski, 1816

Watercolor of a gray marble tomb plaque with a coat of arms in a laurel wreath and a Latin inscription.

[Płyta nagrobna Anny Konstancji Przerembskiej]

Jan Kanty Wojnarowski, 1839

Pen and ink drawing of three men around a piano, one raising an arm, with handwritten names beneath.

[Trzech mężczyzn przy fortepianie]

Józef Szymon Kurowski, 1844

Grey wash portrait of a bearded man in a fur hat and fur-collared cloak, inside an oval frame on a green mount.

Princeps Samuel Korecki mor. 1651

Michał Stachowicz, 1820

Watercolor design of a baroque-framed epitaph with Latin inscription, shell crest and scroll ornaments on pale paper.

[Epitafium Grzegorza Gorczyńskiego]

Jan Kanty Wojnarowski, 1851

Hand-colored technical drawing of numbered boring tools, hooks, and a tripod hoisting apparatus with windlass, labeled in Ger

Bohr zeug

Sebastian Sierakowski, 1800

Watercolor botanical study of a green begonia leaf with pale radiating veins and a pointed tip, captioned below.

Begonia [...]

George De Alwis, 1895

Watercolor drawing of a tomb monument with a recumbent armored knight, flanking busts, a heraldic crest and a cross on top.

[Nagrobek Franciszka Wesseliniego w kościele oo. franciszkanów w Krakowie]

Jan Kanty Wojnarowski, 1841

Pencil sketch of a chapel wall design with a central sunburst, oval medallions, and a handwritten Polish caption below.

Ściana koło tey Kapliczki, gdzie się Xiądz do Mszy ubierać będzie

Sebastian Sierakowski, 1804

Watercolor botanical illustration of a red Ixora coccinea branch with clusters of flowers and green leaves on a cream page.

Ixora coccinea

George De Alwis, 1893

[Epitafium Elżbiety z Tarnowskich Pieniążkowej]

Jan Kanty Wojnarowski, 1850

Colored architectural section drawing of a single-nave baroque church with arched windows, pilasters and a gray roof.

[Projekt jednonawowego kościoła w stylu barokowym - przekrój podłużny]

Sebastian Sierakowski, 1790

Watercolor botanical drawing of two white flowers with magenta centers, green buds and dark green leaves on a page.

[Rysunek botaniczny]

George De Alwis, 1893

Watercolor drawing of a pink tablet with a Latin epitaph in capital letters, on a pale ochre background and cream mount.

[Epitafium Stanisława Grotkowskiego]

Jan Kanty Wojnarowski, 1840

Pencil architectural drawing of a classicist church facade with pediment, arched doorway, bell openings and a tapering dome.

[Projekt jednonawowego kościoła w stylu klasycystycznym - fasada]

Sebastian Sierakowski, 1790

Watercolor botanical study of a Salacia reticulata branch with orange and green fruits and green leaves on a cream page.

Salacia reticulata

George De Alwis, 1893

Watercolor design of a grey stone epitaph with a small oval portrait of a woman, a cross, flaming urns and inscription panel.

[Epitafium Jadwigi Łochyńskiej]

Jan Kanty Wojnarowski, 1864

[Studium drzewa i szkic kobiety ujętej w całej postaci z profilu, w prawą stronę]

Józef Ignacy Kraszewski, 1866

Watercolor botanical drawing of a yellow Solandra grandiflora flower with frilled petals and large green leaves on a branch.

Solandra Grandiflora

George De Alwis, 1893

Watercolor of brick castle ruins with a fisherman on rocks, a rowboat with a woman, and a grassy hill.

Widok ruin zamku w Kownie

Edward Walenty Kainko, 1843

Grey wash drawing of a bearded man in a crown and robe, in an oval frame, with a Latin caption below.

Casimirus Jagiełło Rex Poloniae M. Dux Lituaniae

Michał Stachowicz, 1820

Watercolor botanical study of a tamarind branch with hanging brown pods, green leaves, and small flowers.

Tamarindus indica

George De Alwis, 1893

Ink and wash floor plan of a house with a courtyard and rooms, labeled in Italian, on a light paper sheet.

Casa di sopra prima della Chiesa

Sebastian Sierakowski, 1750

Oval brown ink portrait of a bishop with curly hair, white collar and cross pendant, inscribed with a Latin name.

Maciejowski Samuel Episcopus Cracoviensis Cancellarius Regni Poloniae Mortuus a: 1550

Michał Stachowicz, 1820

Watercolor drawing of a Dendrobium formosum orchid stem with two pale blue-white flowers and yellow lips above dark green lea

Dendrobium formosum

George De Alwis, 1893

Architectural elevation of a manor house with a pink roof, pilasters, dormers and side wings, with a scale bar below.

[Projekt elewacji budynku dworskiego]

Sebastian Sierakowski, 1801

Grey wash drawing of a bishop in an oval frame, wearing a skullcap, buttoned cassock and cross on a chain, looking downward.

Ioannes Konarski Princeps Episcopus Cracoviensis

Michał Stachowicz, 1820

Watercolor botanical plate of Calathea baraquinii with two striped leaves, a white flower cluster and a reddish stem on cream

Calathea Baraquinii

George De Alwis, 1893

Pen and wash architectural drawing of a wall tomb with mourning female figures, a portrait medallion, and an urn above.

[Projekt oraz rzut przyściennego nagrobka z dwoma rzeźbami płaczek oraz portretem zmarłego w medalionie]

Sebastian Sierakowski, 1800

Ink drawing in an oval frame of a bearded man in a fur-trimmed garment with ornate buttons, inscribed with his name below.

Martinus Kalinowski Dux Campestris Regni Poloniae

Michał Stachowicz, 1820

Watercolor botanical drawing of Heliconia brasiliensis with stacked orange-red bracts on green stems, numbered 67 at top righ

Heliconia Brasiliensis

George De Alwis, 1893

Pencil sketch of a bearded older man in three-quarter view, drawn loosely on pale tracing paper.

[Autoportret - szkic]

Józef Ignacy Kraszewski, 1879

Ink and watercolor plan of a bastioned fortification with layered ramparts, a road, and a scale bar, on a page numbered 44.

[Narys fortyfikacji bastionowej]

CFS, 1675

Watercolor botanical study of a pink and purple passion flower with lobed leaves, tendrils and a closed bud on a cream page.

Passiflora

George De Alwis, 1893

Pencil sketch of a rural scene with a wooden fence, barrel, trough, tall trees and a small church tower in the distance.

[Pejzaż wiejski]

Józef Ignacy Kraszewski, 1840

Architectural drawing of an outbuilding with a side section above and a long front elevation below, showing windows, dormers

[Projekt budynku gospodarczego - dwie elewacje]

Sebastian Sierakowski, 1801

Botanical watercolour of a Lansium domesticum branch with clusters of yellow fruit, leaves, a fruit cross-section and a seed.

Lansium domesticum

George De Alwis, 1893

Watercolor of a ruined red brick arch on a hill with fallen bricks, trees, and a distant town seen through the opening.

Zwaliska na wyspie pod Lenną górą o półtorej mili od Gniezna odległej

Edward Walenty Kainko, 1843

Architectural elevation and ground plan of a classical residence with pedimented wings, columns, and a central arched entranc

[Proiekt Facyiaty Rezydencyi]

Sebastian Sierakowski, 1790

Watercolor of a yellow Allamanda nobilis flower with green leaves and stem, captioned in cursive on an album page.

Allamanda nobilis

George De Alwis, 1893

Watercolor of a ruined Gothic castle with pointed windows beside a river, with trees and a farmhouse in the distance.

Zamek w Borysławicach

Edward Walenty Kainko, 1843

Pencil sketch of a two-storey villa among trees beside water, with a small boat and a fishing net in the foreground.

[Jednopiętrowa willa otoczona drzewami i położona nad wodą]

Józef Ignacy Kraszewski, 1850

Faint architectural drawing of a monument with a column on a pedestal topped by a cross, on pale paper with handwritten notes

[Projekt pomnika w formie korynckiej kolumny ustawionej na cokole zwieńczonej krzyżem z glorią]

Sebastian Sierakowski, 1770

Watercolor drawing of a neoclassical building with red tiled roof, columned entrance, garden lawn and two figures.

[Klinika chorób wewnętrznych Uniwersytetu Jagiellońskiego, przy ul. Kopernika w Krakowie]

Jan Kanty Wojnarowski, 1846

[Portret sylwetowy nieznanego mężczyzny]

Peter Ernst Rockstuhl, 1904

Watercolor copy of a medieval scene: a haloed man in blue before a seated ruler in orange robes, with armored soldiers behind

[Chrystus przed Kajfaszem] : [kopia obrazu z kościoła Św. Idziego w Krakowie]

Antoni Oborski, 1857

Watercolor design of a baroque memorial epitaph with gilded angels, an oval portrait of a cleric, and a Latin inscription pla

[Epitafium Jacka Augustyna Łopackiego]

Jan Kanty Wojnarowski, 1863

Sepia wash drawing of a symmetrical Gothic Revival palace facade with spires, crenellations and a central entrance staircase.

[Projekt pałacu generała Ludwika Michała Paca w Dowspudzie]

Enrico Marconi, 1825

Watercolor portrait of a young man with brown hair and a black neckerchief, signed ND, with the inscription M.M. + 1834 below

M.M. + 1834 r

Monogramista ND, 1840

Watercolor drawing of a Latin epitaph inscription in a gold decorative frame on a pink background.

[Epitafium Łukasza Podoskiego]

Jan Kanty Wojnarowski, 1840

Architectural drawing with three stacked floor plans in ink and watercolor, labeled in Polish with room names and numbers.

[Projekt Bursy Pauperum - 3 rzuty kondygnacji]

Sebastian Sierakowski, 1800

Okno w Zamku królewskim na pierwszym piętrze Galeryi ku stronie południowej

Teofil Żebrawski, 1846

Watercolor drawing of a marble funerary monument with a trumpet-blowing angel, a medallion portrait, and seated allegorical f

[Nagrobek Konstantego Felicjana Szaniawskiego]

Jan Kanty Wojnarowski, 1854

Ink and wash architectural drawing of a Tuscan column with elevations, sections and plan, annotated with dimensions.

Kolumna Toscana

Sebastian Sierakowski, 1800

Pencil sketch of a low manor house with a pedimented porch, tall trees, a picket fence and benches, dated 1847.

[Dołhe, dwór Kraszewskich]

Józef Ignacy Kraszewski, 1847

Watercolor drawing of a gilded epitaph with Latin inscription, allegorical figures, risen Christ, angels and coat of arms.

[Epitafium Katarzyny Zebrzydowskiej]

Jan Kanty Wojnarowski, 1860

Pen and wash drawing of two baroque column monuments with Virgin statues, elevations and floor plans below.

[Dwa projekty rzeźb Matki Boskiej w typie Immaculata na wysokich dekorowanych postumentach wraz z rzutami]

Sebastian Sierakowski, 1769

Watercolor of a brick church with a tall tower, two small figures on a cobbled path, poplars and a cloudy sky.

[Kościół św. Krzyża w Krakowie około poł. XIX w.]

Bogumił Gąsiorowski, 1850

Watercolor drawing of an ornate epitaph tablet with Latin inscription in a scrolled frame, on cream paper.

[Epitafium Jana Grodzickiego w kościele oo. Dominikanów w Krakowie]

Jan Kanty Wojnarowski, 1840

Pencil sketch of a rural landscape with a fence, trees, and small figures on cream paper.

[Krajobraz wiejski - szkic koncepcyjny]

Piotr Stachiewicz, 1878

Pen and brown ink drawing of a trapezoid cartouche with a central animal head flanked by scrolling leaf ornament.

[Rysunek kartusza z ornamentu rollwerkowego z głową zwierzęcą umieszczoną w centrum]

Michał Adam Sozański, 1887

Watercolor portrait of a seated elderly bishop in grey robes with a rosary, beside a crucifix and open book, with a Latin ins

[Portret biskupa Piotra Myszkowskiego]

Jan Kanty Wojnarowski, 1854

Pencil sketch of three standing saints in ornate robes, two with mitres and crosiers, and a crowned figure at left.

[Święty Kazimierz, św. Wojciech i św. Stanisław - szkice postaci]

Piotr Stachiewicz, 1878

Botanical painting of a spiny durian fruit with white flowers, green and brown leaves on a cream page.

Durio Zibethinus

George De Alwis, 1893

Watercolor portrait of a bearded man in a red fur-trimmed robe, fur hat with feather plume, and yellow shoes.

[Portret króla Stefana Batorego według obrazu Marcina Kromera]

Jan Kanty Wojnarowski, 1840

Pencil sketch of a young peasant woman carrying buckets on a yoke, with a small landscape of trees and a cottage.

[Młoda chłopka niosąca skopki i szkic pejzażu]

Piotr Stachiewicz, 1878

Watercolor botanical study of a branch with glossy green leaves and a large orange-red fruit, labeled Wiloughbeia Zeylanica.

Wiloughbeia Zeylanica

George De Alwis, 1893

Watercolor drawing of a wall tomb with an oval portrait medallion of a bearded man and a Latin inscription panel.

[Nagrobek przyścienny Stanisława Bojanowskiego w krużgankach oo. Dominikanów w Krakowie]

Jan Kanty Wojnarowski, 1845

Pen and wash bird's-eye drawing of a walled Swiss town with a church tower, houses, and surrounding fields and trees.

Zoffingnen Ville de la Suisse

Michał Stachowicz, 1800

Watercolor botanical drawing of white and yellow Plumeria acutifolia flowers with green leaves and a cut branch.

Plumeria acutifolia

George De Alwis, 1893

Watercolor drawing of a stone epitaph with Latin inscription and an oval portrait of a young man in a red coat.

[Epitafium Michała Parisa]

Jan Kanty Wojnarowski, 1840

Pen drawing of six numbered soldiers in 1808 uniforms with plumed shakos, muskets, and a cannon at right.

Regiment Tambor Szaper Granadier Filizyer [...]

Michał Stachowicz, 1808

Watercolor of a potted arum-type plant with broad green leaves and a dark brown hooded flower with a curved spadix.

[Roślina w doniczce, rysunek botaniczny]

George De Alwis, 1893

Watercolor drawing of an ornate epitaph cartouche with a bearded man's portrait medallion and a Latin inscription panel.

[Epitafium Jana Vertemy]

Jan Kanty Wojnarowski, 1840