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Polona (Biblioteka Narodowa)

62 works

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Engraving of an 18th-century printing workshop with two workers, a large tub and printing tools, plus detailed tool diagrams

Imprimerie : tremperie et lavage des formes

Robert Bénard, 1769

Woodcut vignette of the Nativity of Mary, with attendants washing an infant in an interior, framed by floral scrollwork.

[Zastawka z przedstawieniem narodzin Marii]

Unknown artist, 1720

Woodcut vignette of the Crucifixion in an oval medallion, framed by a dark border of grapevines and acanthus scrolls.

[Zastawka z przedstaweniem "Ukrzyżowania" i ornamentem floralnym]

Pen and wash drawing of a baroque church tower design with two dominican saint statues and a floor plan below.

[Projekt wieży kościelnej z rzeźbami świętych dominikańskich - Jacka i Iwona]

Sebastian Sierakowski, 1770

Woodcut vignette of three haloed angels in a circle framed by floral and scroll ornaments, with palm fronds.

[Zastawka z przedstawieniem zastępów niebieskich]

Unknown artist, 1720

Engraved map strip of the Dnieper river with mountains, forests, labels, a legend box and a decorative cartouche below.

Boristhenis perrines

Michał Stachowicz, 1800

Pencil architectural drawing of a baroque altar with a column, saint statue, rocaille ornament and an arch detail below.

[Projekt oraz rzut ołtarza z rzeźbą Św. Pawła]

Sebastian Sierakowski, 1769

Scan of a 1722 printed Cyrillic liturgical page with an ornamental header and large decorative initial letter.

[Zastawka z przedstawieniem Matki Boskiej]

Unknown artist, 1722

Watercolor ceiling design with three coffered domes, rococo scrollwork and red flower garlands, with Russian inscription belo

Resunok'' dlâ plafonu v'' maluû Gallereû čto podle cerkvi v'' novom'' Zimnem'' Dom[e] Eâ Imperatorskago Veličestva

Serafino Lodovico Barozzi, 1761

Pencil drawing of a rococo altar design with a dove in radiating light, angels, and a cross, with a scale bar below.

[Projekt ołtarza Świętej Trójcy w stylu regencyjnym]

Sebastian Sierakowski, 1769

Pen and wash drawing of a draped bearded saint on a pedestal with a winged cherub beside him.

St. Mateo

Bartolomeo Carlo Rastrelli, 1736

Watercolour design for an arched vault with arabesque and grotesque ornament, garlands, a floral urn and a small statue.

[Projekty polichromii do pałacu zwanego Bażantarnią, później Natolinem, sala sklepiona, projekt arabeskowo-groteskowe…

Vincenzo Brenna, 1781

Faint pale drawing of a row of farm building elevations with gabled roofs on aged paper, with a library stamp.

[Projekt budynków folwarcznych]

Sebastian Sierakowski, 1800

Pen drawing of a baroque funerary monument with a skull-topped pedestal, winged allegorical figures, and putti beneath a cano

[Projekty nagrobka marszałka Noëla Bouton de Chamilly, rozwinięcie kompozycji z ukazaniem usytuowania nagrobka w nawie]

Bartolomeo Carlo Rastrelli, 1715

Ink and wash elevation drawing of an ornamental iron fence and gate with stone pillars topped by birds and urns, plus pillar

[Projekt i rzut ogrodzenia wraz z bramą dla P. Grabińskiego z Trzebuszki pod Sokołowem]

Sebastian Sierakowski, 1771

Ink and watercolor elevation of a garden outbuilding with a gabled roof, arched windows, and a wall with an iron gate.

Officyna Ogrodowa

Sebastian Sierakowski, 1772

Pencil design drawing of a rococo altar elevation with angels and a floor plan below, by Sebastian Sierakowski, 1769.

[Projekt ołtarza głównego oraz bocznego stojących w prezbiterium wraz z rzutami]

Sebastian Sierakowski, 1769

Pencil drawing of a triangular pediment decorated with helmet, shields, spears, cannons and drums as military trophies.

[Projekt dekoracji frontonu]

Sebastian Sierakowski, 1800

Pencil architectural drawing of an altar with columns, rococo scrollwork and a sunburst glory, with a scale bar.

[Projekt oraz rzut ołtarza z glorią w zwieńczeniu]

Sebastian Sierakowski, 1769

Pencil drawing of a rococo frame with two winged putti, scrollwork and rosettes, with a scale bar below.

[Projekt ołtarza dekorowanego rzeźbami puttów]

Sebastian Sierakowski, 1769

Architectural elevation drawing of a palace with a central pedimented portico, mansard roof and dormers, in muted watercolor.

[Projekt pałacu dla starosty smolińskiego Grabińskiego do Trzebuszki]

Sebastian Sierakowski, 1771

Pencil design drawing of an ornate altar pilaster with an angel figure, cherub, and rococo scrollwork beside a scale bar.

[Projekt ołtarza w stylu regencyjnym]

Sebastian Sierakowski, 1769

Watercolor architectural drawing of a wooden chapel with front elevation, octagonal cross-shaped floor plan, and interior sec

[Projekt, rzut oraz przekrój podłużny drewnianej kaplicy na planie oktogonu krzyżowego]

Sebastian Sierakowski, 1800

Pen and wash drawing of two ornate pedestals topped with Virgin Mary statues, with floor plans below and a central scale bar.

[Dwa projekty rzeźb Matki Boskiej na wysokich dekorowanych postumentach wraz z rzutami]

Sebastian Sierakowski, 1769

Architectural drawing with floor plan above elevation of a palace with two side pavilions and a colonnaded centre.

[Projekt oraz rzut pałacu z dwoma ryzalitami bocznymi]

Sebastian Sierakowski, 1800

Pencil drawing of a rococo pilaster with scrollwork, a cherub head, and a scale bar with a partial plan below.

[Projekt oraz rzut ołtarza w stylu regencyjnym]

Sebastian Sierakowski, 1769

Pencil drawing of a Baroque altar with fluted column, cherub heads, rocaille ornament and a standing saint figure.

[Projekt oraz rzut ołtarza w stylu regencyjnym z rzeźbą świętego]

Sebastian Sierakowski, 1769

Ink and wash floor plan of the church of St Stanislaus showing nave pews, an apse altar and a side sacristy.

Pianta della Regia Chiesa di S Stanislao de Polachi

Sebastian Sierakowski, 1750

Ink and wash architectural drawing of a classical elevation with columns, balustrade, urn finials and a floor plan below.

[Budowla w stylu jońskim - fragment elewacji oraz jej rzut]

Sebastian Sierakowski, 1800

Colored architectural side elevation of a towerless church with red roof, dormers, green pilasters and a small bell turret.

[Projekt bocznej elewacji bezwieżowego kościoła]

Sebastian Sierakowski, 1770