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National Gallery of Art

25,760 works

Engraving of a man and woman in an elegant interior, she pulling back a curtain, within an ornate oval frame with floral garl

L'indiscret

François Marie Isidore Queverdo

Engraving of two women in a draped bedchamber, one reclining on a daybed and one seated reading a letter, within an oval laur

Nouvelles du bien-aimè

François Marie Isidore Queverdo

Engraving of two women in a canopied bed interior, one reading a letter, inside an oval frame with a cherub medallion.

Nouvelles du bien-aime

François Marie Isidore Queverdo and Antoine Louis Romanet

Engraving of a reclining woman on a bed with a standing man behind curtains, within an oval floral frame.

Le sommeil interrompu

Jean Dambrun after François Marie Isidore Queverdo, 1787

Au moins soyez discret (At Least Be Discreet!)

Augustin de Saint-Aubin, 1789

Engraved oval portrait of a young man in a waistcoat with a rose, fingers raised to his lips, with a cherub medallion below.

Comptez sur mes sermens (You May Count on Me!)

Augustin de Saint-Aubin, 1789

Louise Emilie Baronne de ***

Augustin de Saint-Aubin, 1779

Adrienne Sophie Marquise de ***

Augustin de Saint-Aubin, 1779

Oval engraved portrait of a woman in a ruffled bonnet and frilled lace collar, set within a striped circular border.

Derniere heure de la Baronne de Rebecque

Augustin de Saint-Aubin, 1780

Engraving of an 18th-century ballroom with dancing couples in formal dress beneath crystal chandeliers and draped curtains.

Le bal pare

Antoine-Jean Duclos after Augustin de Saint-Aubin, 1774

Engraving of an elegant 18th-century salon concert with seated audience, harpsichord, harp, violinists, and classical columns

Le concert

Antoine-Jean Duclos after Augustin de Saint-Aubin, 1774

Hand-coloured portrait print of a young woman with curly hair and a white headscarf, in an oval frame with a name cartouche.

Marie-Thérèse-Charlotte, Duchess of Angoulême

Christian von Mechel after Antoine-François Sergent, 1795

Engraved print of a seated woman with a tall hairstyle and a snake, in an oval wooded vignette with floral frame.

Le danger des bosquets

Pierre Adrien Le Beau after Nicolas Tanché

Engraved oval portrait of a seated woman in a flowered hat beside a birdcage, framed by roses and a dedication plaque.

Le desirs naissants

Pierre Adrien Le Beau after Nicolas Tanché

Oval print portrait of a woman with curled powdered hair, white ruffled dress and pink sash against a dark background.

Frederica Sophia Wilhelmina of Prussia, Princess of Orange Nassau

Charles-Melchior Descourtis after Friedrich Tischbein, 1791

Colored print of two women in a period interior, one holding an infant toward a seated woman in a plumed hat.

Le dejeuner de Fanfan

Jean-Baptiste Mallet after Henri Nicolas van Gorp

Hand-colored print of a garden with a man in a blue coat, two women, a stone statue, a tree, and ruined arches.

La statue du dieu Pan (Statue of the God Pan)

after Henri Nicolas van Gorp

Engraved portrait of a woman in a bonnet and white dress holding a sprig of flowers, with shrubbery and clouds behind her.

La Belle Jardinière - Madame de Pompadour

Jean-Louis Anselin after Carle Van Loo, c.1782-1788

Hand-coloured stipple portrait of a young man in a red coat and blue sash within an oval, labelled Louis Auguste, Dauphin de

Louis-Auguste, Dauphin de France

Louis-Marin Bonnet after Louis Michel Van Loo, 1770

Engraving of two seated women and a standing man in a garden beside a classical statue on a pedestal among trees.

La soiree du Palais Royal

Jean Gabriel Caquet after François-André Vincent

Engraved oval portrait of J.J. Rousseau in a powdered wig and coat, with a caption plaque reading J.J. Rousseau below.

Frontispiece: J.J. Rousseau

Augustin de Saint-Aubin after Maurice-Quentin de La Tour, 1777

Engraving of a helmeted warrior goddess with a spear guiding two women away from cupids near a classical rotunda.

Frontispiece: Aidé de la sagesse, on se sauve de l'amour dans les bras de la raison

Antoine-Jean Duclos after Jean-Michel Moreau, 1777

Engraving of a couple embracing in a garden by a column, with a second woman looking on at right.

Sans rien comprendre à ce mystère

Noël Le Mire after Jean-Michel Moreau, 1773

Engraving of three men in 18th-century dress at a candlelit table, one gesturing sharply toward another in a curtained room.

La provocation

Antoine-Jean Duclos after Jean-Michel Moreau

Engraving of a startled man in a coat and two women in silk gowns in a paneled room, with a fan dropped on the floor.

Le soufflet

Noël Le Mire after Jean-Michel Moreau, 1774

Engraving of a seated man at a table with candlesticks while a standing man in a tricorn hat gestures toward him.

Ah! Jeune homme à ton bienfaiteur

Nicolas Delaunay after Jean-Michel Moreau, 1774

Engraving of a gentleman in a tricorn hat descending stairs as elegantly dressed women and men watch from a doorway.

Saint-Preux sort de chez des femmes du monde

Nicolas Delaunay after Jean-Michel Moreau, 1776

Engraving of a bedroom scene: a man kisses a reclining woman's hand beside a canopied bed while two women look on.

L'inoculation de l'amour

Noël Le Mire after Jean-Michel Moreau, 1775/1776

Engraving of an elegant couple by a garden gate under a tree, with a dog, a gesturing man, and a servant near a carriage.

La confiance des belles âmes

Antoine-Jean Duclos after Jean-Michel Moreau, 1777

Engraving of a woman in a rowboat in rough water, a man raising an oar, and rocky shore with mountains behind.

La barque

Noël Le Mire after Jean-Michel Moreau, 1777

Engraving of two women in 18th-century gowns beside a curtained room, with a man leaning over a harpsichord and a cello nearb

Il appliqua sur cette main un baiser que je sentis sur mon coeur

Nicolas Delaunay after Jean-Michel Moreau, 1777

Engraving of fashionably dressed figures on a grassy bank, a woman leaping toward a splashing figure in water beside a tree.

Elle s'élance après lui

Antoine-Jean Duclos after Jean-Michel Moreau, 1777

Engraving of a woman fainting into an armchair by an open window while figures in period dress gather around her.

Julie s'évanouit dans un fauteuil

Noël Le Mire after Jean-Michel Moreau

Engraving of a canopy bed scene with a dying woman, a man beside her, and two distressed women reaching through the curtains.

Mort de Julie

Robert Delaunay after Jean-Michel Moreau

Engraved interior with a couple at a tea table, two children playing, and a canopied bed at left.

Voilà la règle de la nature, pourquoi la contrariez-vous?

Jean-Baptiste Blaise Simonet after Jean-Michel Moreau, 1777/1778

Engraving of a farmer with a shovel, a boy pouring water, and a gentleman in a tricorn hat beside a cottage and trees.

Chacun respecte le travail des autres, afin que le sein soit en sûreté

Pierre-Philippe Choffard after Jean-Michel Moreau, 1777/1779

Engraving of boys racing in a village yard before a thatched house, with onlookers, a dog and a large tree.

Piqué de ma raillerie, il s'évertue et remporte le prix

Nicolas Delaunay after Jean-Michel Moreau, 1778

Engraving of two 18th-century men on a forest path, one pointing toward a distant town with a steeple beneath large trees.

Courons vîte: l'astronomie est bonne à quelque chose

Noël Le Mire after Jean-Michel Moreau, 1778

Engraving of two men in 18th-century dress by a tree, gesturing toward a mountain valley with a river and village below.

La nature étaloit à nos yeaux toute sa magnificence

Jean-Baptiste Blaise Simonet after Jean-Michel Moreau, 1778

Engraving of two 18th-century men with rifles and a dog in a field, a pheasant in bushes, and a distant hunter under cloudy s

Un violent exercice étouffe les sentimens tendres

Noël Le Mire after Jean-Michel Moreau, 1778

Engraving of a picnic under a large tree, with a man pouring wine for a seated woman while sheep graze nearby.

Les folâtres jeux sont les premiers cuisiniers du monde

Robert Delaunay after Jean-Michel Moreau, 1778

Engraving of five people dining at a draped table in an interior, with a standing woman in period dress near an open door.

Sophie remettez-vous

Nicolas Delaunay after Jean-Michel Moreau, 1779

Engraving of elegantly dressed couples in a columned hall, one man gesturing toward a garden doorway, dated 1779.

Il en est nâvré, je l'entraine avec peine

Noël Le Mire after Jean-Michel Moreau, 1779

Engraving of a weeping woman and a gesturing man beside a large tree and a village cottage, 1779.

Le Devin du Village (Colette Weeping)

Pietro Antonio Martini after Jean-Michel Moreau, 1779

Engraving of a seated person before a mirror as a standing gentleman gestures in an ornate 18th-century room.

L'amant de lui-mesme

Jean-Baptiste Blaise Simonet after Jean-Michel Moreau, 1778

Engraving of a fur-clad figure gesturing to European men beside a palisade, with a ship and cannon on the shore.

Discours sur l'égalité des conditions: Il retourne chez ses égaux

Nicolas Delaunay after Jean-Michel Moreau, 1778

Engraving of Pygmalion: a nude woman steps from a pedestal as a kneeling man reaches toward her beside draped curtains and co

Pygmalion

Noël Le Mire after Jean-Michel Moreau, 1778

Engraving of an encounter in a thatched hut: feathered figures, a kneeling woman, and European men in hats and coats.

La découverte du nouveau monde

Pietro Antonio Martini after Jean-Michel Moreau

Engraving of a helmeted warrior approaching a crowned man, with soldiers, spears, and shields in the background.

Iphis

Robert Delaunay after Jean-Michel Moreau, 1779

Engraving of a seated woman with a lyre and score beside a globe, set in a wooded landscape with a classical temple.

Frontispiece: Dictionnaire de musique

Jean-Michel Moreau, 1779

Engraving of a woman in a ruffled gown watching two men in an arcade with columns, one gripping the other by the collar.

J'ai tort, mon cher Valère, et t'en demande excuse

Jean Jacques Le Veau after Jean-Michel Moreau, 1782

Engraving of a seated young woman in a white dress in an attic room with exposed beams, a bed and a small table.

La vertu chancelante

Jean Massard after Jean-Baptiste Greuze

Etching of a waterfront scene with a tall mast, old buildings with balconies, strolling figures, and sailing ships in the dis

The Little Mast

James McNeill Whistler, 1880

Etching of Venetian palaces with arched windows and balconies on a canal, with gondolas floating in the water.

The Palaces

James McNeill Whistler, 1880

Etching of a dark archway with overhanging trees, men seated at a table at right, and a woman with a child at left.

The Traghetto, No.II

James McNeill Whistler, 1880

Etching of a Venetian waterfront with figures on the quay, moored boats, a gondola on the water, and distant palazzo facades.

The Riva, No.I

James McNeill Whistler, 1879/1880

Etching of a dark stone archway opening to a sunlit street, with a woman and child in shawls in the foreground.

The Beggars

James McNeill Whistler, 1879/1880

Etching of a Venetian street with a tall mast, seated women in the foreground, and weathered buildings receding into the dist

The Venetian Mast

James McNeill Whistler, 1879/1880

Etching of an arched passage opening onto a quay with small boats, figures, and hanging laundry beside a canal.

San Biagio

James McNeill Whistler, 1879/1880

Etching of masted boats moored in a lagoon with a church tower and waterfront buildings on the horizon.

San Giorgio

James McNeill Whistler, 1880

Etching of Venice across a lagoon with a domed church and gondolas above, and figures and moored boats on a quay below.

Upright Venice

James McNeill Whistler, 1879-1880

Etching of a Venetian waterfront with pedestrians, gondolas, moored boats, and palazzo facades along the canal.

The Riva, No.II

James McNeill Whistler, 1880

Etching of a garden doorway framed by stone steps, trees and ivy, with a seated figure in the foreground.

Garden

James McNeill Whistler, 1880

Etching of a crowded Venetian street with striped awnings, stairs, a bell tower, and a shop sign reading Vendita.

The Rialto

James McNeill Whistler, 1880