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National Gallery of Art

14,495 works

Manuscript page with square chant notation on red staff lines, Latin text, and a red and blue decorated initial.

Leaf 1 from an antiphonal fragment (verso)

Unknown artist, c. 1275

Medieval manuscript leaf with square chant notation on red staves, Latin text, and blue and red decorated initials.

Leaf 2 from an antiphonal fragment

Unknown artist, c. 1275

Parchment page of medieval Latin chant with black square musical notation on red staff lines and painted red and blue initial

Leaf 2 from an antiphonal fragment (verso)

Unknown artist, c. 1275

Manuscript leaf with square chant notation on red staves, Latin liturgical text, and a blue and red decorated initial at left

Leaf 3 from an antiphonal fragment

Unknown artist, c. 1275

Manuscript page with square musical notation on red staff lines, Latin chant text, and blue and red decorated initials.

Leaf 3 from an antiphonal fragment (verso)

Unknown artist, c. 1275

Medieval manuscript page with square musical notation on red staves, Latin text, and red and blue decorated initials.

Leaf 4 from an antiphonal fragment

Unknown artist, c. 1275

Medieval manuscript page with square chant notation on red staves, Latin text, and red and blue decorated initials.

Leaf 4 from an antiphonal fragment (verso)

Unknown artist, c. 1275

Medieval parchment page with square musical notation on red staff lines, Latin text, and red and blue decorated initials.

Leaf 5 from an antiphonal fragment

Unknown artist, c. 1275

Parchment page of medieval Latin chant with red staff lines, square musical notes, and a painted blue and red decorated initi

Leaf 6 from an antiphonal fragment

Unknown artist, c. 1275

Medieval parchment manuscript leaf with red staff lines, square chant notes, Latin text and red and blue decorated initials.

Leaf 6 from an antiphonal fragment (verso)

Unknown artist, c. 1275

Medieval manuscript leaf with square musical notation on red staff lines, Latin chant text, and red and blue decorated initia

Leaf 7 from an antiphonal fragment

Unknown artist, c. 1275

Medieval choir book page with square musical notation, red rubrics, and an illuminated initial showing an old man and a young

Isaac Sending Esau Out to Hunt

Master of Imola, c. 1275

Medieval vellum leaf with square musical notation on red staff lines, Latin text, and a red and blue decorated initial.

Leaf 8 from an antiphonal fragment

Unknown artist, c. 1275

Medieval parchment leaf with square chant notation on red staff lines and Latin text, with a blue and red illuminated initial

Leaf 8 from an antiphonal fragment (verso)

Unknown artist, c. 1275

Print of a seated sibyl reading a large book beside a winged putto, with a curtain and pillar behind her.

Sibyl with a Book and Winged Putto to the Left

after Guido Reni Bartolomeo Coriolano, mid-17th century

Lithograph bust portrait of a man with curly hair and a cravat, gazing upward, captioned Canova, 1826.

Antonio Canova

Henri Grévedon, 1826

Engraving of the Last Judgment with Christ in glory at center, crowds of nude figures, trumpeting angels, and damned souls be

The Last Judgement

Léonard Gaultier, after Martino Rota, after Michelangelo, c. 1600

Engraving of a peasant tavern interior with a dancing couple, a violinist, drinkers at a table, and a dog on the floor.

Peasant Interior with a Dancing Couple

after Adriaen van Ostade Jonas Suyderhoff, mid-/late 17th century

Etching of a crowded Venetian-style hall with a robed doge on stairs and a prostrate figure on the floor below.

The Death of Doge Marino Faliero

after Eugène Delacroix Leopold Flameng, 1864

Graphite portrait of a young man with curly hair, cravat and heavy coat on tan paper, with white highlights.

Adrien Perlet, Actor

Henri Grévedon, 1838

Engraving of Christ on a cliff with a winged devil pointing to a valley of towns, castles and clouds below.

The Temptation of Christ

after Maarten de Vos Jan Sadeler I, 1582

Watercolor of a rocky stream with rapids, mossy red banks, and a small kingfisher perched on a branch in the foreground.

The Kingfisher's Haunt

John George Sowerby, c. 1890s

Pencil drawing of a branch of bay leaves on olive-toned paper, signed H.R. in the lower right.

Study of Bay Leaves

Henry Ryland, before 1898

Etching of a shepherdess tickling a sleeping shepherd with a feather, with sheep, a tree and hills behind them.

Sleeping Shepherd Tickled by a Shepherdess

Giuseppe Maria Crespi and Ludovico Mattioli, c. 1736

Engraving of the Last Supper with Christ and twelve apostles around a table, framed by an ornate architectural border.

The Last Supper

Master S, first quarter 16th century

Engraved print of Christ bound to a column being whipped, framed by an ornate architectural border with angels.

The Flagellation

Master S, first quarter 16th century

Engraving of Christ surrounded by armed soldiers during the betrayal, framed by an ornate border with angels at the top.

The Betrayal of Christ

Master S, first quarter 16th century

Engraving of Christ kneeling before an angel with sleeping disciples and approaching soldiers, within an ornate border.

Christ on the Mount of Olives

Master S, first quarter 16th century

Engraving of Christ carrying the cross through a crowd of soldiers, framed by an ornate architectural border with angels.

Christ Carrying the Cross and Saint Veronica

Master S, first quarter 16th century

Engraved print of Christ rising from a tomb above sleeping soldiers, framed by an ornate arched border with angels.

The Resurrection

Master S, first quarter 16th century