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National Gallery of Art

25,727 works

Four outlined views of a standing male figure, side and front, showing balance on both legs and on one leg.

Extent of Motion, Front and Side View Equipoised, Supported on One Leg

George Scharf after John Flaxman, published 1829

Three-part line diagram of male figures showing preparing to run, running, and striking, with balance lines and captions.

Preparing to Run; Running; Striking

George Scharf after John Flaxman, published 1829

Four outline studies of a nude man bearing weights, carrying a beam, crouching to jump, and reaching upward, with dashed bala

Bearing a Weight; Preparing to Jump, and Alighting

George Scharf after John Flaxman, published 1829

Line drawing of three nude male figures in flying, leaning, and falling poses, labeled Balance, numbered 32.

Leaning, Flying and Falling

George Scharf after John Flaxman, published 1829

Grayscale lithograph of figures reaching toward a raised brazen serpent on a pole, with serpents coiling in the air above the

Brazen Serpent, from Michael Angelo

William Sharp after John Flaxman, published 1829

Grey lithograph of the Transfiguration: a central robed figure blessing, two readers flanking him, and three crouching figure

The Transfiguration

W. Walton after John Flaxman, published 1829

Grey lithograph of muscular, twisting male figures in dramatic poses, after a Michelangelo Last Judgment design.

Part of the Last Judgment from Michael Angelo

William Fairland after John Flaxman, published 1829

Monochrome lithograph of a Holy Family: a kneeling woman holds a child while a bearded man leans behind them.

Holy Family, from Michelangelo

Henry Noel Humphreys after John Flaxman, published 1829

Line drawing of a Gothic arched Last Judgment scene with enthroned Christ, angels above, and figures below.

Last Judgment, Lincoln Cathedral

W. Walton after John Flaxman, published 1829

Lithograph of a robed, hooded stone figure standing with hands raised, shaded against a dark background.

Figure from Peterborough Cathedral

William Fairland after John Flaxman, published 1829

An Apostle, from Albert [sic] Durer

James Henry Lynch after John Flaxman, published 1829

Pencil plate of drapery studies showing hanging, cascading and wind-blown cloth folds with wave-like curls.

Drapery

Maria Denman after John Flaxman, published 1829

Drapery, Three Figures, a Bacchante and Two From Nature

Henry Noel Humphreys after John Flaxman, published 1829

Lithograph of a veiled, draped classical female statue holding a scroll, titled Juno Lucina, after John Flaxman, 1829.

Juno Lucina

William Fairland after John Flaxman, published 1829

Pencil print of a bearded Christ figure with long wavy hair, holding an open book, framed by a circular halo of beads.

Head of Our Savior, from Arringhi's "Roma Subterranea"

Henry Noel Humphreys after John Flaxman, published 1829

Reverend John Upton

after Jane Collyer, published 1794

Engraved portrait of a man with curly hair in a dark coat and white cravat, set within a double-line border on cream paper.

Portrait of a Gentleman

Unknown artist, probably 18th century

Antonio Canova

after John Flaxman, 19th century

Engraving of allegorical figures: a seated woman crowning a writing man, a winged trumpeter above, putti, an anchor and ship.

Britannia Crowning History

after Conrad Martin Metz Charles Grignion, 1780/1800

Sepia print of a central embracing family group with two winged angels bowing above them on a pale background.

Holy Family? with Angels l.1: The March of the Intellect

Unknown artist, 19th century

Sepia drawing of a seated woman embracing a child, with a bearded man and two winged angels above.

Holy Family? with Angels

Unknown artist, 19th century

Engraved print of The Last Supper showing Christ and twelve apostles around a long table in a hall with a coffered ceiling.

The Last Supper

after Leonardo da Vinci, probably 19th century

Engraved frontispiece with labeled vignettes of sciences and figures reading, centered on a robed figure and a woolsack.

Frontispiece for the Penny Magazine of the Society for the Diffusion of Knowledge: Vo

Unknown artist, 19th century

Bird's-eye lithograph of Regent's Park showing curving roads, terraced houses, trees and labelled streets, 1824.

Invitation? with Aerial View of Regent's Park

Unknown artist, 1824

Engraving of a carriage leaving Buckingham Palace through an arch, with mounted guards and a cheering crowd.

Her Majesty Leaving Buckingham Palace, June 28, 1838 [left half]

Unknown artist, 19th century

Engraved view of Queen Victoria's coronation in a Gothic church, with courtiers and crowded galleries.

Crowning of Queen Victoria, June 28, 1838 [right half]

Unknown artist, 19th century

Engraved print of the ruined Gothic Holyrood Abbey with a large tracery window, two figures and a dog on grass.

Holyrood Abbey

Unknown artist, 19th century

Sepia engraved bust portrait of a woman in a lace bonnet, ribbon at her throat, and a pearl earring.

Peg Woffington

after Arthur Pond Anonymous, probably 19th century

Line engraving of a young woman with curly hair and an off-shoulder dress, shown in bust view on cream paper.

Lady Maria Hooker When Miss Turner at Age Seventeen

after Thomas Phillips Mary Dawson Turner, 1814

Engraved portrait of a curly-haired young man in a dark coat, surrounded by cupids, a flower garland and a harp.

Portrait of a Young Gentleman Surrounded by Cupids; Lord Byron?

Unknown artist, 19th century

Engraving of an angel in clouds announcing to shepherds, with goats, sheep, a dog and rays of light.

Annunciation to the Shepherds

Unknown artist, after 1611

Henry Fuseli

Attributed to Inigo Barlow

Brown ink caricature of a crowded choir with exaggerated faces reading music books, labeled by nationality.

A Choral Band

Lydia Bates after John Hamilton Mortimer, c. 1784

Etching of two figures fleeing across a riverbank beside large trees and a classical building, drawn in fine brown lines.

Two Fleeing Figures

Lydia Bates after John Hamilton Mortimer, 1784

Engraving of a marble sculpture of a falling giant, with muscular legs thrust diagonally over a pedestal and draped cloth abo

A Falling Giant

William Bond after William Hilton I after Thomas Banks, published 1811

Engraved print of a marble relief showing a winged figure, a nude woman raising a head, putti, and severed heads.

Thy Kingdom Come (Monument to Sir Thomas Barting)

William Bond after Henry Corbould after John Flaxman, published 1810

Engraved portrait of a seated man in a dark coat holding an open book, beside a draped curtain and window.

John Augustus Tulk

Anthony Cardon after Joseph Slater, 1808

Engraved oval portrait of an older man in a turban and fur-collared coat, with a small scene of two figures writing below.

Leonard Euler

John Chapman, published 1804

Engraved print of a neoclassical monument with a standing statue and allegorical figures on a stepped pedestal.

Monument to William Pitt

George Cooke after James George Bubb

Engraved portrait of a balding man with a white collar and dark coat, set within a cream paper margin.

John Flaxman

Attributed to William Camden Edwards possibly after John Jackson

Oval engraved portrait of Robert Thornton, M.D., a man in a dark coat and white cravat, published 1809.

Robert Thornton, M.D.

Samuel Freeman after William John Newton, published 1809

Engraved oval portrait of Robert Undy in a powdered wig, above a heraldic coat of arms with supporters and motto banner.

Robert Undy

William Nelson Gardiner after Richard Cosway

Lithograph portrait of a man with dark hair, white cravat and dark coat, set in an oval vignette, 1823.

John Forbes Mitchell

M. Gauci after John James Masquerier, 1823

Engraved oval portrait of a balding man in a dark coat and white cravat, after Sir Thomas Lawrence, 1805.

Sir Thomas Lawrence

William Giller after Sir Thomas Lawrence

William Gunn

Harriet Gunn after E.J. Turner

Engraved print of a monument to Earl Howe with a seated goddess, a standing naval officer, kneeling women and a lion.

Monument to Earl Howe

Charles Heath after Henry Corbould after John Flaxman, published 1818

Circular engraving of two classical women clasping hands, with labels Theologia, Medicina and Lex and a dove in a triangle.

Medicina - Theologia - Lex

James Heath after John Flaxman

Engraved portrait of Abraham Rees in a white wig and dark coat, seated at a desk with a quill pen and inkstand.

Abraham Rees

William Holl I after John Opie, published 1811

Engraved bust portrait of a man with swept-back hair in a dark coat and white neckcloth, titled Priestley.

Priestley

William Holl I after Gilbert Stuart

Lithograph of a classical funerary monument with two mourning figures beneath an urn, with an inscription panel below.

Monument to John Hudleston

Richard James Lane after John Flaxman

William Gunn

Richard James Lane after John Flaxman

Engraved bust portrait of a balding man in a heavy coat, turned left, with printed caption naming Thomas Chevalier.

Thomas Chevalier

John Linnell, 1825

Engraved portrait of a woman with braided hair and fur-trimmed gown beside a column, with a handwritten signature below.

Lady Charlotte Susan Maria Bury

W. Read, published 1837

Elizabeth Montague

William Ridley after Sir Joshua Reynolds, published 1798

Oval engraved portrait of Henry Fuseli R.A., an older man with grey curly hair and white cravat, dark coat.

Henry Fuseli

William Ridley after John Opie, published 1801

Stipple engraving portrait of a man with curled hair and white cravat in an oval vignette, titled Prince Hoare Esq.

Prince Hoare Esq.

William Ridley after James Northcote, published 1796

Oval stipple engraving of a man in a dark coat and white cravat, titled Thomas Holcroft, Esq., published 1799.

Thomas Holcroft

William Ridley after Samuel Drummond, published 1799

Oval engraved portrait of a man with powdered hair leaning on a ledge, titled William Hayley, Esq., after George Romney.

William Hayley, Esq.

William Ridley after George Romney, published 1798

Engraved portrait of a man in a dark coat holding a palette and brushes, with sketched figures behind him.

Sir David Wilkie, R.A.

John Henry Robinson after Sir William Beechey, published 1846

Engraved portrait of a seated woman with curled hair and a lace gown, holding a feathered fan before a draped curtain.

La Belle Hamilton

Charles Rolls after Sir Peter Lely

Engraved oval portrait of a man in a powdered wig and embroidered coat, within an ornate border, titled Albrecht V. Haller.

Albrecht V. Haller

Thomas Ryder, c. 1780

Henry Blundell

Edward Scriven after George Bullock, 1804

Engraved portrait of an elderly clergyman seated at a desk beside an open book and stacked volumes.

Rev. John Clowes

Edward Scriven after Joseph Allen, published 1820

Engraved portrait of an elderly bearded man in a white turban and dark robe, with a candlestick in a niche beside him.

A Jewish Rabbi

William P. Sherlock after Rembrandt van Rijn