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National Gallery of Art

5,752 works

Charcoal study of a standing male nude with head tilted back and arms raised, by John Singer Sargent, c. 1921.

Study of Orpheus for "Classic and Romantic Art"

John Singer Sargent, c. 1921

Charcoal sketch of several nude male figures with raised arms and turned heads, studies for a larger composition.

Studies for "Heaven" and "Hell"

John Singer Sargent, 1903-1916

Charcoal study of three standing officers in military uniforms, one cropped to legs and boots, on pale paper.

Studies for "General Officers of World War I"

John Singer Sargent, 1920-1922

Pencil study in an oval: a central nude figure on a pedestal, a satyr at left, draped women at right.

Study for "Classic and Romantic Art"

John Singer Sargent, c. 1921

Charcoal study of a muscular male nude with raised and outstretched arms, drawn on cream paper.

Studies of Achilles for "Chiron and Achilles"

John Singer Sargent, 1922-1925

Charcoal and white chalk drawing on green paper of a standing figure wrapped in billowing drapery, head covered.

Study for "Frieze of Prophets"

John Singer Sargent, 1890-1892

Graphite drawing of a nude male figure seen from behind with both arms raised overhead on cream paper.

Study for "Apollo and Daphne"

John Singer Sargent, c. 1918

Charcoal study of a kneeling nude figure seen from behind with raised arms, beside a sketch of curly hair.

Studies for "The Unveiling of Truth"

John Singer Sargent, 1922-1925

Pencil study on tan paper of Apollo with a halo surrounded by dancing draped female figures in an oval composition.

Study for "Apollo and the Muses"

John Singer Sargent, c. 1921

Graphite study of an inverted nude male figure with raised legs and arms on tan paper.

Study for "Phaethon"

John Singer Sargent, 1922-1925

Charcoal studies of a male nude figure carrying a large sphere, with smaller sketches of hands holding spheres on tan paper.

Studies of Notus for "The Winds"

John Singer Sargent, 1922-1925

Charcoal study of a shirtless standing male figure with one arm raised, draped in cloth, on aged paper.

Study of Apollo for "Apollo and the Muses"

John Singer Sargent, c. 1921

Pencil sketch study sheet of oxen, showing a yoked pair, cow heads, horns, and a wooden cart.

Studies of Oxen

Walter Shirlaw, late 19th century

Charcoal study of a seated male nude with outstretched arms, drawn on cream paper by John Singer Sargent.

Study for "Arion"

John Singer Sargent, 1919-1920

Studies for "Apollo in His Chariot with the Hours"

John Singer Sargent, 1922-1925

Charcoal sketch of a bald, seated man in a draped cloak, hand to chin, bare feet on the ground, on cream paper.

Study for "Philosophy"

John Singer Sargent, 1922-1925

Studies for "The Fall of Gog and Magog"

John Singer Sargent, 1903-1916

Charcoal study on tan paper of intertwined nude male figures, one seen from behind and another reclining in the lower foregro

Study for "Judgment"

John Singer Sargent, 1903-1916

Charcoal study of a seated nude man on a curved ledge, one arm raised, by John Singer Sargent, 1919-1920.

Study for Figure above "Music"

John Singer Sargent, 1919-1920

Charcoal study of a muscular male torso with raised arms, with smaller arm studies and handwritten notes on tan paper.

Study of the Resurrection for "Fifteen Mysteries of the Rosary"

John Singer Sargent, 1903-1916

Charcoal study of an arm, clenched hand and figure fragment on green paper by John Singer Sargent.

Studies for "Triumph of Religion"

John Singer Sargent, 1891-1916

Pencil sketch of boulders and shrubs beside a sloping rocky bank with trees, inscribed Hintersee 1871.

Hintersee, Germany

John Singer Sargent, 1871

Charcoal portrait drawing of a young man with tousled dark hair, facing forward, with handwritten name below.

Olimpio Fusco

John Singer Sargent, c. 1900-1910

Charcoal study of a drum-like form, a carved scroll ornament, and a hand gripping the base on cream paper.

Study for "The Fall of Gog and Magog"

John Singer Sargent, 1903-1916

Pencil sketch of a man seen from behind in a wide-brimmed hat, with a pole resting over his shoulder.

Back of a Man with Pole

Walter Shirlaw, 1870-1877

Charcoal study of a nude female figure with one arm raised, beside a second figure study, on pale paper.

Studies of Victory for "Death and Victory"

John Singer Sargent, 1920-1922

Charcoal study of a balding older man with a mustache, head and shoulders facing forward, on cream paper.

Study of Field Marshal John French for "General Officers of World War I"

John Singer Sargent, 1920-1922

Pencil sketch of a wooden Swiss chalet on a lakeshore with misty mountains rising behind it.

Swiss Chalet

John Singer Sargent, 1869

Charcoal study on grey paper of a male arm and torso with drapery over a vertical pole, by John Singer Sargent.

Study of Adam for the "Fifteen Mysteries of the Rosary"

John Singer Sargent, 1903-1916

Charcoal study of a muscular arm resting on a lion head, with a pencil sketch of an ornate stand at right.

Studies for "Classic and Romantic Art"

John Singer Sargent, c. 1921