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The Metropolitan Museum of Art

14,953 works

Male Nude

Giovanni Battista Lombardi, 19th century

Engraving of soldiers carrying helmets, shields, armor and vessels in a classical triumphal procession.

Triumph of Caesar: Soldiers carrying Trophies

Andrea Mantegna, ca. 1490

Brown wash drawing of Diana embracing reclining Endymion in a forest, with a cupid, two dogs, and a glowing moon.

Diana and Endymion

Johann Heinrich Keller, 1700-1765

Etching of men on ladders lowering a body from a cross, lit by rays of light, with mourners and a turbaned figure below.

Descent from the Cross

Rembrandt van Rijn, 1633

Engraved oval portrait of a woman in a lace ruff, framed by flowers, garlands and drapery, with a Latin inscription below.

Eleonora, Wife of Ferdinand II, from the series Ferdinandus II et III Imperatorum Domus Austriacae...

Pieter van Sompel, ca. 1625

Engraving of a mounted commander leading bound captives in a triumphal procession toward a crowded arch.

The Triumph of Scipio who rides on a horse followed by captured slaves

Master of the Die, 1530-60

Bust portrait of Pope Pius V in profile facing left set within an elaborate architectural structure upon which sit al…

Mario Cartaro, 1567

Engraved portrait of a bearded man in a lace ruff, framed by fruit garlands and cherubs, with Latin inscription below.

Portrait of Albert VII, Archduke of Austria

Jonas Suyderhoef, ca. 1650

Portrait of Pope Pius IV

Nicolas Béatrizet, mid-16th century

Engraving of Saint Paul, a bearded old man in a hooded robe reading a book and holding a sword, in a rocky landscape.

An Old Man (Saint Paul)

Nicolas Béatrizet, 1530-66

Grey wash drawing of a rocky cave framing a distant hilly landscape, with two figures in hats on the rocks below.

The Caves of Acradina near Syracuse in Sicily

Jacob Wilhelm Mechau, 1797

A Country Girl at Surrentum

Allan Ramsay?, September 1776

Pen and ink study of eleven heads showing bearded men, shouting faces and varied expressions on grey paper.

Study of Eleven Heads

Jacob de Gheyn II, late 16th-early 17th century

Engraved oval portrait of a bearded man in a ruffled collar and fur-trimmed cloak, framed by fruit garlands.

Portrait of Maximilian III, Archduke of Austria

Jonas Suyderhoef, ca. 1650

Engraving of a bearded bishop in mitre and embroidered cope holding a crozier and star emblem, with a radiating halo.

St. Swithbert

Cornelis Visscher, 1650

Etching of the Virgin holding the Christ Child on a donkey, with angels, a smoking altar, a boat and trees.

Joseph Adoring the Christ Child near a Smoking Altar, from the Flight into Egypt

Giovanni Domenico Tiepolo, 1752

Grey wash drawing of a bearded man melting wax at a brazier beside a nude winged youth, with a bust and shelves in the room.

Daedalus Forming the Wings of Icarus out of Wax

Franz Xaver Wagenschön, 18th century

Etching of visitors in 18th-century dress crowding a gallery with paintings on the walls and a balcony above.

View of the Salon in the Year 1753

Gabriel Jacques de Saint-Aubin, 1753

Brown wash drawing of a smiling young man in a wide-brimmed hat, ruffled collar and baggy breeches, standing in full length.

Study of a Standing Youth in a Hat

Dirck Hals, 17th century

Line engraving of Olympia: a reclining nude woman on a bed, a servant with flowers at left, and a black cat.

Olympia

Édouard Manet, 1902

Engraved oval portrait of a bearded man in a jeweled cap and ornate robe, with Latin inscription and lion coat of arms below.

Floris II from the series Counts and Countesses of Holland, Zeeland, and West-Frisia

Pieter Soutman, 1650

Engraved oval portrait of a bearded man in a jeweled cap with a feather, flanked by Latin verses and a heraldic shield.

William III from the series Counts and Countesses of Holland, Zeeland, and West-Frisia

Pieter Soutman, 1650

Engraved portrait of William IV in plumed helmet and armor, within an oval frame with Latin inscription and coat of arms.

William IV from the series Counts and Countesses of Holland, Zeeland, and West-Frisia

Pieter Soutman, 1650

Brown ink drawing of a rocky gorge with a small wooden bridge over a brook and two figures crossing.

Swiss mountain landscape with small bridge spanning a brook

Franz Schütz, 1751-81

Etching of two cloaked men calling up to an old man at a stone balcony, with a winged lion column and city buildings behind.

"Owake! what ho! Brabantio! thieves! thieves!": plate 1 from Othello (Act 1, Scene 1)

Théodore Chassériau, 1844

Etching of Othello seated in a turban gesturing toward Desdemona standing beside him on a terrace.

"She thank'd me": plate 2 from Othello (Act 1, Scene 3)

Théodore Chassériau, 1844

Etching of Othello standing before richly dressed seated and standing men in a columned interior with a tiled floor.

"She lov'd me for the dangers I had pass'd": plate 3 from Othello (Act 1, Scene 3)

Théodore Chassériau, etched 1844, reprinted 1900

Etched plate of Othello, a turbaned man in patterned robes, beside Desdemona and Iago in a columned interior.

"Honest Iago, my Desdemona must I leave to thee": plate 4 from Othello (Act 1, Scene 3)

Théodore Chassériau, etched 1844, reprinted 1900

Etching of Othello embracing Desdemona on a rocky shore beside a soldier holding a banner, with sea and cliffs behind.

"O my fair warrior!": plate 5 from Othello (Act 2, Scene 1)

Théodore Chassériau, etched 1844, reprinted 1900

Etching of Desdemona gesturing to Cassio on a rocky shore by a fortress, with a veiled woman behind her.

"Therefore, be merry Cassio": plate 6 from Othello (Act 3, Scene 3)

Théodore Chassériau, 1844