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The Metropolitan Museum of Art

10,711 works

Drawing of an ornate chimney piece with acanthus scrolls, a central female figure with putti, and fluted Corinthian pilasters

Chimney Piece

Sir William Chambers, 1743-96

Pencil drawing of a symmetrical cross-shaped ornament with four oval cartouches, scrolls, foliage and a central rosette.

Ornament in the Shape of a Cross

Sir William Chambers, 1743-96

Brown ink drawing of several standing figures in heavy draped robes and veils, some seen from behind.

Group of Draped Figures

Antonello da Messina, 1460

Grey wash drawing of an ornate architectural frame with scrolling foliage and molded borders on an irregular sheet.

Design for a Frame

Sir William Chambers, 1743-1800

Pen and wash design drawing of a neoclassical chimneypiece with rosette corner ornaments and a labeled hearth below.

Design for a Chimneypiece

Sir William Chambers, 1740-96

Ink and wash elevation design for a chimneypiece with fluted columns, a carved bust, and handwritten dimension notes.

Design for a Chimneypiece (recto); Sketches for Column Bases (verso)

Sir William Chambers, 1740-1800

Pen and wash architectural drawing of a partial chimneypiece design with rosette frieze and Ionic pilaster on pale paper.

Partial Design for a Chimneypiece

Sir William Chambers, 1740-1800

Architectural elevation drawing of a chimneypiece with scrolled brackets, carved frieze, and dimension notes.

Design for a Chimneypiece for Somerset House, Strand, London

Sir William Chambers, ca. 1776-86

Grisaille drawing of a woman with a flower wreath before a mirror held by a winged-helmet figure, with irises beside her.

The Mirror of Venus, or L'Art et Vie (Art and Life)

Walter Crane, ca. 1890

Watercolor of a ship's aft deck with cable machinery, winches, rigging and crew members under a cloudy sky.

Deck of Great Eastern, Aft: the Paying-out Machinery

Robert Charles Dudley, 1866

Sailors struggle with a tangled cable on a ship deck at night, lit by lanterns, with rigging and smokestack in the dark backg

A Night Scene. The Cable Entangled and Nearly Broken, July 18th, 1866

Robert Charles Dudley, 1865-66

Drawing of anchored sailing ships and a settlement by hills, seen from a steamship deck with men at the railing.

The Settlement and Church of Heart's Content, Newfoundland

Robert Charles Dudley, 1866

Night seascape of a steamship with tall masts and smoke, sailing through rough waves under a moon behind clouds.

The Albany Buoying a Bight of the Cable of 1865 on the Night of August 26th, 1866

Robert Charles Dudley, 1866

Watercolor of a ship's deck with winches, rigging, a large sail and crew working toward the bow, with open sea beside it.

The Picking-up Machinery in the Bows of the Great Eastern

Robert Charles Dudley, 1865-66

Watercolor of a two-masted ship and sailboats in a calm harbor below hills and a row of coastal houses at dusk.

Valentia in 1857-1858 at the Time of the Laying of the Former Cable

Robert Charles Dudley, 1865

Watercolor of a Newfoundland village with wooden houses, fences, pigs, chickens, and a tall telegraph pole.

First Telegraph House at Heart's Content, Newfoundland, 1866

Robert Charles Dudley, 1866

Crowd of men cheering and tossing hats outside white wooden houses, with a telegraph tower in the background.

September 8th at Heart's Content, the day of the successful termination of the work of laying, recovering, completing…

Robert Charles Dudley, 1866

Watercolor of a large steamship with tall masts and flags on choppy sea, with other vessels and stormy clouds beyond.

Telegraph Cable Fleet at Sea, 1865

Robert Charles Dudley, 1865-66

Watercolor of a steamship deck with rigging, flags, smokestack, crew at work, and the open sea beyond.

View Looking Aft from the Port Paddle-box on the Deck of the Great Eastern: Showing the Trough for the Cable, etc.

Robert Charles Dudley, 1865-66

Watercolor of ships at anchor in a moonlit bay, with a bright glow and a fire on the hills at right.

The Bay of Bull Arms, Trinity Bay, Newfoundland, Bonfires Lighted on the Hills to Notify of the Arrival of the Cable…

Robert Charles Dudley, 1865-66

Pencil drawing of a stone church with a crenellated square tower and pinnacles, showing a proposed restoration of Holy Trinit

Proposed Restoration of the Church of the Holy Trinity and St. Mary, Old Clee, Lincolnshire

James Fowler, 1876-77

Hand-colored sketch of a man in a green coat leaning over a woman in a white dress with blue trim in a room.

Design for "Hooking and Eyeing," a wood engraving published in "Punch" (recto); Sketch of two women and a man (verso)

John Leech, 1851

Watercolor elevation of a symmetrical Tudor-style cottage with gabled wings, columned veranda and lattice balcony, by Humphry

Design for a Cottage Ornée in the Tudoresque Style

Humphry Repton, late 18th-early 19th century

Ink and wash drawing of a classical stone gateway with central arch, flanked by lodges and a large tree beside a drive.

Entrance to Laxton in Northamptonshire

Charles Randle, 1825

Watercolor design of a wall with a central hunting medallion, flanking arched panels of fruit and still life, and gilt orname

Design for Decorative Panels with Hunting Scenes Inset

J. S. Pearse, 1854

Pen and ink drawing of an ornate throne design with a draped canopy, scalloped arch, columns and stepped dais.

Design for a Throne (recto); Recumbent Figure (verso)

William Pitts, 1805-40

Pencil sketch of classical figures: a draped woman, cherubs on clouds, a helmeted warrior and a reclining figure with a shiel

Scene with Classical Figures

William Pitts, 1805-40

Pencil design for an ornamental frieze with a shell, scrolling acanthus leaves and a bearded satyr's head.

Design for Ornamental Frieze with Shell, Foliage and Satyr's Head (recto); Figural Studies (verso)

William Pitts, 1805-40

Group of Sea Nymphs

William Pitts, 1805-40

Pen drawing of an ornate bed alcove design with swagged curtains, putti, and scrolling foliate ornament.

Design for Bed Alcove (recto); Studies for Statues and Carvings on Bed (verso)

William Pitts, 1805-40