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J. Paul Getty Museum

2,294 works

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Sepia print of the ruined Parthenon in Athens with columns, scattered stone rubble, and a cloudy sky.

Le Parthenon à Athènes

Dusacq et Cie, 1864-1869

Flock of sheep grazing on a flat marsh meadow with distant trees and farm buildings under a pale sky.

[Marshes By the North Sea]

Peter Henry Emerson, 1893

Sepia oval portrait of a man with wire-rim glasses, mustache, and dark formal coat, with handwritten name below.

Thomas F. Bowie

James Earle McClees, about 1859

Sepia lithograph of the Fort Neuf in Naples with a sailboat and rowboat in the harbor and rocks in the foreground.

Fort Neuf à Naples

Dusacq et Cie, 1864-1869

Sepia rural landscape with water buffalo, a thatched hut, a herder on horseback, and trees under a wide sky.

[Rural landscape with buffalo]

Gustavo Reiger, 1859

Print of a kneeling friar in a tiled room gazing up at angels and cherubs in clouds above an altar table with a vase.

Murillo - Seville

Francisco de Leygonier y Haubert, 1865

Engraved design of an ornate sword hilt with ram-head quillons and grotesque masks, beside a small decorative scabbard.

[Design for a Sword Hilt by Pierre Woeiriot]

Édouard Baldus, 1866

Engraved ornamental ceiling design with coffered octagonal panels, figural medallions, and scrolled decorative borders on a c

[Design by Jean Marot]

Édouard Baldus, 1866

Lithograph of the Gothic church Santa Maria della Spina in Pisa with figures and a dog on the cobbled street in front.

Santa Maria Della Spina à Pise

Galow, 1842

Photo-engraved print of a small cottage and moored boat beside water, framed by tall trees under a cloudy sky.

A Cottage, Salhouse Broad

George Christopher Davies, 1880s

Sepia print of a woman at a piano with a seated man in period dress beside her, in an elegant interior with a flower vase.

Laura am Klavier

Josef Albert, 1859-1862

Black-and-white print of a river bridge, tall obelisk, lone tree and city buildings under a cloudy sky.

Hutchesontown Bridge, with Nelson's Monument and Arns Well in foreground

T. & R. Annan & Sons, 1885

Cyanotype print of a fern specimen with white feathery fronds on a blue ground, labeled Trichomanes radicans, Jamaica.

Trichomanes radicans, Jamaica

Anna Atkins, 1853

Hand-colored print of a stone arch bridge over rapids at a river confluence, with three figures on rocks and hills behind.

Confluence of The Hudson, and Sacandaga

Benson John Lossing, about 1860-1866

Soft-toned print of a snowy winter landscape with bare poplars, a frozen pond, haystacks and a farmhouse.

Bleak Winter

Peter Henry Emerson, 1895

Two vertical panels of ornate relief carving with helmets, lion and ram heads, garlands and trophies, on a cream page.

Tuileries - Aile sud (Façade sur le Quai)

Édouard Baldus, about 1868

Engraved vignette portrait of a young woman with curled hair, hand to her head, lace collar and ribbon bow, labeled Julia.

Julia

John William Wright, 1843-1845

Sepia print of a river valley with a stone bridge, grazing cattle, olive trees and a hilltop village with ancient walls.

Vicovaro

Ernest Barrias, 1855

Snowy country lane lined with bare trees and farmhouses, with sketched cats playing at the bottom edge.

Happy Hollow

A.W. Elson & Co, 1890

Print of the Arch of Titus in Rome with an iron fence in front, ruined arches and buildings to the right, and small figures.

L'Arc de Titus à Rome

John Callow, 1842

White cyanotype silhouette of a fern frond with fan-shaped leaflets on a deep blue background, with a handwritten label.

Adiantum cuneatum

Anna Atkins, 1853

Print of a Stockholm harbor with sailing ships, barrels and timber on the quay, and a domed church across the water.

Église de la Marine à Stockholm

Dusacq et Cie, 1864-1869

Sepia print of an elderly man seated by a fireplace, with a woman reading and a child playing in a cluttered room.

[The Old Age]

Robert Smirke, 1864

Plan of Manchester Ship Canal docks showing wharves, sheds, locks, dry dock, streets and railway lines, with a scale bar.

Plan of Manchester and Salford Docks

G. Herbert & Horace C. Bayley, 1894

Engraving of two peasant figures dancing, one kicking a leg high and the other with arms outstretched, on a cream page.

Le Branle

Bisson Frères, 1861

Cyanotype print of a white fern frond on deep blue, with handwritten label reading Aspidium lobatum, British.

Aspidium lobatum, British

Anna Atkins, 1853

Print of a golden ceremonial barge leading boats across a lagoon toward a domed city with a tall bell tower.

Le Doge part dans le Bucentaure au mariage avec la mer

Carlo Ponti, about 1870-1890

Print of the Kremlin walls and towers in Moscow viewed across a river, with rowing boats in the foreground.

Vue du Kremlin à Moscou

Dusacq et Cie, 1864-1869

Black and white plate of a carved ornamental panel with an oval cartouche, grape garlands and two female figures flanking it.

Ministère d'État (Salle à Manger)

Édouard Baldus, about 1868

Hand-colored portrait of a standing man leaning on an ornate carved chair with blue cushions, within an oval mount.

[Portrait of a man]

Oliver Boudrias DeMorat, late 1850s

Sepia lithograph of Venice's Grand Canal entrance showing the campanile, domes, Doge's Palace, and boats on the water.

Vue prise de l'Entrée du Grand Canal à Venise

Frédérick von Martens, 1842

Oval portrait of a bearded man in military uniform with medals, framed by a laurel wreath and a heraldic coat of arms.

Christian IX

Justin Lallier, 1866

Hand-coloured print of a woman in a tiara inside a sepia medallion, with a laurel wreath and a royal coat of arms above.

Victoria I

Justin Lallier, 1866

Hand-colored print of a large arrangement of multicolored spider chrysanthemums in an octagonal vase before a painted folding

Misu-no-uchi

Kazumasa Ogawa, 1896

White cyanotype silhouette of a fern frond on blue paper, with a handwritten label reading Gymnogramma sulphurea, Jamaica.

Gymnogramma sulphurea, Jamaica

Anna Atkins, 1853

Pale cyanotype silhouette of a fern frond with a long stem on a blue background, labeled Polypodium muscosum.

Polypodium muscosum

Anna Atkins, 1853

Leaping

Eadweard Muybridge, negative 1878-1879; print 1881

Reddish-brown sketch of a kneeling woman in drapery beside rocks and a shrub, numbered 41 on a cream page.

St. Mary Magdalene

Nicolaas Henneman, 1847

Hand-colored print of three morning glory flowers, white and blue with red streaks, climbing bamboo among green leaves.

Morning Glory

Kazumasa Ogawa, 1896

Sepia print of robed figures gathered around a central altar in a classical ceremonial scene.

[Crowd gathered around a musician and altar]

Ernest Barrias, 1855

Sepia print of an arched allegorical scene with a seated central woman, cherubs and a laurel-bearing figure, captioned Jurisp

Jurisprudenz

Pietro Dovizielli, 1859

Engraved print of a satyr with fruit basket beside a reclining nude woman and a putto, mounted on cream paper.

Caracci's Bacchante, Uffizi Gallery

Fratelli Alinari, about 1856-1872

Engraved plate of a tall Corinthian column on a stone base in a flat landscape, with horsemen and a distant city.

Colonne de Pompée

Dusacq et Cie, 1864-1869

Engraved farmyard scene of a bearded man kneeling among pigs and piglets beside a trough, with gabled buildings behind.

L'Enfant prodigue

Bisson Frères, 1861

Sepia print of a calm harbour with masted sailing ships, a rowboat with a figure, and quayside buildings.

The Peaceful Harbour

Peter Henry Emerson, 1890

Black-and-white decorative print of a woman receiving a procession of stylized figures, framed by ornamental birds and branch

[Aubrey Beardsley: Birthday of Madame Sagalle]

Frederick H. Evans, about 1894

Sepia wash sketch of a child figure and draped cloth on pale paper, with loose study-like lines.

Our Lord and St. John the Baptist

Nicolaas Henneman, 1845-1846

Etching of a young mother and child at a forest edge, framed by tall trees with an open view of distant hills.

Jeune Mère á l'Entrée d'un Bois

Jean-Baptiste Camille Corot, plate 1856; print 1921

Sepia print of a military surrender scene with mounted officers, kneeling figure, and a forest of pikes.

The Surrender of the Keys of Breda by Prince Justin of Nassau, to the Marquess Spinola

Nicolaas Henneman, 1847

Etching of the Death of the Virgin: mourners gather around a canopied bed while angels descend in clouds above.

La Mort de la Vierge

Bisson Frères, 1858

A. Bronson Alcott

Alfred W. Hosmer, 1897

Black and white print of a village with a thatched cottage, wooden gate, bare trees, and an ivy-covered tower.

Cookham on the Thames

Paul Pretsch, about 1856

Engraved view of the Parthenon in Athens with its columns and scattered ruins in the foreground, under a cloudy sky.

Le Parthenon à Athèns

Friederich von Martens, 1842

Two tonal landscape prints on one sheet: an open field with trees under clouds, and a reed-lined pond with trees.

Poncins [and] Chambeon

Félix Thiollier, 1880-1900

Engraved print of two ornate vases with mythological scenes, sea creatures, shells and garlands, after a design by René Boyvi

[Design for a Vase by René Boyvin]

Édouard Baldus, 1866

Sepia portrait of a seated man with curly hair and mustache, holding a quill pen, in a dark jacket and bow tie.

Portrait of Poe

Daniel Bendann, 1877

Advertisement for California Cracker Company showing its brick factory building and horse-drawn wagons on a San Francisco str

[The California Cracker Company, San Francisco]

I. W. Taber, 1880

White cyanotype silhouette of a fern frond with round leaflets on a deep blue background, labelled Pteris rotundifolia.

Pteris rotundifolia

Anna Atkins, 1853

Cyanotype print of a fern frond with pale leaflets on deep blue, captioned Diplazium cultifolium, by Anna Atkins.

Diplazium cultifolium

Anna Atkins, 1853

Sepia print of a large fig tree beside a rock with a stream below, hills behind, framed by French text panels.

Fontaine de L'Oratini

Ernest Barrias, 1855

Oval engraved portrait of a young man in a high-collared uniform with braided trim, mounted on yellow card.

[Engraved portrait of a man]

George Kendall Warren, 1868

Sepia oval portrait of a man with swept-back hair and dark cravat, with handwritten signature 'L. D. Campbell, Ohio' below.

L. D. Campbell

James Earle McClees, about 1859

Print of a brick castle with round corner towers in Turin, with pedestrians, riders and a dog in the square.

Château delle Torri à Turin

Dusacq et Cie, 1864-1869

Sepia print of Rome showing St. Peter's dome and Castel Sant'Angelo over a river, with a shepherd and goat in the foreground.

Saint-Pierre et le Fort Saint-Ange à Rome

Friederich Weber, 1842