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J. Paul Getty Museum

1,018 works

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Leaping

Eadweard Muybridge, negative 1878-1879; print 1881

Hand-colored print of three morning glory flowers, white and blue with red streaks, climbing bamboo among green leaves.

Morning Glory

Kazumasa Ogawa, 1896

Sepia print of an arched allegorical scene with a seated central woman, cherubs and a laurel-bearing figure, captioned Jurisp

Jurisprudenz

Pietro Dovizielli, 1859

Engraved print of a satyr with fruit basket beside a reclining nude woman and a putto, mounted on cream paper.

Caracci's Bacchante, Uffizi Gallery

Fratelli Alinari, about 1856-1872

Sepia print of a calm harbour with masted sailing ships, a rowboat with a figure, and quayside buildings.

The Peaceful Harbour

Peter Henry Emerson, 1890

Black-and-white decorative print of a woman receiving a procession of stylized figures, framed by ornamental birds and branch

[Aubrey Beardsley: Birthday of Madame Sagalle]

Frederick H. Evans, about 1894

Sepia print of a military surrender scene with mounted officers, kneeling figure, and a forest of pikes.

The Surrender of the Keys of Breda by Prince Justin of Nassau, to the Marquess Spinola

Nicolaas Henneman, 1847

Engraved view of the Parthenon in Athens with its columns and scattered ruins in the foreground, under a cloudy sky.

Le Parthenon à Athèns

Friederich von Martens, 1842

Engraved print of two ornate vases with mythological scenes, sea creatures, shells and garlands, after a design by René Boyvi

[Design for a Vase by René Boyvin]

Édouard Baldus, 1866

Advertisement for California Cracker Company showing its brick factory building and horse-drawn wagons on a San Francisco str

[The California Cracker Company, San Francisco]

I. W. Taber, 1880

Sepia print of a large fig tree beside a rock with a stream below, hills behind, framed by French text panels.

Fontaine de L'Oratini

Ernest Barrias, 1855

Print of a brick castle with round corner towers in Turin, with pedestrians, riders and a dog in the square.

Château delle Torri à Turin

Dusacq et Cie, 1864-1869

Sepia print of Rome showing St. Peter's dome and Castel Sant'Angelo over a river, with a shepherd and goat in the foreground.

Saint-Pierre et le Fort Saint-Ange à Rome

Friederich Weber, 1842

Lithograph of Milan Cathedral's Gothic facade with tall spires, a crowd in a square, and a carriage passing by.

Cathédrale de Milan

Auguste-Victor Deroy, 1842-1845

Sepia print of armored men and a mounted rider on a white horse in a vaulted classical hall with columns.

Banditti, by G. Cattermole

Caldesi & Montecchi, 1858

Sepia landscape print of rolling fields, large trees in the foreground, and farm buildings nestled in the distant valley.

West Zuyland

A.W. Elson & Co, 1882

Sepia architectural plan of the Nouveau Louvre palace wings and courtyard beside the Seine, with surrounding city blocks.

[Plan for the Nouveau Louvre by L. Visconti]

Édouard Baldus, 1852-1857

Tonal print of a winding stream past reeds and fields, with a thatched cottage and bare trees under a pale sky.

[The Edge of the Broad]

Peter Henry Emerson, 1893

Etched landscape of an open plain with trees, shrubs, a distant village, and cumulus clouds under a broad sky.

Le Plaine de La Plante à Biau

Théodore Rousseau, plate 1862; print 1921

Sepia etching of three trees on a hill under a stormy sky, with a flat plain and small figures at left.

Le Paysage aux Trois Arbres

Bisson Frères, 1858

Monochrome print of the Meta Sudans fountain and ruins in Rome, with the Arch of Titus at left and a cobbled road.

La Meta Sudante à Rome

Dusacq et Cie, 1864-1869

Small engraved bookplate with a heraldic coat of arms and the name Charles de Rham, centered on a foxed cream page.

[Charles de Rham bookplate]

Charles de Rham, about 1860-1880

Engraved print of Mount Orguiel Castle on a hill in Jersey, with figures on a path and the sea beyond.

Mount Orguiel Castle, Jersey

J. Harwood, October 1, 1844

Engraved print of Aurora in a chariot with horses, flying cupid, dancing figures and a distant coastal landscape.

Aurora by Guido Reni

James Anderson, about 1845-1855

Sepia landscape of a village road beside a pond, with bare trees, cottages, and a horse and cart under an overcast sky.

Hoddesdon, Herts

Peter Henry Emerson, 1888

Black and white print of thatched cottages on a street with a horse and cart and figures in the foreground.

The Drygate

T. & R. Annan & Sons, 1885

Printed map of Glasgow along the River Clyde with street grid, buildings, canals, and a compass rose on cream paper.

Map of Glasgow in 1776

Thomas Annan, 1878

Black and white reproduction of an engraved scene with a group of armoured men, a halberd, a horse, and rocky foliage.

[Design by Albrecht Dürer]

Édouard Baldus, 1866

Print of a grand hall with an ornate gilded ceiling and a crowd of robed figures gathered before a speaker.

Le Doge tient une harangue avant le Grand Conseil

Carlo Ponti, about 1865-1880

Black-and-white print of a village street with thatched cottages, a woman leading cattle, and a church spire in the distance.

Govan Village, 1848

T. & R. Annan & Sons, 1885