"- Il ressemble à l’homme qu’à coupé l’cou à Flore de la rue des Martyrs ; c’est la même tête que sur le petit Parisien d’hier."
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| Paper size | Orientation | Quality | File |
|---|---|---|---|
| A5 | Portrait | 300 dpi | Prepare file |
| A4 | Portrait | 300 dpi | Prepare file |
| A3 | Portrait | 300 dpi | Prepare file |
| A2 | Portrait | 200+ dpi | Prepare file |
| 5 × 7 in | Portrait | 300 dpi | Prepare file |
| 8 × 10 in | Portrait | 300 dpi | Prepare file |
| 11 × 14 in | Portrait | 300 dpi | Prepare file |
| 16 × 20 in | Portrait | 300 dpi | Prepare file |
| 18 × 24 in | Portrait | 200+ dpi | Prepare file |
| 24 × 36 in | Portrait | 150 dpi, acceptable | Prepare file |
| 30 × 40 cm | Portrait | 300 dpi | Prepare file |
| 50 × 70 cm | Portrait | 200+ dpi | Prepare file |
A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.
Palette
All 5 colors in one file, ready to load as swatches in Adobe, Procreate, GIMP or Krita, or as CSS variables.
Palette file
Credit this image
"- Il ressemble à l’homme qu’à coupé l’cou à Flore de la rue des Martyrs ; c’est la même tête que sur le petit Parisien d’hier.", Fernand-Louis Gottlob (1906), Petit Palais, Paris. Via artnap.com
"- Il ressemble à l’homme qu’à coupé l’cou à Flore de la rue des Martyrs ; c’est la même tête que sur le petit Parisien d’hier.", Fernand-Louis Gottlob (1906), Petit Palais, Paris. Via artnap.com"- Il ressemble à l’homme qu’à coupé l’cou à Flore de la rue des Martyrs ; c’est la même tête que sur le petit Parisien d’hier.", Fernand-Louis Gottlob (1906), Petit Palais, Paris. Via <a href="https://artnap.com/artwork/pm-954237">artnap.com</a>
Why is this public domain? Released by the Petit Palais, Paris under CC0.
About this work
A pencil and colored crayon drawing shows a woman in a patterned coat with a fur collar leaning on an iron railing, facing a man in a top hat and double-breasted coat who gazes at her beside a paneled wall. A handwritten French caption in the lower margin accompanies the scene. The work is attributed to Fernand-Louis Gottlob and dated 1906, held by the Petit Palais, Paris.
