
La Légion d'honneur/Le grenier d'abondance/Le théâtre de la porte St. Martin/La caisse des dépôts et consignations/Ministère des Finances/La rue Royale
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La Légion d'honneur/Le grenier d'abondance/Le théâtre de la porte St. Martin/La caisse des dépôts et consignations/Ministère des Finances/La rue Royale, Léon Auguste Asselineau (1871), Musée Carnavalet, Paris. Via artnap.com
La Légion d'honneur/Le grenier d'abondance/Le théâtre de la porte St. Martin/La caisse des dépôts et consignations/Ministère des Finances/La rue Royale, Léon Auguste Asselineau (1871), Musée Carnavalet, Paris. Via artnap.comLa Légion d'honneur/Le grenier d'abondance/Le théâtre de la porte St. Martin/La caisse des dépôts et consignations/Ministère des Finances/La rue Royale, Léon Auguste Asselineau (1871), Musée Carnavalet, Paris. Via <a href="https://artnap.com/artwork/pm-470106">artnap.com</a><figure><a href="https://artnap.com/artwork/pm-470106"><img src="https://img.artnap.com/artworks/parismusees/pm-470106/web.jpg" alt="La Légion d'honneur/Le grenier d'abondance/Le théâtre de la porte St. Martin/La caisse des dépôts et consignations/Ministère des Finances/La rue Royale, Léon Auguste Asselineau (1871)" width="1494" height="1600" style="max-width:100%;height:auto" loading="lazy"></a><figcaption>La Légion d'honneur/Le grenier d'abondance/Le théâtre de la porte St. Martin/La caisse des dépôts et consignations/Ministère des Finances/La rue Royale, Léon Auguste Asselineau (1871), Musée Carnavalet, Paris. Via <a href="https://artnap.com/artwork/pm-470106">artnap.com</a></figcaption></figure>
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Why is this public domain? Released by the Musée Carnavalet, Paris under CC0.
About this work
Six sepia-toned lithographic views arranged in a grid show Parisian buildings damaged or ruined, including the Légion d'honneur, the Grenier d'abondance, the Théâtre de la Porte Saint-Martin, the Caisse des dépôts et consignations, the Ministère des Finances, and the Rue Royale. Piles of rubble, broken walls and gutted facades are visible throughout. The prints are attributed to Leon Auguste Asselineau and dated 1871.

































