
Pins parasols en Italie
Jean-Baptiste Carpeaux · French, 1827-1875
Standard HD
Master Pro
Print sizes Pro
| Paper size | Orientation | Quality | File |
|---|---|---|---|
| A5 | Portrait | 300 dpi | Get with Pro |
| A4 | Portrait | 300 dpi | Get with Pro |
| A3 | Portrait | 300 dpi | Get with Pro |
| A2 | Portrait | 200+ dpi | Get with Pro |
| 5 × 7 in | Portrait | 300 dpi | Get with Pro |
| 8 × 10 in | Portrait | 300 dpi | Get with Pro |
| 11 × 14 in | Portrait | 300 dpi | Get with Pro |
| 16 × 20 in | Portrait | 200+ dpi | Get with Pro |
| 18 × 24 in | Portrait | 200+ dpi | Get with Pro |
| 24 × 36 in | Portrait | 150 dpi, acceptable | Get with Pro |
| 30 × 40 cm | Portrait | 300 dpi | Get with Pro |
| 50 × 70 cm | Portrait | 200+ dpi | Get with Pro |
A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.
Palette
All 5 colors in one file, ready to load as swatches in Adobe, Procreate, GIMP or Krita, or as CSS variables.
Palette file
Credit this image
Pins parasols en Italie, Jean-Baptiste Carpeaux (1862), Petit Palais, Paris. Via artnap.com
Pins parasols en Italie, Jean-Baptiste Carpeaux (1862), Petit Palais, Paris. Via artnap.comPins parasols en Italie, Jean-Baptiste Carpeaux (1862), Petit Palais, Paris. Via <a href="https://artnap.com/artwork/pm-226194">artnap.com</a><figure><a href="https://artnap.com/artwork/pm-226194"><img src="https://img.artnap.com/artworks/parismusees/pm-226194/web.jpg" alt="Pins parasols en Italie, Jean-Baptiste Carpeaux (1862)" width="1187" height="1600" style="max-width:100%;height:auto" loading="lazy"></a><figcaption>Pins parasols en Italie, Jean-Baptiste Carpeaux (1862), Petit Palais, Paris. Via <a href="https://artnap.com/artwork/pm-226194">artnap.com</a></figcaption></figure>
Free to use. A link back is appreciated.
Why is this public domain? Released by the Petit Palais, Paris under CC0.
About this work
An oil sketch of two tall umbrella pines rising above a dark, rough ground with a hillside and dense foliage on the right and left. The loose, layered brushwork and muted teal sky suggest an outdoor study, and the surface shows craquelure and losses.

































