
The monitors and the Merrimac
Udo Keppler · 1872 - 1956
Standard HD
Master Pro
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| Paper size | Orientation | Quality | File |
|---|---|---|---|
| A5 | Landscape | 300 dpi | Get with Pro |
| A4 | Landscape | 300 dpi | Get with Pro |
| A3 | Landscape | 300 dpi | Get with Pro |
| A2 | Landscape | 200+ dpi | Get with Pro |
| 5 × 7 in | Landscape | 300 dpi | Get with Pro |
| 8 × 10 in | Landscape | 300 dpi | Get with Pro |
| 11 × 14 in | Landscape | 300 dpi | Get with Pro |
| 16 × 20 in | Landscape | 200+ dpi | Get with Pro |
| 18 × 24 in | Landscape | 200+ dpi | Get with Pro |
| 24 × 36 in | Landscape | 150 dpi, acceptable | Get with Pro |
| 30 × 40 cm | Landscape | 300 dpi | Get with Pro |
| 50 × 70 cm | Landscape | 200+ dpi | Get with Pro |
A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.
Palette
All 5 colors in one file, ready to load as swatches in Adobe, Procreate, GIMP or Krita, or as CSS variables.
Palette file
Credit this image
The monitors and the Merrimac, Udo Keppler (1912). Via artnap.com
The monitors and the Merrimac, Udo Keppler (1912). Via artnap.comThe monitors and the Merrimac, Udo Keppler (1912). Via <a href="https://artnap.com/artwork/pdx-912113">artnap.com</a><figure><a href="https://artnap.com/artwork/pdx-912113"><img src="https://img.artnap.com/artworks/pdx/pdx-912113/web.jpg" alt="The monitors and the Merrimac, Udo Keppler (1912)" width="1600" height="1044" style="max-width:100%;height:auto" loading="lazy"></a><figcaption>The monitors and the Merrimac, Udo Keppler (1912). Via <a href="https://artnap.com/artwork/pdx-912113">artnap.com</a></figcaption></figure>
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About this work
A chromolithographic political cartoon shows a naval battle in a harbor, with smoke-filled skies and armored vessels firing at a fleet of ironclads. Labeled cannon-like turrets emit puffs reading socialism, free trade, municipal market, parcel post, single tax, and tariff board, while a large ship is marked high cost of living. Published in 1912, the work is attributed to Udo Keppler and was issued in The Puck Press.























