
Two figures, one standing, one kneeling, with naturalistic border
Antonio del Río · 1745 - 1789
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| Paper size | Orientation | Quality | File |
|---|---|---|---|
| A5 | Portrait | 300 dpi | Get with Pro |
| A4 | Portrait | 300 dpi | Get with Pro |
| A3 | Portrait | 200+ dpi | Get with Pro |
| A2 | Portrait | 150 dpi, acceptable | Get with Pro |
| 5 × 7 in | Portrait | 300 dpi | Get with Pro |
| 8 × 10 in | Portrait | 300 dpi | Get with Pro |
| 11 × 14 in | Portrait | 200+ dpi | Get with Pro |
| 16 × 20 in | Portrait | 150 dpi, acceptable | Get with Pro |
| 18 × 24 in | Portrait | 150 dpi, acceptable | Get with Pro |
| 30 × 40 cm | Portrait | 200+ dpi | Get with Pro |
| 50 × 70 cm | Portrait | 150 dpi, acceptable | Get with Pro |
A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.
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Two figures, one standing, one kneeling, with naturalistic border, Antonio del Río (1822). Via artnap.com
Two figures, one standing, one kneeling, with naturalistic border, Antonio del Río (1822). Via artnap.comTwo figures, one standing, one kneeling, with naturalistic border, Antonio del Río (1822). Via <a href="https://artnap.com/artwork/pdx-895318">artnap.com</a><figure><a href="https://artnap.com/artwork/pdx-895318"><img src="https://img.artnap.com/artworks/pdx/pdx-895318/web.jpg" alt="Two figures, one standing, one kneeling, with naturalistic border, Antonio del Río (1822)" width="1172" height="1600" style="max-width:100%;height:auto" loading="lazy"></a><figcaption>Two figures, one standing, one kneeling, with naturalistic border, Antonio del Río (1822). Via <a href="https://artnap.com/artwork/pdx-895318">artnap.com</a></figcaption></figure>
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Why is this public domain? Antonio del Río died in 1789; this work is in the public domain.
About this work
A line drawing shows a standing man in an elaborate feathered headdress and necklace, holding a ceremonial staff, facing a kneeling figure with hands clasped in prayer. A decorative floral border frames the scene, and a carved base with stylized motifs sits beneath the figures. The work is attributed to Antonio del Río and is catalogued as a print.






















