
Morning Employments. P. W. Tomkins, after H. W. Bunbury
Standard HD
Master Pro
Print sizes Pro
| Paper size | Orientation | Quality | File |
|---|---|---|---|
| A5 | Portrait | 300 dpi | Get with Pro |
| A4 | Portrait | 300 dpi | Get with Pro |
| A3 | Portrait | 200+ dpi | Get with Pro |
| A2 | Portrait | 150 dpi, acceptable | Get with Pro |
| 5 × 7 in | Portrait | 300 dpi | Get with Pro |
| 8 × 10 in | Portrait | 300 dpi | Get with Pro |
| 11 × 14 in | Portrait | 200+ dpi | Get with Pro |
| 16 × 20 in | Portrait | 150 dpi, acceptable | Get with Pro |
| 18 × 24 in | Portrait | 150 dpi, acceptable | Get with Pro |
| 30 × 40 cm | Portrait | 200+ dpi | Get with Pro |
A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.
Palette
All 3 colors in one file, ready to load as swatches in Adobe, Procreate, GIMP or Krita, or as CSS variables.
Palette file
Credit this image
Morning Employments. P. W. Tomkins, after H. W. Bunbury, Malcolm C. Salaman (1909). Via artnap.com
Morning Employments. P. W. Tomkins, after H. W. Bunbury, Malcolm C. Salaman (1909). Via artnap.comMorning Employments. P. W. Tomkins, after H. W. Bunbury, Malcolm C. Salaman (1909). Via <a href="https://artnap.com/artwork/pdx-1347427">artnap.com</a><figure><a href="https://artnap.com/artwork/pdx-1347427"><img src="https://img.artnap.com/artworks/pdx/pdx-1347427/web.jpg" alt="Morning Employments. P. W. Tomkins, after H. W. Bunbury, Malcolm C. Salaman (1909)" width="1044" height="1600" style="max-width:100%;height:auto" loading="lazy"></a><figcaption>Morning Employments. P. W. Tomkins, after H. W. Bunbury, Malcolm C. Salaman (1909). Via <a href="https://artnap.com/artwork/pdx-1347427">artnap.com</a></figcaption></figure>
Free to use. A link back is appreciated.
About this work
A circular stipple engraving titled Morning Employments shows a young woman seated at a piano beside a small dog, while two children and a seated woman work at an embroidery frame in the foreground. A framed portrait hangs on the wall above the instrument. The image is credited to P. W. Tomkins after H. W. Bunbury and appears in a 1909 publication by Malcolm C. Salaman.























