Sépultures Mérovingiennes d’Aiguisy, Vases Similaires A Forme de Corne
Thomas Frédéric Moreau · 1798-1898
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Sépultures Mérovingiennes d’Aiguisy, Vases Similaires A Forme de Corne, Thomas Frédéric Moreau (1877). Via artnap.com
Sépultures Mérovingiennes d’Aiguisy, Vases Similaires A Forme de Corne, Thomas Frédéric Moreau (1877). Via artnap.comSépultures Mérovingiennes d’Aiguisy, Vases Similaires A Forme de Corne, Thomas Frédéric Moreau (1877). Via <a href="https://artnap.com/artwork/pdx-1322064">artnap.com</a><figure><a href="https://artnap.com/artwork/pdx-1322064"><img src="https://img.artnap.com/artworks/pdx/pdx-1322064/web.jpg" alt="Sépultures Mérovingiennes d’Aiguisy, Vases Similaires A Forme de Corne, Thomas Frédéric Moreau (1877)" width="1214" height="1600" style="max-width:100%;height:auto" loading="lazy"></a><figcaption>Sépultures Mérovingiennes d’Aiguisy, Vases Similaires A Forme de Corne, Thomas Frédéric Moreau (1877). Via <a href="https://artnap.com/artwork/pdx-1322064">artnap.com</a></figcaption></figure>
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Why is this public domain? Thomas Frédéric Moreau died in 1898; this work is in the public domain.
About this work
A chromolithographic plate shows two horn-shaped ceramic vessels, the left one a plain funerary vase with ringed rim and the right one a cornucopia decorated with spiral bands and overflowing with wheat, grapes, peaches, a pineapple, and vine leaves. The printed French captions identify the plate as Merovingian burials from Aiguisy and part of the Collection Caranda, 1877, attributed to Thomas Frédéric Moreau.
