La Fête-Dieu (after Gustave Brion)
Jean-Pierre-Marie Jazet · 1788-1871
Standard HD
Master Pro
Print sizes Pro
| Paper size | Orientation | Quality | File |
|---|---|---|---|
| A5 | Portrait | 300 dpi | Get with Pro |
| A4 | Portrait | 300 dpi | Get with Pro |
| A3 | Portrait | 300 dpi | Get with Pro |
| A2 | Portrait | 300 dpi | Get with Pro |
| 5 × 7 in | Portrait | 300 dpi | Get with Pro |
| 8 × 10 in | Portrait | 300 dpi | Get with Pro |
| 11 × 14 in | Portrait | 300 dpi | Get with Pro |
| 16 × 20 in | Portrait | 300 dpi | Get with Pro |
| 18 × 24 in | Portrait | 300 dpi | Get with Pro |
| 24 × 36 in | Portrait | 300 dpi | Get with Pro |
| 30 × 40 cm | Portrait | 300 dpi | Get with Pro |
| 50 × 70 cm | Portrait | 300 dpi | Get with Pro |
A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.
Palette
All 4 colors in one file, ready to load as swatches in Adobe, Procreate, GIMP or Krita, or as CSS variables.
Palette file
Credit this image
La Fête-Dieu (after Gustave Brion), Jean-Pierre-Marie Jazet (1858). Via artnap.com
La Fête-Dieu (after Gustave Brion), Jean-Pierre-Marie Jazet (1858). Via artnap.comLa Fête-Dieu (after Gustave Brion), Jean-Pierre-Marie Jazet (1858). Via <a href="https://artnap.com/artwork/pdx-1302958">artnap.com</a><figure><a href="https://artnap.com/artwork/pdx-1302958"><img src="https://img.artnap.com/artworks/pdx/pdx-1302958/web.jpg" alt="La Fête-Dieu (after Gustave Brion), Jean-Pierre-Marie Jazet (1858)" width="1108" height="1600" style="max-width:100%;height:auto" loading="lazy"></a><figcaption>La Fête-Dieu (after Gustave Brion), Jean-Pierre-Marie Jazet (1858). Via <a href="https://artnap.com/artwork/pdx-1302958">artnap.com</a></figcaption></figure>
Free to use. A link back is appreciated.
Why is this public domain? Jean-Pierre-Marie Jazet died in 1871; this work is in the public domain.
About this work
An engraved print titled La Fête-Dieu, after Gustave Brion and attributed to Jean-Pierre-Marie Jazet, dated 1858. A crucifix bearing the INRI inscription stands in an open field, decorated with garlands by a boy on a ladder and several villagers, including women seated among flowers and men bending at its base. Distant houses and trees frame the rural scene under an ornate arched border.
