New: Artnap New Tab for Chrome and Firefox. A museum painting in every new tab. Add to ChromeAdd to Firefox

Two caricature drawings: a soldier grabbing a woman with an umbrella, and men tending a wounded man in a room.

Download free HD

Standard HD

1,913 × 2,500 px · JPG

This file is 2,500 pixels on the long side, with no account and no watermark. The page also names the museum that holds the work and gives its medium.

Download

Master Pro

3,205 × 4,188 px · full resolution

Get master with Pro
Print sizes ProA5 to 50 × 70 cm · up to 300 dpi
Paper sizeOrientationQualityFile
A5Portrait300 dpiGet with Pro
A4Portrait300 dpiGet with Pro
A3Portrait200+ dpiGet with Pro
A2Portrait150 dpi, acceptableGet with Pro
5 × 7 inPortrait300 dpiGet with Pro
8 × 10 inPortrait300 dpiGet with Pro
11 × 14 inPortrait200+ dpiGet with Pro
16 × 20 inPortrait200+ dpiGet with Pro
18 × 24 inPortrait150 dpi, acceptableGet with Pro
30 × 40 cmPortrait200+ dpiGet with Pro
50 × 70 cmPortrait150 dpi, acceptableGet with Pro

A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.

PaletteShow the 4 main colors of this work

Select a color to copy its hex code

All 4 colors in one file, ready to load as swatches in Adobe, Procreate, GIMP or Krita, or as CSS variables.

Palette file

Credit this image

Allons, la dame enceinte… - Trois blessures !, Abel Faivre (1908-1916). Via artnap.com

Free to use. A link back is appreciated.

Why is this public domain? Abel Faivre died in 1945; this work is in the public domain.

About this work

The image shows two lithographed caricatures on one sheet. The upper scene depicts a uniformed officer grabbing the arm of a woman with an umbrella and bulky skirt, with the caption reading Allons, la dame enceinte, au poste! and her reply. The lower scene shows a man kneeling beside a wounded figure on a tiled floor while two top-hatted men look on, with a bottle and glass on a counter and the caption Trois blessures! La première est mortelle, mais par bonheur les deux autres sont sans gravité. The work is attributed to Abel Faivre and dated 1908-1916.