
Who’s The Happier
Luther Daniels Bradley · 1853 - 1917
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| Paper size | Orientation | Quality | File |
|---|---|---|---|
| A5 | Portrait | 300 dpi | Get with Pro |
| A4 | Portrait | 300 dpi | Get with Pro |
| A3 | Portrait | 200+ dpi | Get with Pro |
| A2 | Portrait | 150 dpi, acceptable | Get with Pro |
| 5 × 7 in | Portrait | 300 dpi | Get with Pro |
| 8 × 10 in | Portrait | 300 dpi | Get with Pro |
| 11 × 14 in | Portrait | 300 dpi | Get with Pro |
| 16 × 20 in | Portrait | 200+ dpi | Get with Pro |
| 18 × 24 in | Portrait | 150 dpi, acceptable | Get with Pro |
| 30 × 40 cm | Portrait | 200+ dpi | Get with Pro |
| 50 × 70 cm | Portrait | 150 dpi, acceptable | Get with Pro |
A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.
Palette
All 3 colors in one file, ready to load as swatches in Adobe, Procreate, GIMP or Krita, or as CSS variables.
Palette file
Credit this image
Who’s The Happier, Luther Daniels Bradley (1914). Via artnap.com
Who’s The Happier, Luther Daniels Bradley (1914). Via artnap.comWho’s The Happier, Luther Daniels Bradley (1914). Via <a href="https://artnap.com/artwork/pdx-1185089">artnap.com</a><figure><a href="https://artnap.com/artwork/pdx-1185089"><img src="https://img.artnap.com/artworks/pdx/pdx-1185089/web.jpg" alt="Who’s The Happier, Luther Daniels Bradley (1914)" width="1246" height="1600" style="max-width:100%;height:auto" loading="lazy"></a><figcaption>Who’s The Happier, Luther Daniels Bradley (1914). Via <a href="https://artnap.com/artwork/pdx-1185089">artnap.com</a></figcaption></figure>
Free to use. A link back is appreciated.
Why is this public domain? Luther Daniels Bradley died in 1917; this work is in the public domain.
About this work
This 1914 print by Luther Daniels Bradley, titled Who's The Happier, is a two-panel cartoon contrasting a businessman celebrating a contract at his desk with boys running a lemonade stand. Below, a second cartoon, dated 1914, shows a crying baby in a soap box wagon beside two children on a barrel. The ink drawing uses captioned speech bubbles and signs to deliver its commentary.























