
Young Absalom be in a tree and soldiers come behind with spears
Letterio Calapai · 1902-1993
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| Paper size | Orientation | Quality | File |
|---|---|---|---|
| A5 | Portrait | 300 dpi | Get with Pro |
| A4 | Portrait | 300 dpi | Get with Pro |
| A3 | Portrait | 200+ dpi | Get with Pro |
| A2 | Portrait | 200+ dpi | Get with Pro |
| 5 × 7 in | Portrait | 300 dpi | Get with Pro |
| 8 × 10 in | Portrait | 300 dpi | Get with Pro |
| 11 × 14 in | Portrait | 300 dpi | Get with Pro |
| 16 × 20 in | Portrait | 200+ dpi | Get with Pro |
| 18 × 24 in | Portrait | 150 dpi, acceptable | Get with Pro |
| 30 × 40 cm | Portrait | 200+ dpi | Get with Pro |
| 50 × 70 cm | Portrait | 150 dpi, acceptable | Get with Pro |
A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.
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All 5 colors in one file, ready to load as swatches in Adobe, Procreate, GIMP or Krita, or as CSS variables.
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Credit this image
Young Absalom be in a tree and soldiers come behind with spears, Letterio Calapai (1946). Via artnap.com
Young Absalom be in a tree and soldiers come behind with spears, Letterio Calapai (1946). Via artnap.comYoung Absalom be in a tree and soldiers come behind with spears, Letterio Calapai (1946). Via <a href="https://artnap.com/artwork/pdx-1163679">artnap.com</a><figure><a href="https://artnap.com/artwork/pdx-1163679"><img src="https://img.artnap.com/artworks/pdx/pdx-1163679/web.jpg" alt="Young Absalom be in a tree and soldiers come behind with spears, Letterio Calapai (1946)" width="1147" height="1600" style="max-width:100%;height:auto" loading="lazy"></a><figcaption>Young Absalom be in a tree and soldiers come behind with spears, Letterio Calapai (1946). Via <a href="https://artnap.com/artwork/pdx-1163679">artnap.com</a></figcaption></figure>
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About this work
A black and white woodcut print showing a naked figure climbing or falling from a diagonal tree trunk while armed soldiers approach below and a rearing horse appears at upper right. The dense black masses contrast with carved white lines that describe the bodies, the horse, and the crowd.























