Merry wives of Windsor, V, 5, Falstaff and the fairies at the oak
Edward Bird · 1772-1819
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| Paper size | Orientation | Quality | File |
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| A5 | Portrait | 300 dpi | Get with Pro |
| A4 | Portrait | 300 dpi | Get with Pro |
| A3 | Portrait | 300 dpi | Get with Pro |
| A2 | Portrait | 200+ dpi | Get with Pro |
| 5 × 7 in | Portrait | 300 dpi | Get with Pro |
| 8 × 10 in | Portrait | 300 dpi | Get with Pro |
| 11 × 14 in | Portrait | 300 dpi | Get with Pro |
| 16 × 20 in | Portrait | 200+ dpi | Get with Pro |
| 18 × 24 in | Portrait | 200+ dpi | Get with Pro |
| 24 × 36 in | Portrait | 150 dpi, acceptable | Get with Pro |
| 30 × 40 cm | Portrait | 300 dpi | Get with Pro |
| 50 × 70 cm | Portrait | 150 dpi, acceptable | Get with Pro |
A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.
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Merry wives of Windsor, V, 5, Falstaff and the fairies at the oak, Edward Bird. Via artnap.com
Merry wives of Windsor, V, 5, Falstaff and the fairies at the oak, Edward Bird. Via artnap.comMerry wives of Windsor, V, 5, Falstaff and the fairies at the oak, Edward Bird. Via <a href="https://artnap.com/artwork/pdx-1102290">artnap.com</a><figure><a href="https://artnap.com/artwork/pdx-1102290"><img src="https://img.artnap.com/artworks/pdx/pdx-1102290/web.jpg" alt="Merry wives of Windsor, V, 5, Falstaff and the fairies at the oak, Edward Bird" width="932" height="1600" style="max-width:100%;height:auto" loading="lazy"></a><figcaption>Merry wives of Windsor, V, 5, Falstaff and the fairies at the oak, Edward Bird. Via <a href="https://artnap.com/artwork/pdx-1102290">artnap.com</a></figcaption></figure>
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Why is this public domain? Edward Bird died in 1819; this work is in the public domain.
About this work
A watercolor depicts a stout man wearing antlers and seated at the base of a gnarled oak, surrounded by costumed figures holding flaming torches in a dark wood. Masked and disguised companions, including a woman in a white dress and a figure with a wolf-like head, gather around him.
