The Tables Turn’d
Daniel Thomas Egerton · 1797-1842
Standard HD
Master Pro
Print sizes Pro
| Paper size | Orientation | Quality | File |
|---|---|---|---|
| A5 | Landscape | 300 dpi | Get with Pro |
| A4 | Landscape | 300 dpi | Get with Pro |
| A3 | Landscape | 200+ dpi | Get with Pro |
| A2 | Landscape | 150 dpi, acceptable | Get with Pro |
| 5 × 7 in | Landscape | 300 dpi | Get with Pro |
| 8 × 10 in | Landscape | 300 dpi | Get with Pro |
| 11 × 14 in | Landscape | 200+ dpi | Get with Pro |
| 16 × 20 in | Landscape | 200+ dpi | Get with Pro |
| 18 × 24 in | Landscape | 150 dpi, acceptable | Get with Pro |
| 30 × 40 cm | Landscape | 200+ dpi | Get with Pro |
A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.
Palette
All 4 colors in one file, ready to load as swatches in Adobe, Procreate, GIMP or Krita, or as CSS variables.
Palette file
Credit this image
The Tables Turn’d, Daniel Thomas Egerton (1824). Via artnap.com
The Tables Turn’d, Daniel Thomas Egerton (1824). Via artnap.comThe Tables Turn’d, Daniel Thomas Egerton (1824). Via <a href="https://artnap.com/artwork/pdx-1090332">artnap.com</a><figure><a href="https://artnap.com/artwork/pdx-1090332"><img src="https://img.artnap.com/artworks/pdx/pdx-1090332/web.jpg" alt="The Tables Turn’d, Daniel Thomas Egerton (1824)" width="1600" height="1291" style="max-width:100%;height:auto" loading="lazy"></a><figcaption>The Tables Turn’d, Daniel Thomas Egerton (1824). Via <a href="https://artnap.com/artwork/pdx-1090332">artnap.com</a></figcaption></figure>
Free to use. A link back is appreciated.
Why is this public domain? Daniel Thomas Egerton died in 1842; this work is in the public domain.
About this work
A hand-coloured etching titled The Tables Turn'd shows fashionably dressed men and women in top hats and bonnets crossing a cobbled city street, with dogs and horse-drawn carriages behind them. A caption beneath the scene comments on former associates who pretend not to see a man whose fortunes have fallen. The print was designed and etched by Daniel Thomas Egerton and published in London in 1824.
