
Kom Ombo temple de
Pierre Roche · 1855 - 1922
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| Paper size | Orientation | Quality | File |
|---|---|---|---|
| A5 | Portrait | 300 dpi | Get with Pro |
| A4 | Portrait | 300 dpi | Get with Pro |
| A3 | Portrait | 200+ dpi | Get with Pro |
| A2 | Portrait | 150 dpi, acceptable | Get with Pro |
| 5 × 7 in | Portrait | 300 dpi | Get with Pro |
| 8 × 10 in | Portrait | 300 dpi | Get with Pro |
| 11 × 14 in | Portrait | 200+ dpi | Get with Pro |
| 16 × 20 in | Portrait | 150 dpi, acceptable | Get with Pro |
| 18 × 24 in | Portrait | 150 dpi, acceptable | Get with Pro |
| 30 × 40 cm | Portrait | 200+ dpi | Get with Pro |
| 50 × 70 cm | Portrait | 150 dpi, acceptable | Get with Pro |
A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.
Palette
All 5 colors in one file, ready to load as swatches in Adobe, Procreate, GIMP or Krita, or as CSS variables.
Palette file
Credit this image
Kom Ombo temple de, Pierre Roche (1913). Via artnap.com
Kom Ombo temple de, Pierre Roche (1913). Via artnap.comKom Ombo temple de, Pierre Roche (1913). Via <a href="https://artnap.com/artwork/pdx-1031286">artnap.com</a><figure><a href="https://artnap.com/artwork/pdx-1031286"><img src="https://img.artnap.com/artworks/pdx/pdx-1031286/web.jpg" alt="Kom Ombo temple de, Pierre Roche (1913)" width="1073" height="1600" style="max-width:100%;height:auto" loading="lazy"></a><figcaption>Kom Ombo temple de, Pierre Roche (1913). Via <a href="https://artnap.com/artwork/pdx-1031286">artnap.com</a></figcaption></figure>
Free to use. A link back is appreciated.
Why is this public domain? Pierre Roche died in 1922; this work is in the public domain.
About this work
A square, softly toned print shows a yellow-green sky above a lavender-white band that suggests a shoreline or breaking surf, with a deeper blue-green expanse below. The handwritten caption on the mount reads "no I Temple de Kom-ombo, Haute Egypte, gypsographie, Pierre Roche." The work is catalogued as a print by Pierre Roche dated 1913.























