Looking Backward: Times Square
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| Paper size | Orientation | Quality | File |
|---|---|---|---|
| A5 | Landscape | 300 dpi | Get with Pro |
| A4 | Landscape | 300 dpi | Get with Pro |
| A3 | Landscape | 300 dpi | Get with Pro |
| A2 | Landscape | 200+ dpi | Get with Pro |
| 5 × 7 in | Landscape | 300 dpi | Get with Pro |
| 8 × 10 in | Landscape | 300 dpi | Get with Pro |
| 11 × 14 in | Landscape | 300 dpi | Get with Pro |
| 16 × 20 in | Landscape | 200+ dpi | Get with Pro |
| 18 × 24 in | Landscape | 200+ dpi | Get with Pro |
| 24 × 36 in | Landscape | 150 dpi, acceptable | Get with Pro |
| 30 × 40 cm | Landscape | 300 dpi | Get with Pro |
| 50 × 70 cm | Landscape | 200+ dpi | Get with Pro |
A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.
Palette
All 5 colors in one file, ready to load as swatches in Adobe, Procreate, GIMP or Krita, or as CSS variables.
Palette file
Credit this image
Looking Backward: Times Square, Edward Gilbert (1934-1943). Via artnap.com
Looking Backward: Times Square, Edward Gilbert (1934-1943). Via artnap.comLooking Backward: Times Square, Edward Gilbert (1934-1943). Via <a href="https://artnap.com/artwork/pdx-1013795">artnap.com</a><figure><a href="https://artnap.com/artwork/pdx-1013795"><img src="https://img.artnap.com/artworks/pdx/pdx-1013795/web.jpg" alt="Looking Backward: Times Square, Edward Gilbert (1934-1943)" width="1600" height="858" style="max-width:100%;height:auto" loading="lazy"></a><figcaption>Looking Backward: Times Square, Edward Gilbert (1934-1943). Via <a href="https://artnap.com/artwork/pdx-1013795">artnap.com</a></figcaption></figure>
Free to use. A link back is appreciated.
About this work
A stage-design style watercolor and ink drawing shows a nocturnal city street framed by a dark proscenium, with glowing neon signs, lit marquees, and tall buildings receding into a deep blue sky. The handwritten note reads "Looking Backward" and "Vaudeville," and the work is attributed to Edward Gilbert, dated 1934-1943.
