Hope, Reaching for Heaven, Stands among Sad and Happy Men…

Pen and ink allegory: Hope reaches toward a banner among sad monks, joyful dancers, fearful figures and soldiers.

Standard HD

1,659 × 2,500 px · JPG

This file is 2,500 pixels on the long side, with no account and no watermark. The page also names the museum that holds the work and gives its medium.

Download

Master Pro

2,718 × 4,096 px · full resolution

Download

Print sizes ProA5 to 30 × 40 cm · up to 300 dpi

Paper size	Orientation	Quality	File
A5	Portrait	300 dpi	Prepare file
A4	Portrait	300 dpi	Prepare file
A3	Portrait	200+ dpi	Prepare file
A2	Portrait	150 dpi, acceptable	Prepare file
5 × 7 in	Portrait	300 dpi	Prepare file
8 × 10 in	Portrait	300 dpi	Prepare file
11 × 14 in	Portrait	200+ dpi	Prepare file
16 × 20 in	Portrait	150 dpi, acceptable	Prepare file
18 × 24 in	Portrait	150 dpi, acceptable	Prepare file
30 × 40 cm	Portrait	200+ dpi	Prepare file

A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.

PaletteShow the 3 main colors of this work

Select a color to copy its hex code

All 3 colors in one file, ready to load as swatches in Adobe, Procreate, GIMP or Krita, or as CSS variables.

Palette file

Credit this image

Hope, Reaching for Heaven, Stands among Sad and Happy Men, Joys, and Fear [fol. 19 recto], c. 1512/1515, National Gallery of Art. Via artnap.com

Why is this public domain? Released by the National Gallery of Art under CC0.

About this work

A pen and brown ink drawing divided into groups of figures beneath a banner reading Meta summi boni, with Spes raising a hand toward the top. Scrolls labeled Tristes, Gaudia, Timor, and Spes identify the allegorical groups, including sorrowful monks, a lute-playing woman, and armed soldiers.

Museum record: National Gallery of Art

Date

c. 1512/1515

Medium

pen and brown ink on laid paper

Museum

National Gallery of Art

License

CC0

Themes

Drawings & Sketches