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A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the 2,500 px file and never enlarged.
The file carries the credit line and CC BY-SA 4.0 in its metadata. Credit the artist wherever you use it.
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Ivan Kliun (1873-1943) · MOMus Thessaloniki via Europeana · CC BY-SA 4.0
This work is shared under CC BY-SA 4.0. You may use it, also commercially, if you credit the artist and share adaptations under the same license.
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"Suprematist Study of Form and Color" by Ivan Kliun (1873-1943) · MOMus Thessaloniki via Europeana · CC BY-SA 4.0 · via artnap.com
"Suprematist Study of Form and Color" by Ivan Kliun (1873-1943) · MOMus Thessaloniki via Europeana · CC BY-SA 4.0 (creativecommons.org/licenses/by-sa/4.0) · via artnap.com“Suprematist Study of Form and Color” by Ivan Kliun (1873-1943) · <a href="https://www.momus.gr/collections/0011156" target="_blank" rel="nofollow noopener">MOMus Thessaloniki via Europeana</a> · <a href="https://creativecommons.org/licenses/by-sa/4.0/" target="_blank" rel="nofollow noopener">CC BY-SA 4.0</a> · via <a href="https://artnap.com/artwork/kliun-suprematist-study-of-form-and-color-momus-11156">artnap.com</a><figure><a href="https://artnap.com/artwork/kliun-suprematist-study-of-form-and-color-momus-11156"><img src="https://img.artnap.com/artworks/acik/acik-eu-1316_https_www_searchculture_gr_aggregator_edm_momus_000179_11156/web.jpg" alt="Suprematist Study of Form and Color, Ivan Kliun (1917)" width="1292" height="1600" style="max-width:100%;height:auto" loading="lazy"></a><figcaption>“Suprematist Study of Form and Color” by Ivan Kliun (1873-1943) · <a href="https://www.momus.gr/collections/0011156" target="_blank" rel="nofollow noopener">MOMus Thessaloniki via Europeana</a> · <a href="https://creativecommons.org/licenses/by-sa/4.0/" target="_blank" rel="nofollow noopener">CC BY-SA 4.0</a> · via <a href="https://artnap.com/artwork/kliun-suprematist-study-of-form-and-color-momus-11156">artnap.com</a></figcaption></figure>
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About this work
A single tilted red ellipse with a slightly textured surface floats on a pale off-white ground. The painting reduces the composition to one geometric form and one color, with the edges of the canvas left visible. It is catalogued as Suprematist study of form and colour by Ivan Kliun, dated 1917.












































