Bischof Bienvenue Myriel im Gespräch mit dem sterbenden Revolutionär G., dessen Segen erbittend
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| Paper size | Orientation | Quality | File |
|---|---|---|---|
| A5 | Landscape | 300 dpi | Prepare file |
| A4 | Landscape | 300 dpi | Prepare file |
| A3 | Landscape | 300 dpi | Prepare file |
| A2 | Landscape | 200+ dpi | Prepare file |
| 5 × 7 in | Landscape | 300 dpi | Prepare file |
| 8 × 10 in | Landscape | 300 dpi | Prepare file |
| 11 × 14 in | Landscape | 300 dpi | Prepare file |
| 16 × 20 in | Landscape | 200+ dpi | Prepare file |
| 18 × 24 in | Landscape | 200+ dpi | Prepare file |
| 24 × 36 in | Landscape | 150 dpi, acceptable | Prepare file |
| 30 × 40 cm | Landscape | 300 dpi | Prepare file |
| 50 × 70 cm | Landscape | 200+ dpi | Prepare file |
A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.
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Credit this image
Bischof Bienvenue Myriel im Gespräch mit dem sterbenden Revolutionär G., dessen Segen erbittend, Victor Müller (1862), Wikimedia Commons. Via artnap.com
Bischof Bienvenue Myriel im Gespräch mit dem sterbenden Revolutionär G., dessen Segen erbittend, Victor Müller (1862), Wikimedia Commons. Via artnap.comBischof Bienvenue Myriel im Gespräch mit dem sterbenden Revolutionär G., dessen Segen erbittend, Victor Müller (1862), Wikimedia Commons. Via <a href="https://artnap.com/artwork/cmsab-94744034">artnap.com</a>
Why is this public domain? Wikimedia Commons lists this work as public domain.
About this work
This pencil sketch shows a robed figure bending toward a second, more indistinct figure beside a bare tree, set against a loosely drawn landscape with clouds and bushes. Faint squared grid lines overlay the sheet, suggesting a study prepared for transfer to a larger composition. The work is catalogued as a print by Victor Müller, dated 1862.
