
Figure Composition Study 34
George Romney · British, 1734-1802
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| Paper size | Orientation | Quality | File |
|---|---|---|---|
| A5 | Landscape | 300 dpi | Prepare file |
| A4 | Landscape | 300 dpi | Prepare file |
| A3 | Landscape | 200+ dpi | Prepare file |
| A2 | Landscape | 150 dpi, acceptable | Prepare file |
| 5 × 7 in | Landscape | 300 dpi | Prepare file |
| 8 × 10 in | Landscape | 300 dpi | Prepare file |
| 11 × 14 in | Landscape | 200+ dpi | Prepare file |
| 16 × 20 in | Landscape | 150 dpi, acceptable | Prepare file |
| 18 × 24 in | Landscape | 150 dpi, acceptable | Prepare file |
| 30 × 40 cm | Landscape | 200+ dpi | Prepare file |
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Figure Composition Study 34, George Romney, Wikimedia Commons. Via artnap.com
Figure Composition Study 34, George Romney, Wikimedia Commons. Via artnap.comFigure Composition Study 34, George Romney, Wikimedia Commons. Via <a href="https://artnap.com/artwork/cmsab-21994851">artnap.com</a>
Why is this public domain? Wikimedia Commons lists this work as public domain.
About this work
A loose pencil sketch in Figure Composition Study 34 by George Romney shows several figures arranged across a pale sheet, with a standing central figure and seated or draped figures to the left and right. The contours are rapidly drawn with overlapping construction lines, and a small orange seal mark appears in the upper right corner.



























