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William Hogarth

455 works

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Painting of a formal 18th-century wedding in an ornate interior, with a clergyman, bride, groom and elegantly dressed attenda

The Wedding of Stephen Beckingham and Mary Cox

1729

Painting of a man in red breeches reaching toward a woman at a dressing table beside a green curtained bed, with a spaniel.

Before

1730-1731

Painting of a man in brown coat and red breeches beside a seated woman in a gray dress on a canopy bed, with a dog on the flo

After

1730-1731

Man in blue coat seated at a desk with a quill, woman in yellow dress standing behind his chair in a dark room.

David Garrick (1717-79) with his wife Eva-Maria Veigel,

1757

Oil portrait of a seated woman in a red silk dress and dark hat, with a black and white dog beside her against a dark landsca

Miss Collot

1735

Two young children in white dresses stand beside a carved chair, one holding a black and white dog.

Portrait of Lady Mary Grey and Lord George Grey

1740

Loose painted portrait of a smiling young woman in a wide-brimmed hat and white bonnet, with a shawl.

The Shrimp Girl

1740

Seated portrait of an older man with white hair in a red coat, holding a rolled charter beside a globe and column.

Captain Thomas Coram (1668-1751)

1740

Oil portrait of a man in a red coat, white lace cravat and powdered wig against a dark background.

Portrait of a Man

1741

Half-length portrait of a man in a dark blue coat with gold trim, holding a sword hilt, against a dark background.

Captain Sir Alexander Schomberg, 1720-1804

1763

Oil portrait of a bearded older man in a brown coat and white collar, resting his hand on green drapery beside a folded paper

Inigo Jones, 1573-1652

1757

Oil portrait of a man in a powdered wig and gold waistcoat, seated at a desk with a quill, inkwell, and letter.

Joseph Porter

Oval half-length portrait of a man in a powdered wig, brown coat and lace cravat against a dark background.

William FitzHerbert

1740

Oval portrait of a woman in a pink silk gown, white lace collar, pearl necklace and blue-ribboned cap against a dark backgrou

Portrait of the Artist?s Sister, Anne Hogarth (1701-1771) or, Lady in Rose Taffeta

1697

Oil portrait of a seated woman in red silk and lace with a spaniel, a globe and a scroll beside her.

Portrait of Miss Mary Edwards

1742

Oval portrait of a woman in a yellow gown, blue cloak, and pearl necklace against a dark cloudy sky.

Portrait of a Lady

1740

Oil portrait of a man in a powdered wig and dark coat with white cravat, set in an oval against a dark background.

Dr Benjamin Hoadly, MD

1740

Painting of a church interior with a preacher in a pulpit and a dozing congregation, including a woman in red and a child.

The Sleeping Congregation

1728

Oval oil portrait of a young woman in a pale silk gown with lace cuffs, pearl necklace and gold earring, against a dark backg

Portrait of a Young Woman

1750

Oval portrait of a man in a red cap and blue coat with white cravat against a dark background, by William Hogarth.

John Palmer, Barrister of the Inner Temple

1749

Portrait of a young woman in a gray dress and white bonnet with a spotted dog, standing before trees and a cottage.

Miss Wood

1730

Oil portrait of a young boy in a red coat and blue sash on a terrace, with a guard and flag behind him.

William Augustus, Duke of Cumberland

1732

Mary Hogarth

1740

Oval portrait of a young man in a powdered wig, grey coat with gold embroidery, and lace cravat against a dark sky.

William Cavendish, Marquess of Hartington, Later 4th Duke of Devonshire

1741

Ann Hogarth

1740

Oval bust portrait of a man in a white wig and black clerical gown with white bands against a dark brown background.

The Reverend Dr. John Lloyd, Curate of St. Mildred's Church, Broad Street

1738

Full-length portrait of a woman in a silver lace gown with a red drape, holding a crown on a cushion beside a chair.

Portrait of Princess Augusta of Saxe-Gotha

1736

Oil painting of a woman with a fishing rod, companions and a dog beside a river with trees and a rowing boat.

A Fishing Party

1730

Engraved group portrait of bewigged men in a shield shape, some playing wind instruments, with crossed bones below.

A shield containing a group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Tayl…

Engraved heraldic shield of wigged quack doctors smoking pipes, with a chamber pot, crossed bones and a Latin motto below.

A shield containing a group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Tayl…

Hand-coloured etching of a scowling caricature figure in harlequin costume leaning on a cane, captioned Mrs Sarah Mapp.

Sarah Mapp. Coloured etching by G. Cruikshank, 1819, after W. Hogarth

Stipple engraving of a seated man in 18th-century dress beside a scroll labelled The Royal Charter, a globe, and a column.

Thomas Coram. Stipple engraving by W. Nutter, 1796, after W. Hogarth

Wood engraving bust portrait of a man in a curled wig, white cravat and buttoned coat, signed W. J. Linton.

Thomas Coram. Wood engraving by W. J. Linton after W. Hogarth

Etched crowd of caricatured scholars in caps and gowns around a lecturer reading from an open book at a pulpit.

Scholars at a Lecture

1736-37

Engraving of a crowded London street with a church spire, a well-dressed couple, a beggar on the ground, and a tavern sign.

Noon, Plate Two from The Four Times of Day

1738

Engraved night street scene with a lantern-bearing couple, a fire, an overturned cart, and hanging signs under a moonlit sky.

Night, Plate Four from The Four Times of Day

1738

Engraving of a chaotic night street scene with a bonfire, lantern-bearing figures, a barber's window and an overturned cart.

Night, plate four from The Four Times of the Day

May 1738

Oval line engraving of Daniel Lock, a seated man in a powdered wig holding a sheet, with a harbour view at right.

Daniel Lock. Line engraving by T. Cook & Son, 1808, after W. Hogarth

Oval line engraving of a man in a powdered wig and white cravat, captioned Thomas Pellet M.D., President of the College of Ph

Thomas Pellet. Line engraving by C. Hall after W. Hogarth

Engraving of a night murder scene with a dead woman on the ground, a standing man, alarmed onlookers, and a lantern under a c

The Third Stage of Cruelty: Cruelty in Perfection - The Murder

1751

Engraving of William Hogarth seated at an easel, palette in hand, painting a sketch of the Comic Muse beside a column.

Hogarth Painting the Comic Muse

1764

Engraving of a London street where a coachman whips a fallen horse beside a carriage, sheep and onlookers.

The Second Stage of Cruelty: Coachman Beating a Fallen Horse

1751

Engraving of boys torturing animals in a city street, with a crowd watching and a church spire behind the buildings.

The First Stage of Cruelty: Children Torturing Animals

1751

Engraving of a public dissection with surgeons, spectators, skeletons, a dog and a corpse on a round table.

The Fourth Stage of Cruelty: The Reward of Cruelty

1751

Sketch of a seated man in a tricorn hat beside a table with a wine bottle and glass, in brown wash.

Gabriel Hunt

Pencil and red chalk sketch of a street scene with boys tormenting a dog and rooster, a gibbet in the background, and onlooke

The First Stage of Cruelty

1750

Line engraving of seated Captain Thomas Coram with a globe, charts and ships in the background, after Hogarth.

Thomas Coram. Line engraving by B. Holl after W. Hogarth

Engraved self-portrait of a man in a fur hat with a pug dog, a palette inscribed The Line of Beauty, and stacked books.

Gulielmus Hogarth

1748/1749

Engraved print of a busy 18th-century London street at dawn with vendors, a fire, and a coffeehouse sign.

Morning

1738

Engraved street scene with a church spire, a tavern sign, a crowd, a beggar on the ground, and a well-dressed couple.

Noon

1738

Engraving of three judges in wigs seated on the bench, one dozing, with explanatory text printed below.

The Bench

1758

Characters and Caricaturas

1743

Engraving of a church where a preacher reads from a pulpit while many congregants, including a woman with a fan, sleep.

The Sleeping Congregation

1736

Hogarth engraving of a mock coat of arms filled with grotesque wigged physician caricatures, crossed bones, and a Latin motto

The Company of Undertakers

1736/1737

The Five Orders of Perriwigs as They Were Worn at the Late Coronation, Measured Architectonically

1761

Engraving of heaped crowns, mitres, maces and books under a radiant crown, with printed text panels below.

Crowns, Mitres, Maces, Etc

1754

Engraving of winged Time smoking a pipe over a dark seascape painting on an easel, with a varnish jar beside it.

Time Smoking a Picture

1761

Oval line engraving of James Gibbs, a man with curled hair and dark coat, before a classical architectural background.

James Gibbs. Line engraving by A. Bannerman, 1762, after J. McArdell after W. Hogarth

Engraving of a kneeling man in a hooded robe holding a reclining figure, with a skull, book, rosary and fruit in a rocky land

Sir Francis Dashwood at his devotions. Engraving attributed to W. Platt after W. Hogarth

Engraving of a church where a preacher reads in a pulpit while congregants sleep in pews and a woman dozes with a fan.

Gemeente in een kerk slaapt terwijl het Evangelie wordt voorgelezen

1736

Engraving of a crowded church with a preacher in a pulpit, an agitated congregation, a fainting woman and devil figures.

Spreekgestoelte met prediker en toehoorders

1762

Etched portrait of a heavyset seated man in a buttoned coat and boots, beside a desk with a book and quill, 1746.

Portret van Simon Fraser

1746

Engraved print of a Greek patriarchal tiara with winged cherub heads, a central ornamental band, and a cross on top.

Tiara met serafijnen

1723

Engraved sheet showing an allegorical medallion with two female figures above a printed text about Hogarth's gold admission t

Medaillon met personificaties van Moed (Virtus) en Wellust (Voluptas)

1823