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William Hogarth

455 works

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Engraved interior with a seated woman gesturing, a man in a wig holding a teacup, a servant in a turban, and a dog.

A Harlot's Progress: pl.2

1732

Engraving of a bedchamber with a seated woman, a servant pouring tea, and a gentleman in a wig entering from the right.

A Harlot's Progress: pl.3

1732

Engraving of a brick workroom with a fashionable couple at left and women workers at right, plate 4 of A Harlot's Progress.

A Harlot's Progress: pl.4

1732

Engraving of a cluttered garret with two men, women in headscarves, a child, a canopy bed and a fireplace.

A Harlot's Progress: pl.5

1732

Engraving of a crowded tavern room with women and men around a table, a child in a plumed hat beneath it, and a jug at right.

A Harlot's Progress: pl.6

1732

Engraving of a cluttered interior with a young man being measured, an old man writing, women, and a cat.

A Rake's Progress: pl.1

1735

Engraving of fashionable figures in a grand interior, with a harpsichordist, a sword-carrying gentleman, and a verse caption

A Rake's Progress: pl.2

1735

Engraving of a riotous 18th-century party with drinkers, musicians and a woman dressing in a cluttered room.

A Rake's Progress: pl.3

1735

Hogarth engraving of a street scene with a woman, a sedan chair, a ragged man and a lamplighter on a ladder.

A Rake's Progress: pl.4

1735

Engraving of a church wedding scene with a bride, groom, clergyman, children and two dogs beside carved pews.

A Rake's Progress: pl.5

1735

Engraving of a crowded tavern scene with gambling men, a dog, and a fallen man beside an overturned chair and wig.

A Rake's Progress: pl.6

1735

Engraving of a crowded barred prison room with a seated man reading at a table, a canopied bed, a child, and a jailer with ke

A Rake's Progress: pl.7

1735

Engraving of an asylum ward with a chained half-naked man held by a weeping woman, onlookers, a violinist and a dog.

A Rake's Progress: pl.8

1735

Engraving of two apprentices at looms in a workshop, one idle beside a dog, with a standing overseer at right.

The Fellow 'Prentices at Their Looms

1747

Engraving of two young apprentices sharing a hymn book in a church, with an elderly woman reading and a crowded congregation

The Industrious 'Prentice performing the Dutyof a Christian

1747

Engraving of apprentices gambling on a tomb in a churchyard, with skulls and bones scattered below, by Hogarth.

The Idle 'Prentice at Play in the Church Yard, during Divine Service

1747

Engraving of a master and apprentice at a desk in a counting house, with spinning workers, a cat and a dog in the foreground.

The Industrious 'Prentice a Favorite, and entrusted by his Master

1747

Engraving of figures in a rowing boat on choppy sea, with sailing ships and windmills in the distance.

The Idle 'Prentice turn'd away, and sent to Sea

1747

Hogarth engraving of a busy London street with musicians, a seated beggar with a dog, and a man tossing a coin at a shop door

The Industrious 'Prentice out of his Time, and Married to his Master's Daughter

1747

Engraving of a cluttered garret where a startled young man and woman in bed react with raised hands.

The Idle 'Prentice return'd from Sea & in a Garret with a common Prostitute

1747

Engraving of a crowded banquet hall with diners at a table and a robed official with a staff at right.

The Industrious 'Prentice grown rich & Sheriff of London

1747

Engraving of an apprentice in a night cellar tavern, with a woman pointing at an approaching constable holding a lantern.

The Idle 'Prentice betray'd by his Whore, & taken in a Night Cellar with his Accomplice

1747

Engraving of a courtroom: a robed alderman sits at right while an apprentice holds a book before a crowd, with a clerk writin

The Industrious 'Prentice Alderman of London,the Idle one brought before him & impea ch'd by his Accomplice

1747

Engraving of a crowded execution scene at Tyburn with soldiers, spectators on stands, vendors, and a distant gallows under a

The Idle 'Prentice Executed at Tyburn

1747

Engraving of a Lord Mayor's procession, with a gilded carriage moving through a crowded London street lined with onlookers.

The Industrious 'Prentice Lord-Mayor of London

1747

Engraving of actresses dressing in a cluttered barn among costumes, candles, musicians, children and animals.

Strolling Actresses Dressing in a Barn

1738

Engraving of a lawyer in wig and gown facing a knight in a room of bookshelves, with two clerks writing and dogs on the floor

Hudibras and the Lawyer

1725/1726

Engraving of a cluttered study with a skeleton, hanging crocodile and two bearded men arguing at a table covered in diagrams.

Hudibras beats Sidrophel and his man Whacum

1725/1726

Engraved plate of an artist's studio with statues, anatomical drawings, and ornamental motifs framed by numbered border panel

Analysis of Beauty: pl.1

1753

Engraved city street with a large fire, firefighters with hoses, a bucket line, and crowds of people in the foreground.

The Times, pl.1

1762

Hogarth engraving of a crowded London street with a whirligig ride, gamblers, allegorical figures and a monument inscribed wi

The South Sea Scheme

1721

Engraving of an allegorical lottery scene with a central pedestal, large drawing wheels, draped curtains and crowded figures.

The Lottery

1721

Etching of a courtroom scene with a bearded speaker, robed judges, a blindfolded Justice with scales, and a winged devil.

Paul before Felix Burlesqued

1751

Engraving of a busy inn yard with a stage-coach, travellers boarding by ladder, and onlookers on balconies.

The Stage-coach, or the Country Inn Yard

1747

Hogarth etching of a bedchamber with rabbits scattered on the floor and men in consultation around a woman in childbed.

Cunicularii, or The Wise Men of Godliman in Consultation

1726

Engraving of a bear in a cravat drinking ale beside a pug dog, with books, a pipe and an oval frame behind them.

[The Bruiser, C. Churchill]

1763

Etching of four studied heads: a scowling bald man, a curly-haired youth, a bearded man, and a turbaned old man.

Four Heads from the Raphael Cartoons at Hampton Court

c. 1729

Etching of a seated man holding a pole topped with a LIBERTY cap, with a quill, inkstand and North Briton paper on a desk.

[John Wilkes]

1763

Engraving of Gin Lane by William Hogarth, 1751, showing a squalid street with a drunken woman, falling infant and ruined buil

[Gin Lane]

1751

Engraving of an artist's studio with statues, anatomical figures, and framed ornament borders, from Hogarth's Analysis of Bea

Analysis of Beauty, Plate I

1753

Engraving of an 18th-century outdoor election polling scene with crowds on a wooden platform and a carriage crossing a stone

[The Polling, z cyklu "Four Prints of an Election"]

1758

Engraved interior of a cluttered garret with a poet writing at a desk, a seated woman sewing, and a servant by a cupboard.

[The Distrest Poet]

1740

Engraving of a city street with boys and men tormenting animals while onlookers watch from a wall.

[Firt Stage of Cruelty, z cyklu "The Four Stages of Cruelty"]

1751

Hogarth engraving of a winged skeleton among ruins, an hourglass, and scattered objects beneath a sign reading The World's En

Allegorie op het einde der tijd

1764

Engraving of a cluttered interior where a tailor kneels to fit a young man's coat while others watch from the room.

Tom Rakewell wordt een nieuw pak aangemeten

1735

Engraving of a crowded 18th-century interior with a harpsichord player, fashionably dressed figures, and framed paintings on

Tom Rakewell omringd door mensen in de ochtend

1735

Engraving of a rowdy tavern scene with drinkers around a table, a harp, hanging portraits and a woman seated in the foregroun

Tom Rakewell beschonken in een bordeel

1707

Engraving of a young man in a wig beside an elderly bride as a clergyman reads, with dogs and children in a stone-walled inte

Tom Rakewell trouwt een oude rijke vrouw

1735

Engraved prison scene with a distressed man, a fainting woman on a bed, a child, and a jailer with keys by a barred door.

Tom Rakewell met afwijzingsbrief en Sarah Young flauwgevallen

1735

Engraving of an asylum interior with a shackled man tended by a woman, inmates, well-dressed visitors and a violinist.

Tom Rakewell in Bethlem Royal Hospital

1735

Engraving of a crowded election feast in a tavern with drinking men, musicians, a puppet show, and a boy pouring from a barre

Vermaak als propaganda

1755

Engraving of men drinking and smoking pipes around a punch bowl in a cluttered tavern, with a man asleep on the floor.

Gezelschap van drinkende en rokende mannen

1732

Engraving of a London street with lightning overhead, a woman in white tugged by gamblers beside a sedan chair, and a crowd b

O Vanity of Youthful Blood

1735

Pen and ink drawing of a skeleton wrestling a man to the ground, with a faint sketched shield in the upper right corner.

George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock

1750

Black chalk drawing of a reclining female nude resting her arm on a rock, legs stretched diagonally across the sheet.

Study of a Female Nude

Engraving of a busy city street with a man beating a horse, a carriage, sheep, and a fallen child under a cloudy sky.

[Second Stage of Cruelty, z cyklu "The Four Stages of Cruelty"]

1751

Engraving of men in wigs drinking and smoking around a punch bowl in a tavern, with a fallen man on the floor.

[A Midnight Modern Conversation]

1733

Engraving of a chaotic city street with musicians, a woman carrying a pot, a drumming boy and a man at a window.

[The Engraged Musician]

1741

Engraved print of a crowded 18th-century election feast in a tavern with drinking revelers, musicians, and a wooden tub in th

[An Election Entertainment, z cyklu "Four Prints of an Election"]

1755

Engraved night street scene with a lantern-bearing couple, a bonfire, an overturned cart, and hanging shop signs.

[Night, z cyklu "The Four Times of Day"]

1738

Engraving of a night scene: a crowd of men surrounds a figure beside a church tower while a woman lies dead on the ground.

[Cruelty in Perfection, z cyklu "The Four Stages of Cruelty"]

1751

Engraving of a woman striking a man in a wig beside a dressing table in a canopied bedroom, with a small dog nearby.

[Before]

1736

Engraving of a crowded 18th-century street at noon with a church spire, a well-dressed couple, a pie seller and a beggar.

[Noon, z cyklu "The Four Times of Day"]

1738

Red chalk drawing of many overlapping caricatured heads showing varied grimacing and shouting expressions.

Sheet of Studies of Heads