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Théodore Chassériau

98 works

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Oil sketch of a rider on a white horse fleeing past gesturing figures and fallen bodies under a stormy sky.

Scene from the Gallic Wars: The Gaul Littavicus, Betraying the Roman Cause, Flees to Gergovie to Support Vercingétorix

ca. 1838-40

Painting of a reclining woman in yellow robes beside a seated woman in pink and a turbaned man in a dim interior.

Interior of a Harem

1856

Painting of nude and draped women in a vaulted classical bath hall with statues, a central basin, and a standing figure lifti

The Tepidarium

1853

Painting of a black mare presented in a desert scene with robed figures, a woman with child, and a domed building.

Arab Merchant Presenting a Mare

1853

Painting of a nude woman, a man in animal skins, and two children in a barren landscape under a stormy sunset sky.

The Punishment of Cain

1836

Reclining nude woman sleeping with arms behind her head on drapery in a dark forest, painted in 1850.

Bather Sleeping Near a Spring

1850

Painting of two seated women in traditional dress, one holding a gazelle, against a deep red arched interior wall.

Woman and Little Girl of Constantine with a Gazelle

1849

Painting of horsemen and mourning women tending a wounded warrior beside a sword, in warm golden desert tones.

Recovery of Wounded Warriors

1853

Painting of mounted Arab horsemen in white turbans carrying bodies across a dusty battlefield with fallen men and horses.

Arab Horsemen Carrying Away Their Dead

1850

Pencil drawing of a young man reclining on cushions, head resting on his hand, with an open book beside him.

Portrait of Raymond de Magnoncourt

1851

Etching of two seated women in Moorish dress with a gazelle, against an ornamented wall, by Théodore Chassériau, 1851.

Femmes Mauresques de Constantine

1851

Etching of Othello plate three: a turbaned figure stands before seated courtiers and a kneeling woman in an ornate interior.

She Lov'd Me for the Dangers, plate three from Othello

1844

Etching of Othello pushing away a kneeling woman in an ornate interior, with a veiled woman standing behind.

Away!, plate seven from Othello

1844

Etching of a kneeling man with a sword beside a bed where a woman lies, watched by torch-bearing men in a dim chamber.

O Spartan dog, plate fifteen from Othello

1844

Watercolor and ink drawing of a drover leading two oxen pulling a cart under a cloudy blue sky with birds.

Drover with Oxen Pulling a Cart

1840

Etching of Othello pushing away a kneeling woman in an interior, with a standing woman and draped curtain beside him.

"Away!": plate 7 from Othello (Act 3, Scene 4)

etched 1844, reprinted 1900

Etching of a warrior embracing a veiled woman on a rocky shore, with a banner-bearer and trumpeters behind them.

O My Fair Warrior!, plate five from Othello

1844

Etching of Othello's final scene: a kneeling man with a sword beside a dead woman on a bed, with cloaked men holding torches

"O Spartan dog": plate 15 from Othello (Act 5, Scene 2)

1844

Etching of Othello standing before seated nobles in a columned hall, with a kneeling figure and armed attendants nearby.

She Lov’d Me for the Dangers I Had Pass’d, plate 3 (act 1, scene 3) from Othello,

1844, printed 1900

Etching of Othello embracing Desdemona on a rocky shore beside a flag bearer and soldiers, from Chassériau's Othello series.

O My Fair Warrior!, plate 5 (act 2, scene 1) from Othello

1844, printed 1900

Etching of Othello grasping a kneeling woman's arm in a richly furnished room while a veiled woman stands nearby.

Away!, plate 7 (act 3, scene 4) from Othello

1844, printed 1900

Etching of Othello standing before richly dressed seated and standing men in a columned interior with a tiled floor.

"She lov'd me for the dangers I had pass'd": plate 3 from Othello (Act 1, Scene 3)

etched 1844, reprinted 1900

Etching of Othello embracing Desdemona on a rocky shore beside a soldier holding a banner, with sea and cliffs behind.

"O my fair warrior!": plate 5 from Othello (Act 2, Scene 1)

etched 1844, reprinted 1900