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Théodore Chassériau

98 works

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Lithograph of a nude woman wringing her long hair on a rocky seashore with shells and distant cliffs behind her.

Venus Anadyomene

c. 1841/1842

Lithograph of Apollo with a lyre kneeling and reaching toward nude Daphne raising her arms among trees.

Apollon et Daphne

1844

Pencil portrait of a seated young woman with curled hair and a bow at her collar, resting her hands on an armchair back.

Portrait of Madame Gabrielle Marcotte de Quivières

1845

Pencil portrait of a young woman with curled hair and a bow collar, resting her arm on a patterned chair.

Portrait of Madame Ravaisson

1846

Pencil portrait of a seated man in a long coat and bow tie, with a faint landscape and handwritten dedication at left.

Portrait of Félix Ravaisson

1846

Etching of two cloaked men below a balcony where a bearded man in a nightcap appears, beside a winged lion column.

Owake! what ho! Brabantio! thieves! thieves!, plate one from Othello

1844

Etching of Othello gesturing to a veiled woman beside him in an arched interior, with verse captions below.

She Thank'd Me, plate two from Othello

1844

Etching of Othello in a turban and patterned robe gesturing to a veiled Desdemona beside Iago in a columned interior.

Honest Iago, my Desdemona must I leave to thee, plate four from Othello

1844

Etching of a man in a cloak speaking to a woman gesturing, with a veiled woman behind and a castle by the sea.

Therefore be merry, Cassio, plate six from Othello

1844

Etching of two women in a draped interior with arched columns and a bed, one leaning her head on the other's shoulder.

If I Do Die Before Thee, plate eight from Othello

1844

Etching of a seated woman with long hair beside a standing attendant in an arched interior with drapery and a column.

The Willow Song, plate nine from Othello

1844

Etching of Othello kneeling beside a bed where a woman lies, with onlookers and a torch-bearer in a dim chamber.

Oh! Oh! Oh!, plate fourteen from Othello

1844

Etching of a winged female figure in draped robes holding up a long, twisting scroll against hatched shadows.

Frontispiece, from Othello

1844, printed 1900

Black chalk portrait of a seated man in a frock coat and cravat, with white highlights, on tan paper.

Victor-Auguste de Saint-Rémy

1850

Pencil portrait sketch of a dark-haired man in a coat and cravat, resting one hand on a chair.

Auguste Ottin

1833

Graphite drawing of a seated man with a mustache in a frock coat and cravat, arms folded, on gray paper.

Portrait of Jennins

1838

Cassio Bowing

1852

Watercolor and graphite sketch of a seated woman in a patterned robe and headwrap, with handwritten notes at right.

Jewish Woman of Algiers Seated on the Ground

ca. 1846

Pencil drawing of a seated woman flanked by two standing young women in period dresses, in a sketched interior.

The Baroness Duperré and Her Daughters

1841

Lithograph portrait of a seated man in a double-breasted coat and high collar, hands resting on a wooden armchair.

Alexis Charles Henry de Tocqueville

1848

Etching of a sword duel between two men in armor before ruined stone architecture, with a fallen figure and printed dialogue

Villain, Thou Diest, plate ten from Othello

1844

Etching of a bearded man in a dark robe standing beside a sleeping woman on a bed in a lamp-lit chamber.

Yet She Must Die, plate eleven from Othello

1844

Etching of a turbaned man embracing a seated woman on a canopied bed in an ornate interior.

He Smothers Her, plate thirteen from Othello

1844

Etching of two men on a night street looking up at a figure on a balcony beside a winged lion column.

Owake! What Ho! Brabantio!plate 1 (act 1, scene 1) from Othello

1844, printed 1900

Etching of Othello seated in a turban, gesturing toward a veiled woman standing beside a balcony in an architectural setting.

She Thank’d Me, plate 2 (act 1, scene 3), from Othello

1844, printed 1900

Etching of Othello in a turban gesturing to Desdemona beside Iago in an interior with columns.

Honest Iago, Desdemona Must I Leave to Thee, plate 4 (act 1, scene 3), from Othello

1844, printed 1900

Etching of Desdemona gesturing to Cassio beside a companion, with a castle by the sea behind them, from Othello plate 6.

Therefore be Merry Cassio, plate 6 (act 3, scene 3) from Othello

1844, printed 1900

Etching of two cloaked men calling up to an old man at a stone balcony, with a winged lion column and city buildings behind.

"Owake! what ho! Brabantio! thieves! thieves!": plate 1 from Othello (Act 1, Scene 1)

1844

Etching of a winged woman in classical drapery holding a scroll, with a skull and swirling ribbon of cloth around her.

Frontispiece, from Othello

1900

Etching of Othello seated in a turban gesturing toward Desdemona standing beside him on a terrace.

"She thank'd me": plate 2 from Othello (Act 1, Scene 3)

1844

Etched plate of Othello, a turbaned man in patterned robes, beside Desdemona and Iago in a columned interior.

"Honest Iago, my Desdemona must I leave to thee": plate 4 from Othello (Act 1, Scene 3)

etched 1844, reprinted 1900

Etching of Desdemona gesturing to Cassio on a rocky shore by a fortress, with a veiled woman behind her.

"Therefore, be merry Cassio": plate 6 from Othello (Act 3, Scene 3)

1844