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Rembrandt van Rijn

1,172 works

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Etching of a kneeling man in prayer beside a canopied bed with heavy draped curtains.

David in Prayer

1652

Etching of an older peasant man with a staff and a child in a fur coat, with a woman at left, on a pale background.

Peasant Family on the Tramp

ca. 1652

Etched portrait of a young man in a fur cap and buttoned jacket, with curly hair and a direct gaze.

The Artist's Son, Titus (copy)

ca.1656

Etching of a man with a golf club beside a seated smoking man in a dark interior, with a third figure behind.

The Golf-Player

1654

Etching of a stable interior with figures gathered around a seated woman holding an infant, with a ladder and barrel at left.

The Circumcision in the Stable

1654

Etching of a child seated among bearded, turbaned men in an arched interior, with onlookers and a cane-bearing old man at rig

Christ Seated Disputing with the Doctors

1654

Etching of a woman, a boy and a man with a staff walking a rocky path with a dog and distant town.

Christ Returning from the Temple with His Parents

1654

Etching of Christ seated at a table with a glowing halo, flanked by disciples under a heavy draped canopy.

Christ at Emmaus: The Larger Plate

1654

Etching of a bare-chested man in a loincloth standing on a pedestal beneath a dark arched niche, signed Rembrandt 1655.

The Image Seen by Nebuchadnezzar

1655

Etching of a sleeping man below winged angels ascending and descending in light, by Rembrandt, 1655.

Jacob's Ladder

1655

Etching of a plumed, armored giant with a round shield facing a small figure with a sling beside soldiers behind a bank.

David and Goliath

1655

Etching of a goldsmith working at a pedestal in a workshop while a child holds a small sculpture beside him.

The Goldsmith

1655

Etching of a bearded older man in a wide-brimmed hat seated at a desk with papers and bottles.

Arnold Tholinx, Inspector (reverse copy)

n.d.

Etching of a winged angel embracing a kneeling man at night, with sleeping figures in the foreground and a ruined tower behin

The Agony in the Garden

ca. 1652

Etching of Christ at a stone well speaking with a Samaritan woman holding a water jar, with figures and a town behind.

Christ and the Woman of Samaria: an Arched Print

1658

Etching of a half-dressed woman seated beside an ornate tiled stove in a dim interior, by Rembrandt, 1658.

Woman Sitting Half-Dressed beside a Stove

1658

Etching of a seated nude woman with bowed head, a draped cloth on her lap, and a hat on a chair behind her.

Woman at the Bath with a Hat beside Her

1658

Etching of a nude woman seated and bending to wash her feet, with a cloth and headscarf, against a dark crosshatched backgrou

Woman Bathing Her Feet at a Brook

1658

Etching of a winged Cupid resting on a bed with a quiver of arrows and a bow, surrounded by drapery and curtains.

Cupid Resting (copy)

n.d.

Etching of a young man in half-length with curly hair and a loose collar, set against dense hatched shadows.

Young Man, Half-Length

1620-69

Etching of three dromedary camels walking left to right with two turbaned handlers at the left edge.

Three Dromedaries

n.d.

Etched bust portrait of an elderly bearded man in a fur cap and fur-collared coat, shaded with crosshatching.

Bust of an Old Man in a Coat and Fur Collar (copy)

n.d.

Etching of a bearded man in a feathered turban, turned in three-quarter view, set against dense cross-hatched shadows.

Bust of a Man in a Feathered Turban and Long Beard

n.d.

Etched portrait of a seated man in dark robe holding a quill pen and blank paper against a dark curtain.

Lieven Willemsz van Coppenol, Writing Master: the Larger Plate (copy)

n.d.

Etching of three thatched cottages beside a dirt road, with a large tree on the right and figures near the doorways.

Landscape with Three Gabled Cottages beside a Road

1650

Etching of a tree and small figure at left, with a shaded head in a cap at lower right and wind-blown hair above.

Sheet of Studies with a Tree and the Upper Part of Rembrandt’s Head in a Velvet Cap

1644

Sheet of Slight Studies, One of Two Peasants

1651

Etched study of a woman's head in a headscarf, turned slightly to the side, with loose hatched lines on a pale sheet.

Studie van het hoofd van een vrouw

1635

Drie studies van oude-mannenhoofden

1630

Etching of a tall cloaked beggar in the foreground, with a cottage and two small figures in the background.

Bedelaar met op de achtergrond een huisje en twee figuren

1629

Etching of the circumcision: a mitred priest and elder attend a naked infant before a crowd in a vaulted church interior.

The circumcision

1625

Etching of a circumcision ceremony with a priest, an infant, and onlookers in a vaulted interior.

De besnijdenis

1625

Etching of a figure raising his hand over a shrouded body on a tomb while onlookers react in a dim, arched interior.

De opwekking van Lazarus

1632

Small etching of a man in a fur cap pulled forward, with curly hair, moustache and beard, in three-quarter view.

Self-portrait with cap pulled forward

1630

Etched self-portrait of a man in a cap with wide eyes and open mouth, shown against a plain background.

Self-portrait in a Cap, Wide-eyed and Open-mouthed

1630

Etching of an elderly bearded man in a tall fur hat and fur-collared coat, looking toward the viewer.

Man in a High Hat

1630

Small etching of a man in a fur cap with a rat beside him and a cage at the right edge.

Head of a Rat Catcher

17th century

Etching of an elderly woman in a fur-trimmed cloak and headscarf, seated in a chair, looking left.

The Artist's Mother Seated at a Table, Looking Left: Three Quarter Length

after 1631

Etching of a kneeling man embraced by an older cloaked figure at a doorway, with onlookers and a distant landscape.

Return of the Prodigal Son

1620-69

Bearded Old Man with High Forehead

1629

Etching of an elderly bearded man with tousled hair, head bowed and turned to the side.

Old Man with a Flowing Beard

1631

Etching of an elderly bearded man in bust length, turned to the right, with wild hair and dense hatching.

Old man with a flowing beard: bust

1631

Old Man with a Flowing Beard, the Left Shoulder Unshaded

1630

Head of a Man in a Fur Cap, Crying Out

1629

Tonal print of a bearded man in a white turban and dark robe, turning toward the viewer beside an open book.

Portrait of Rembrandt as St. Paul

n.d.

Etched self-portrait of a bearded man in a plumed velvet beret, fur-trimmed coat and lace collar, looking at the viewer.

Zelfportret met gepluimde fluwelen baret

1638

Etching of figures gathered around a wheelbarrow with a bundled load beneath a dark archway, mounted on a cream album page.

The Hundred Guilder Print: the ass, the camel and the wheelbarrow

1753

Etching of Christ preaching at the center, surrounded by a crowd, kneeling figures and a soldier, under an arched frame.

The Hundred Guilder Print: the central piece with Christ preaching, the plate arched

1753

Etching of Christ preaching with a halo before a crowd, including kneeling figures, a wheelbarrow and a dog, in a dark arched

Predikende Christus

1753

Etching of an angel in radiant light appearing above startled shepherds, sheep and cattle on a dark wooded hill.

The Angel Appearing to the Shepherds

1634

Etching of an angel ascending through smoke above a kneeling family in a dim room, with a small dog nearby.

The Angel Departing from the Family of Tobias

1641

Etching of an elderly woman in a fur-trimmed cloak and headscarf, seated in a chair with her hands folded.

The Artist's Mother Seated at a Table, Looking Right: Three-Quarter Length

1631

Etching of figures gathered in a dim stable interior around a seated woman holding an infant, with a ladder and barrel.

The Circumcision in the Stable

1654

Etching of a couple embracing in a canopied bed with heavy drapes, beside a column and an arched doorway.

The French bed

1646

Etching of a small monk kneeling among tall reeds in a field, with a jug at left and distant figures working.

Het monnikje in het korenveld

1646

Etching of men lowering Christ's body from the cross at night, with a shrouded body and mourners in the foreground.

The Descent from the Cross by Torchlight

1654

Etching of a bare-headed man with curly hair and beard, turned three-quarters, set against dense hatched shadows.

Self-portrait Bare-headed

1629

Small etching of a man with curly hair and a bare head, shown as a bust turned to the left, with dark hatched shading.

Self-portrait bare-headed: bust

1629

Sheet of studies of men's head: old man in fur coat and high cap

1629

Old Man in a Fur Coat and Tall Hat

1629

Old Bearded Man, with Mouth Half Open

1629

Etched self-portrait of a scowling man with tousled hair and stubble, set within an oval vignette on pale paper.

Self-portrait scowling

1631

Sheet of studies of men's heads: old bearded man nearly in profile to right: mouth half open

1629

Pen-and-ink print of a ragged beggar in a wide-brimmed hat leaning on a long walking stick, facing right.

Bedelaar met verminkte hand, leunend op een stok

1629