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Paul Cézanne

453 works

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Pencil sketch of a thistle with a rounded flower head and spiky leaves on a sketchbook page numbered 59.

Thistle

1893/1896

Pencil sketchbook page with a reclining nude figure and arm on the right and hatched foliage strokes on the left.

A Nude and Foliage

1879/1882

Pencil sketchbook page with three head studies at different angles, one showing a woman's face in soft graphite shading.

Three Heads, One of Madame Cezanne

1882/1885

Pencil sketchbook page with loose studies of a man's arm, hand and hatched hair seen from behind, on cream paper.

A Man seen from Behind

1880/1883

Graphite pencil sketch of a child with bowed head reading, with loose hatching and a faint arm at left on a sketchbook page.

The Artist's Son Reading

c. 1887

Pencil sketch of a house half hidden by trees and vegetation, drawn loosely on a sketchbook page.

House Surrounded by Vegetation

1889/1892

Pencil sketch of a figure with closed eyes resting head on hand, drawn on a sketchbook page numbered 65.

Figure Resting Head on Hand

c. 1889

Pencil sketch in a sketchbook of trees, foliage and a pool edge in a garden, drawn with loose hatched strokes.

Near the Pool at Jas de Bouffan

1883/1887

Pencil sketch of a man bending forward, drawn in loose hatched lines on a sketchbook page.

Man Bending Forward

1883/1886

Pencil sketch on a sketchbook page showing two reclining nude figures with loose contour lines and light shading.

Study of the Allegorical Figure of the Genius of Health from Rubens' "The Birth of Louis XIII at Fontainbleau"

1895/1898

Graphite sketch of a muscular male figure in a twisting pose, drawn on a sketchbook page.

Study of Puget's "Milo of Crotona"

1880/1883

Loose pencil sketch of a classical figure fragment with drapery on a cream sketchbook page.

Study of a Standing Male Figure after the Antique

c. 1895

Pencil sketch of a child's head turned sideways, drawn loosely on a sketchbook page.

Study of Desiderio da Settignano's "Bust of a Child"

c. 1895

Pencil sketch of a house among trees in a park, with a seated figure in the lower right corner, on a sketchbook page.

House in a Park

1883/1886

Pencil study of a reclining man's head and raised arm on a cream sketchbook page, by Paul Cézanne.

Study of "The Roman Orator (Germanicus)"

1883/1886

Pencil sketch of a reclining female nude with one arm raised behind her head, drawn on a sketchbook page.

Study of the Allegorical Figure Bellona in Rubens' "The Apotheosis of Henri IV"

1883/1886

Pencil sketchbook page with a study of a woman's head with lowered eyes and loose studies of hands and forms.

Studies Including Madame Cezanne

1884/1887

Pencil sketch of a dresser with round knobs and a curved front on a sketchbook page numbered 103.

Chair and Dresser

1880/1883

Pencil sketch of a reclining female figure with draped cloth, drawn on a sketchbook page.

Study of "Venus de Milo"

1881/1884

Pencil sketch of a fruit-filled basket on a sketchbook page numbered 105, with faint marks nearby.

Basket

1877/1900

Pencil sketch of trees and shrubs on a sloping hillside, drawn loosely across a sketchbook page.

Trees and Shrubs

1883/1887

Loose pencil sketch of two nude bathers on an aged sketchbook page with handwritten notes beside them.

Two Bathers

1884/1887

Loose watercolor and pencil drawing of tall trees on a riverbank with a pale sky and distant trees on the right.

Banks of the Seine at Médan

1880-1885

Black and white print of nude bathers in a rocky landscape, one reclining, one standing centrally, one seated by a tree.

Die Badenden

Print of nude bathers in an outdoor landscape with trees, rocky hills, and a cloudy sky, in muted blue and yellow tones.

The Bathers

1898

Charcoal sketch of two standing nude male figures seen from behind, with a faint figure study at the left edge.

Standing Male Bather; Puget's Atlas

1885

Pencil sketch of four nude bathers in a wooded clearing, one standing with arm raised, others seated or crouching near water.

Quatre Baigneuses

1879

Pencil and watercolor sketch of a building group with arched windows among trees and a hillside, in pale blue and green.

View of the Château Noir

1887