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Max Klinger

296 works

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Etching of a haloed bearded figure standing among seated nude women in a dark cave, with figures in sunlit landscape beyond.

Christus und die Sünderinnen (Ein Leben, Opus VIII, Blatt 13)

1884

Etching of two crabs and a shrimp resting on rocks under a pale sky, drawn in fine hatched lines.

Siesta I, from the series Radierte Skizzen

n.d.

Etching of a forest clearing with a large boulder, fallen log, tall trees, and a small figure beside the rock.

Simplicius in the Solitude of the Forest, plate ten from Intermezzos

1881

Max Klinger's 1895 print of a pensive seated woman beside a loom, with animals and palm trees in a tapestry behind her.

Penelope kijkt in gedachten verzonken naar haar weefgetouw

1895

Etching of a pianist on a wooden balcony beside nymphs, with a harp, a sailboat on rough sea, and cliffs beyond.

Pianist op houten balkon omringd door nimfen voor een baai

1894

Etching of nude Adam and Eva kneeling on a shore as a robed devil points and skeletal Death holds a scroll on rocks.

Intermezzo (Adam und Eva und Tod und Teufel) (Eine Liebe, Opus X, Blatt 6)

1887

Etching of a city view over rooftops, a long wall and church towers, with a woman leaning on a balcony railing in the foregro

View from the Artist's Studio Window, Rome

1890

Etching of a child seated against a tree, writing on a sheet in the grass beside small flowers.

Malerische Zueignung, from the series Radierte Skizzen

n.d.

Etching of a nude woman seated on a swing bar beside a large dark bird with spread wings, with a vertical post between them.

Schaukel, from the series Radierte Skizzen

n.d.

Etching of a woman in a long white dress standing on a shore as waves break under a grey sky.

Am Meer, from the series Intermezzi

n.d.

Etching of soldiers in period dress gathered on a shaded forest path beneath large trees.

Simplicius unter den Soldaten, from the series Intermezzi

n.d.

Etching of a skeleton driving a chariot with a winged child, horses and cypress trees in a cloudy landscape.

Amor, Tod und Jenseits, from the series Intermezzi

n.d.

Etching of two nude figures kneeling on a rocky shore beside a seated robed figure and a skeleton under a stormy sky.

Intermezzo (from the series A Love)

1887-1903

Etching of a pale woman lying on a draped bed while a shadowy hooded figure reaches toward her in a dark room.

Death (from the series A Love)

1887-1903

Etching of a man, a nude woman with a harp carved as a bearded head, and a sea with ghostly figures above.

Evocation (from the series Brahms Fantasies)

1894

Seated woman with a dark bird at her feet, before a tapestry-like background of elephants, lions, deer and nude figures.

Leuckart Certificate (Penelope)

n.d.

Etching of a rocky forest clearing with a large boulder, fallen log, bare tree, and a small figure by the stone.

Simplicius in der Waldeinöde, from the series Intermezzi

n.d.

Etching of a wounded centaur rearing on a grassy plain while nude hunters with spears pursue it under a cloudy sky.

Verfolgter Centaur, from the series Intermezzi

n.d.

Etching of a pale woman lying on a draped cloth as a hatted figure and winged spirit hover above in darkness.

Tod (Eine Liebe, Opus X, Blatt 10)

1887

Etching of horses pulling a plough past a fallen man, with skulls in the foreground and birds above a rolling landscape.

Landmann (Vom Tode, Erster Theil, Opus XI, Blatt 7)

1889

Etching by Max Klinger showing a winged figure in a desert, a fleeing crowd, and a reclining corpse on a bier below.

Der Tod als Heiland (Vom Tode, Erster Theil, Opus XI, Blatt 10)

1889

Etching of three riders chasing a rearing centaur across a grassy plain, with a village and hills in the distance.

Drie ruiters achtervolgen een centaur

1881

Etching of a river with a wooden footbridge, farmhouses and trees beneath a dramatic cloudy sky.

Mondnacht (Vier Landschaften, Opus VII, Blatt 3)

1883

Etching of a rural landscape with a large barn, trees, flat fields and a dramatic cloudy sky above a dark foreground.

Sommernachmittag (Vier Landschaften, Opus VII, Blatt 4)

1883

Etching of a child leaning against a tree, writing with a quill on grass beside small flowers.

Malerische Zueignung (Radierte Skizzen, Opus I, Blatt 2)

1879

Etching of two crabs and a lobster-like creature resting on rocks against a pale background, rendered in fine hatched lines.

Siesta (Siesta I) (Radierte Skizzen, Opus I, Blatt 3)

1879

Etching of a seated nude woman with long hair in a woodland clearing by a pond, with a reclining figure beside trees.

Eva from Eva und die Zukunft (Rad.-Werk III)

1898

Etching of a nude woman seated on a swing bar beside a large dark bird with spread wings, on a pale background.

Schaukel (Radierte Skizzen, Opus I, Blatt 5)

1879

Etching of a seated nude woman with long hair by a stream, with a reclining figure and trees in the background.

Eva (Eva und die Zukunft, Opus III, Blatt 1)

1880

Title page of Max Klinger's etched cycle Ein Handschuh, with a small vignette of a woman beside a bull within a decorative bo

Title Page from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI. First edition

1881

Etching of fashionably dressed people conversing on a glass-walled terrace, with a seated woman and a small dog at center.

Ort (Place) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate I. First edition

1881

Etching of a horse pulling a shell chariot over scrolling waves toward a radiant sunrise, from Klinger's A Glove cycle.

Triumph from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate V. First edition

1881