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Jean-Auguste-Dominique Ingres

150 works

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Madame Edmond Cavé (Marie-Élisabeth Blavot, born 1810)

1831

Seated woman in black dress with gold necklace and patterned shawl beside a flower vase, dark background, portrait painting.

Porträt der Madame Leblanc

1823

Oil portrait of a young woman with ringlet curls, lace collar and dark bodice, seated in a wooden chair against a gray backgr

Augustine-Modeste-Hortense Reiset

1846

Oil study by Ingres of figures with raised arms, pointing gestures, and studies of hands around a central pedestal.

Studies for "The Martyrdom of Saint Symphorien" (Saint, Mother, and Proconsul)

1833

Painting of nude figures, dancing women and cherubs gathered in a wooded landscape with mountains under a golden arch.

L'âge d'or (Ingres, 1862, Harvard)

1862

Oil portrait of a woman with dark hair, golden headband and pale blue veil against blue, in an ornate gilded frame.

Portrait of Madame Jacques Ignace Hittorf as Juno

Study for Phidias in the Apotheosis of Homer

1827

Oil painting of a seated man embraced by a woman holding a brush, with an easel and a religious scene behind them.

Raphael and the Baker's Daughter

1840

Framed study by Ingres of five figures in robes, including bearded men, a veiled woman and gesturing hands, against a brown b

Étude pour "Jésus au milieu des docteurs

1862

Three women in blue, green and red robes beside a stone well with jars, one pouring water, in a classical interior.

Eliezer and Rébecca

1800

Painted head of a bearded man wearing a laurel wreath against a blue background, with a wooden staff at left.

Tête de Jupiter

1850

Painting of a kneeling man in black cloak kissing a sword held by a woman in pink, beside classical columns and guards.

Don Pedro de Tolède baisant l’épée d’Henri IV

1819

Study of a man in profile with a view to the composition of Jupiter and Thetis

1810

Study of a Seated Man in Profile

1808

Oil portrait of a bearded man in steel armor with a white collar, looking directly at the viewer against a brown background.

The Condottiere

1821

Standing woman in black velvet gown with pearls and pink roses in her hair, before a red damask wall.

Porträt der Madame Moitessier

1851

Painted portrait of a young woman in a blue silk gown with a red hair ribbon, seated before a mirror and table.

Portrait of Comtesse d'Haussonville

1845

Graphite portrait of a woman with curled hair, lace collar and puffed sleeves, looking toward the viewer.

Madame Désiré Raoul-Rochette

1830

Graphite study of several hands and forearms in various poses, including palms pressed together and a hand resting on a sleev

Study of Hands

1842

Pencil drawing of three young women in period dress, one seated at a piano, two standing behind her, 1818.

The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine)

1818

Pencil portrait of a seated woman in a lace cap and ruffled dress with gold bracelets, resting her arm on a chair.

Madame Félix Gallois

1852

Pencil sketch of a stone arch bridge over rocky banks, with a tower and buildings at right.

The Ponte dell'Abbadia at Vulci

first half 19th century

Philippe Petit-Radel. Stipple engraving by A. Tardieu after J. A. D. Ingres

Lithograph sheet of four seated portraits, two men and two women in early 19th-century dress, drawn in fine line.

Sylvester (Douglas) Lord Glenbervie; Katherine Anne (North) Glenbervie; Frederic (North) Earl of Guilford; Frederic S…

1815

Graphite portrait drawing of a woman with center-parted hair, facing forward, on cream paper with sketched outlines.

Madame Moitessier

1851

Pencil study of a standing woman in a long dress with crossed hands and a brooch, plus a separate hand study at upper right.

Study for the Dress and the Hands of Madame Moitessier

1851

Graphite portrait drawing of a standing man in a frock coat holding a top hat, with a domed city in the background.

Portrait of Lord Grantham

1816

Sepia drawing of an armored knight raising a sword before kneeling clergy in a Gothic church interior.

The Duke of Alba Receiving the Pope's Blessing in the Cathedral of Sainte-Gudule, Brussels

1815

Graphite portrait drawing of a seated man with curly hair in a buttoned waistcoat and coat, in a carved armchair.

Charles Thévenin, after Ingres

1800s

Pencil portrait of a man in spectacles and a double-breasted coat, hands at his waist, on tan paper, by Ingres, 1849.

Dr. François Mêlier

1849

Pencil portrait sketch of a woman in a turban and earrings, hand raised to her chest, by Ingres.

Portrait of Madame Rhode (Rhoda?)

1810-20

Pencil drawing of a young man with curly hair standing with his hand on his hip, with a city skyline and church towers behind

Portrait of a Young Man Standing on the Quirinal with the Turris Comitum in the Background

1800s

Pencil study of a young woman turning her head, with draped shoulders and a sketched hand at lower right.

Study for "Raphael and the Fornarina"(?)

ca. 1814(?)

Graphite sketch of a prostrate man's arms and hands, with muscular forms drawn in light hatching on a toned sheet.

Study of a prostrate man

Graphite study of a laurel-crowned nude male figure beside a winged female figure and a large ornamented shield.

Study for "The apotheosis of Napoleon Ier"

1853

Watercolor and pen drawing of a church interior with Ionic columns, an arched altar, and kneeling figures on a marble floor.

The Borghese Chapel in Santa Maria Maggiore, Rome

1824

Pencil portrait of a young woman in a feathered bonnet, frilled collar and draped shawl, drawn on pale paper.

Portrait of a Young Woman

1812

Pencil portrait of a young man seated at a piano, turning to look at the viewer, with Don Juan sheet music on the stand.

Charles Gounod

1841

Graphite drawing of a seated woman with a high bun and ruffled collar, resting her arm on a chair back.

Portrait of a Seated Lady

1814

Pencil drawing of two women seated in a furnished parlor beside a fireplace, one reclining in a tufted armchair.

Comtesse Charles d’Agoult (born Marie de Flavigny) and Her Daughter Claire d’Agoult

1849

Etched portrait of an elderly clergyman in a cape and lace cuffs, seated at a table with a book, by Ingres, 1816.

Gabriel Cortois de Pressigny

1816

Lithograph portrait of a man with curly hair, high collar and cravat, turned three-quarters toward the viewer.

Frederic Sylvester Douglas

1815

Lithograph of a reclining nude odalisque in a turban, with draped curtains, patterned cushions and an incense burner.

Odalisque

1825

Pencil portrait of a middle-aged man in a double-breasted jacket and cravat, turned three-quarters toward the viewer.

Portrait of a Man

1814

Graphite study of a seated man in a frock coat and waistcoat, looking forward with hands resting on his knees.

Study for the Portrait of Louis-François Bertin (1766-1841)

n.d.

Pencil study of three reclining nude male figures drawn in different poses on a pale sheet.

Studies for the Cadaver of Acron

ca. 1810-12

Charcoal study of draped cloth with dark folds and pale highlights, annotated in French, by Ingres.

Study for the Drapery of Molière in "The Apotheosis of Homer"

n.d.

Pencil drawing of a woman in a bonnet and shawl with a boy holding a stick, before classical buildings and trees.

Madame Guillaume Guillon Lethière, née Marie-Joseph-Honorée Vanzenne, and her son Lucien Lethière

1808

Graphite portrait drawing of a curly-haired man in a dark coat and cravat holding a violin and bow.

Niccolò Paganini (1782-1840)

ca. 1830

Graphite portrait sketch of a woman in a ruffled cap, lace collar and draped shawl, signed Ingres.

Lady Mary Cavendish-Bentinck (?-1843)

1816

Graphite drawing of a seated woman with curled hair and a lace ruff, a young child leaning on her lap.

Madame Alexandre Lethière and Her Daughter Letizia

ca. 1815

Graphite portrait of a young man in a buttoned coat and cloak, with a classical building behind him.

Merry Joseph Blondel (1781-1853)

1809

Graphite portrait drawing of a young man in a high-collared coat, turning his head toward the viewer on pale paper.

Ursin-Jules Vatinelle (1798-1881)

1820

Pencil portrait of a young woman with braided hair, drop earrings and a beaded necklace, signed Ingres and dated 1819.

Bust of a Gypsy Girl

1819

Graphite sketch of a seated nude male figure with extra studies of arms and legs on pale paper.

Study of a Seated Nude Male

n.d.

Graphite drawing of a standing woman with bowed head, wrapped in heavily shaded drapery falling to the floor.

Study for the Figure of Stratonice

1834-40

Pencil drawing of a standing robed figure with raised arms and a faint halo, study for a stained-glass window.

The Archangel Raphael (Study for a stained-glass window in the chapel of Notre-Dame de la Compassion-Saint-Ferdinand,…

ca. 1842

Pencil portrait sketch of a standing man in a double-breasted coat holding a top hat, with a signature in the lower left.

Lancelot-Théodore, comte Turpin de Crissé

probably 1818

Brown-toned drawing of a seated draped woman with white chalk highlights on her robes and a raised cloth.

Study for the Figure of the Iliad in "The Apotheosis of Homer"

ca. 1827

Graphite portrait drawing of a seated woman with curled hair and a ruffled collar, signed by Ingres.

Comtesse Turpin de Crissé

probably 1818

Graphite sketch on tan paper of reclining and standing nude figures grouped around a curved ledge.

Nude Figures for L'Âge d'Or, Château de Dampierre

n.d.

Pencil portrait of a curly-haired man in a frock coat holding a top hat and gloves, drawn on cream paper.

The Archeologist Désiré-Raoul Rochette

1830

Lithograph portrait of Frederic North, Earl of Guildford, seated in a double-breasted coat with gloved hands.

Frederic (North) Earl of Guildford

1815

Lithograph of four men in period dress seated and standing beneath a draped canopy with an eagle coat of arms.

Four Magistrates of Besançon (Quatre magistrats de Besançon)

1825