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James McNeill Whistler

1,444 works

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Monochrome sketch of a city building with a crowded balcony of figures and umbrellas, chimneys above, by Whistler.

The Long Balcony (Paris Windows, The Long Balcony)

1894

Loose sketch of two men seated at a table in an interior, with a standing woman in a gown at the right.

Late Picquet

1890

The Old Smith's Story

1896

Loose pencil sketch of a young woman in a hat and long coat, standing with her head bowed, on cream paper.

Portrait of a Young Woman Wearing a Hat (Miss Seaton) (Dorothy Seaton in a Hat)

1902

Loose sketch of a seated young woman in a chair, face lit within dense diagonal shading, by James McNeill Whistler.

Portrait of a Young Woman (Miss Seaton) (Dorothy Seaton)

1897, only printed posthumously

Loose lithograph sketch of a young girl in a long dress standing before a shaded background, by James McNeill Whistler.

Little Evelyn, from "The Art Journal," opposite p. 88

March 1896

Pen sketch of a hooded woman leaning on a wall beside a stormy, swirling sky and dark ground.

The Relief Fund in Lancashire (for "Once a Week," July 26, 1862)

1862

Black-and-white print of a woman in a long dress leaning on a ship railing, looking toward the sea and distant shore.

The Major's Daughter (for "Once a Week," June 21, 1862)

1862

Pen-and-ink print of a woman in a long gown seated at a window, looking out over a city with rooftops and clouds.

The Morning Before the Massacre of St. Bartholomew (for "Once a Week," August 16, 1862)

1862

The Nun in "Count Burckhardt" (for "Once a Week," September 27, 1862)

1862

Engraving of a seated woman in a long gown by a window, printed on a magazine page with verse below.

The Morning Before the Massacre of St. Bartholomew (from "Once a Week," August 16, 1862)

August 16, 1862

Engraved illustration of a woman in a long dress leaning on a ship's rail beside rigging, with open sea behind her, on a prin

The Major's Daughter (from "Once a Week," June 21, 1862)

June 21, 1862

Wood engraving of a veiled woman in a long gown standing at a window, with printed verse on the page above and below.

Count Burckhardt (from "Once a Week," September 27, 1862)

September 27, 1862

Engraved magazine illustration of a pensive woman with long flowing hair and gown beside printed text columns, July 1862.

The Relief Fund in Lancashire (from "Once a Week," July 26, 1862)

July 26, 1862

Lithograph of a Chelsea fishmonger's shop front with the name Maunder on the fascia and figures at the counter.

Maunder's Fish Shop, Chelsea, from "Whirlwind," December 27, 1890

1890

Riault the Engraver

1860

Etched portrait of a bearded man in a wide-brimmed hat, head turned to the side, on a tan paper sheet.

Robert Barr

1894

Grey lithograph of a river bridge and city skyline, with two figures and pigeons on a stone embankment in the foreground.

Savoy Pigeons

1896

Pencil sketch of a bearded man seated in a chair, leaning forward against a dark shaded background.

Firelight. Joseph Pennell. No. 2

1896

Misty grey lithograph of the Thames with a factory chimney skyline, barges on the water and bare trees on the bank.

The Thames

1896

Lithograph of a standing man in a dark suit and white collar against a hatched dark background, by Whistler.

Portret van Robert de Montesquion

1895

Loose pencil-like sketch of two women seated at a tea table with cups, one in a feathered hat, in an interior.

The afternoon tea

1893

Pencil sketch of a standing woman in a high collar and puffed sleeves, drawn loosely on pale paper.

The Medici Collar

1893

Muted watercolor of sailboats on grey sea under cloudy sky, with figures on a sandy beach in the foreground.

Violet [Note?]...The Return of the Fishing Boats

c. 1885

Study in Black and Gold (Madge O'Donoghue)

1883/1884

Etching of Venetian palaces along a misty canal at night, with soft reflections in the water.

Nocturne: Palaces, from the Second Venice Set

1879

Tan cover of Whistler's Notes portfolio with spaced capital title, a small ornament, and the artist's name in italic.

Notes

published 1887

Loose pencil-like sketch of two girls by a small doorway beside a tall house with windows and a stone street.

The Little Doorway, Lyme Regis

1895

Pencil sketch of a butterfly with shaded wings and curled antennae on cream paper, with a short curved line above.

Butterfly

c. 1890

Pen and brown ink sketch of a girl's head framed by dark hatched strokes on a pale sheet.

Head of a Girl

c. 1882

Etching of a seated woman in a chair leaning over an open book, with loose hatched lines and a signature dated 1861.

The Open Book

1861

Etching of a Renaissance stone window and arcade with two women, one holding a dark parasol, in loose hatched lines.

Renaissance Window

1888