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Jacques Callot

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Engraving by Jacques Callot, 1616: a haloed bishop revives a boy while a kneeling woman, a crowned king and a crowd watch.

De Heilige Mansuetus wekt de zoon van koning Leucorus tot leven

1616

Etching of Christ shown to a crowd on a platform before a classical building, with soldiers, a cross, and a Latin inscription

La Présentation au Peuple (The Presentation of Christ to the People), from "La Grande Passion" (The Large Passion)

ca. 1619-24

Engraving of a formal parterre garden at a palace with scrolling flower beds, crowds of figures, and a palace facade on the r

Gezicht op de tuin van het paleis van Nancy

1625

Etching of a crowded city street with horsemen, carriages and spectators between rows of tall buildings, under an ornate cart

La Carrière of de Rue Neuve in Nancy

1628

Etching of a military review with marching infantry, cavalry, cannons, and a plumed rider in the foreground.

La Revue (The Review)

ca. 1628

Etching of a symmetrical city street with a ceremonial procession of turbaned figures and soldiers between palazzo buildings.

Soliman 2.e Acte, from "Soliman"

1620

Engraving of a marriage ceremony with a couple joining hands before a clergyman, surrounded by courtiers in ruffs.

The Marriage of Ferdinand de' Medici and the Duchess Christine de Lorraine, plate 1 from The Life of Ferdinand de' Me…

1616/20

Etched procession of a noblewoman leading young boys past halberdiers into a colonnaded church interior.

The Grand Duchess Christine of Lorraine Escorts to the Church Youths Whom She is Taking Under Her Protection

1616/20

Etching of men in period dress examining a large document at a draped table, with guards and a domed building behind them.

The Restoration of the Dome of Florence, from The Life of Ferdinand de' Medici

1614/20

Etching of a seated nobleman pointing at masons building a harbor fortification while workers stack stone blocks.

The Grand Duke Fortifies the Port of Livorno, from The Life of Ferdinando I de’ Medici

1616/20

Etching of soldiers in armor fighting near a fortress, with dead figures in the foreground and galleys on the sea behind.

The Departure of the Troops

1616/20

Etched panoramic view of a crowded city street with rows of tall buildings, horsemen, carriages, and a dense procession of pe

The Carrière at Nancy

n.d.

Etching of soldiers lying wounded by a village road while townspeople and beggars pass, with trees and buildings behind.

Dying Soldiers by the Roadside, plate sixteen from The Miseries of War

1633

Etching of a stage set with ruined arches and towers, filled with demons and fireworks, from Callot's Les Intermèdes.

2e Intermède (2nd Interlude), from "Les Intermèdes" (The Interludes)

early 17th century

Etched frontispiece by Jacques Callot showing hunchbacked caricature figures around a banner with the title Varie Figure Gobb

Frontispiece, from Varie Figure Gobbi

1616

Etching of a crowded fair with tented stalls, carts and horsemen in front of a church with a bell tower.

Jaarmarkt te Impruneta nabij Florence

1620

Etching of a crowded market fair with tents, carts and figures before a church with a tall bell tower, framed by trees.

Jaarmarkt te Impruneta nabij Florence

1622

Etched decorative panel with a military procession before a walled town in an oval cartouche, beside a crowned coat of arms.

Beleg van La Rochelle, september 1627-oktober 1628 (randwerk, deel rechtsboven)

1628

Etched coat of arms under a cardinal's hat, flanked by two winged putti, with a crosier and mitre at the sides.

Wapenschild van Nicolas François, kardinaal van Lotharingen

1629

Engraving of galleys in close naval combat, soldiers crowding the decks amid smoke, with fleets and flags in the distance.

Naval Combat

early 17th century

Engraving of a nobleman with attendants pointing at workers building stone fortifications beside a harbor with ships.

The Grand Duke fortifies the Port of Livourne

early 17th century

Pen and brown ink drawing of musketeers firing near a burning farmstead, with smoke, dogs and a church tower in a rural lands

Landschaft mit einem brennenden Gehöft und Gewehrschützen

1620

Etching of a female dancer in a feathered hat and a lute player facing her, with a town street and figures in the background.

Riciulina - Metzetin

1621

Etching of the Israelites crossing the Red Sea, with a robed figure raising a staff above crowds, soldiers and rocky cliffs.

The Passage of the Red Sea

1628-30

Etching of a stone watermill beside a river, with rowboats, fishermen, and a sunrise over distant hills.

The Watermill, from Various Scenes Designed in Florence

1618-20

Etching of nude bathers in a river beside an arched stone gateway, with a distant city and bridge under a cloudy sky.

The Bathers, from Various Scenes Designed in Florence

1618-20

Etched landscape of rolling hills, a large tree at right, a hilltop town, and small figures with a dog in the foreground.

Hunting Birds, from Various Scenes Designed in Florence

1618-20

Etching of a stag hunt with riders and dogs below a large hillside villa, with distant hills and cypress trees.

The Stag Hunt, from Various Scenes Designed in Florence

1618-20

Etched landscape with a stone bridge, farm buildings, rocky hills, cypress trees, and travelers with a dog on a road.

Returning from the Hunt, from Various Scenes Designed in Florence

1618-20

Etching of a naval battle with sailing ships, smoke over fortified cliffs, soldiers on shore and a distant town.

The Naval Battle, from Various Scenes Designed in Florence

1618-20

Etching of a forest clearing with a large stag hunt, hounds, mounted huntsmen, and a distant castle on a hill.

La grande chasse (The great stag hunt)

1619

Engraved frontispiece with a French inscription in an oval cartouche, a cherub head at top and scrolling ornament.

Frontispiece, from the New Testament

1635

Etching of a haloed figure gesturing among seated and standing elders inside an arched temple with draped canopy.

Jesus Among the Doctors, from The New Testament

1635

Etching of Jesus gesturing to robed men beside a wheat field where haloed figures harvest, with hills and a ruined tower behi

Jesus with the Pharisees, from The New Testament

1635

Etching of Christ preaching to seated and standing disciples in a hilly landscape beside a large tree.

The Sermon on the Mount, from The New Testament

1635

Etching of Jesus and a kneeling woman in a colonnaded hall, surrounded by a crowd of robed men and soldiers.

Jesus and the Adulterous Woman, from The New Testament

1635

Etching of Lazarus rising from a tomb in a rocky cave while robed onlookers and a haloed figure gather around him.

The Resurrection of Lazarus, from The New Testament

1635

Etching of Christ riding a donkey into a city, surrounded by kneeling figures, followers and palm trees.

Christ's Entry into Jerusalem, from The New Testament

1635

Etching of robed figures exchanging a payment within a columned stone colonnade, with a seated elderly man with a staff in th

The Tribute to Caesar, from The New Testament

1635

Etching of armored soldiers in battle, with fallen men in the foreground and sailing ships on the water behind them.

The Re-embarkation of the Turks

c. 1614

Etching of a stage set with colonnades, plumed dancers in a choreographed battle, and cloud-borne figures above.

Third Intermezzo

1617

Etching of ships tossed by stormy waves, with a bearded sea god and a sea serpent in the foreground.

Storm off the Coast of Barcelona

1612

Etching of a bishop baptizing an infant at a font, surrounded by richly dressed courtiers and attendants in a columned hall.

Baptism of the Prince of Spain

1612

Etching of a formal court ceremony in an arched hall, with a priest, a seated couple, kneeling attendants and onlookers.

Marriage of Margaret of Austria and Philip III

1612

Etching of a seated queen on a throne receiving a bearded envoy holding a paper, with courtiers watching in a hall.

The Envoy of Tuscany Thanking the Queen

1612

Etching of horsemen in cloaks and plumed hats entering a city gate past a tower, with pikemen and onlookers.

Entry into Ferrara

1612

Etching of a bearded friar bowing to a richly dressed courtly couple in an arched hall with onlookers.

A Capucin Bringing Thanks of the King of Bavaria

1612

Etching of a seated ruler on a dais receiving a bowing envoy, with courtiers in ruffs and hats watching in a columned hall.

Reception of the Envoy of Poland

1612

Etching of a king and queen seated on a dais in conversation with courtiers, while a soldier-lined balustrade appears at righ

King and Queen in Consultation about the Turks

1612

Etching of a crowned couple holding hands before a canopied throne, flanked by courtiers in ruffled collars.

Meeting of Margaret of Austria and Philip III

1612

Etching of richly dressed figures, a horse and a crowd walking past city walls and an arch, with ships in the harbor behind.

Arrival at Valencia

1612

Etching of elegant figures in ruffs and cloaks boarding from a gangway, with a harbor city and ship in the distance.

Embarkation at Genoa

1612

Etching of courtiers in ruffled collars and gowns greeting each other outdoors, with a crowd and carriage behind.

Reception at Mantua

1612

Etching of a kneeling man before a seated dignitary under a canopy, surrounded by clergy, courtiers and soldiers.

Papal Audience

1612

Etched plan of underground burial chambers with a central hall, labeled passages, and drawings of domed tombs and sarcophagi.

Plan of the Spelunche Regee

1619

Etched plan and elevation of a church with stairs, arches, and a lettered key listing altars and the sepulchre.

Plan and Elevation of the Church of the Madonna's Sepulchre

1619

Etching of a brick arched gateway and walls with small figures, with Italian inscription above referencing the Via Dolorosa.

Second Part of the Via Dolorosa

1619

Engraved bird's-eye view of Jerusalem's walled city with domes, a central temple precinct, and a numbered key below.

Aerial View of the City of Jerusalem

1619

Engraved ground plan of the Holy Sepulchre and Mount Calvary with numbered sites, a lettered key, and a scale bar.

Plan of the Holy Sepulchre and Mount Calvary

1619

Engraved architectural elevations of the Holy Sepulchre with Gothic arches, a domed tower, a vaulted tomb interior and an exp

Elevation of the Church of the Holy Sepulchre

1619

Etched cross-section of the Church of the Holy Sepulchre showing domed rotunda, arcades and labeled chapels.

Cross-Section of the Church of the Holy Sepulchre

1619

Etching of a walled city gate and tower beside a hill with three crosses, with a scroll of Italian labels above.

Four Parts of the Via Dolorosa

1619

Engraved floor plan of the Church of the Holy Nativity with numbered rooms, courtyards, a key legend and compass rose.

Plan of the Church of the Holy Nativity

1619

Engraved architectural plan of a church, cloister, cells and cistern, with a lettered key in the upper left corner.

Plan of the Church near the House of Annas

1619