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Guercino

121 works

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Painting of an angel with a crucifix gesturing to a young man in white robes, with musical angels above.

The Vocation of Saint Aloysius (Luigi) Gonzaga

ca. 1650

Seated man in red papal robes and skullcap with hands on an open book at a green draped table.

Pope Gregory XV

about 1622-1623

Painting of the Circumcision of Christ with the infant on an altar, a robed priest, the Virgin, Joseph, and attendants under

Circumcision of Christ

1646

Half-length self-portrait of a bearded man in a dark coat and white collar, holding a palette and brushes.

Self-portrait with a Palette

1645

Arched painting of a saint's burial below, with Christ, angels and a kneeling woman in the clouds above.

Burial of Saint Petronilla

1623

Winged cupid child shaking out a purse of gold coins beside a bow, arrow, and red drapery, with a distant tower.

Cupid spurning riches

1654

Seated cardinal in red robes and biretta holding a small book, against a dark velvet curtain, painted by Guercino.

Cardinal Francesco Cennini

1625

Painted self-portrait of a man with a palette beside an easel showing a cupid with a bow and a hound.

Self-Portrait before a Painting of "Amor Fedele"

1655

Seated man in red papal vestments with an open book on a green draped table, painted against a dark patterned backdrop.

Portrait of Pope Gregory XV

1622

Painting of Saint John the Baptist with red hair, holding a cross staff and a scroll reading Ecce Agnus Dei.

Saint John the Baptist

1645

Painting of a kneeling saint in brown holding an infant, with a seated woman, an angel, a violinist and putti above.

Vision of St Clare

1615

Painting of a burial scene below, with a haloed figure, angels and a kneeling woman in clouds above.

Burial of St Petronilla

1601

Painting of a pensive woman in a blue turban reading beside an open book, holding a volume labeled Sibylla Samia.

Sibyl of Samos

1601

Baroque painting of a kneeling woman in orange and blue robes beside an executioner with a sword and wheel, a putto above wit

Martyrdom of St Catherine

1653

Virgin Mary holds an open book while the Christ Child leans in to read beside her against a dark background.

The Virgin Teaching the Christ Child to Read

1660

Oil painting of a woman in a red dress holding a dark water jug, glancing sideways against a dark background.

The Woman of Samaria

1660

Charcoal study of a nude seated young man leaning forward, with a reclining figure below, on toned paper.

Study of a Seated Young Man

about 1619

Caricature of Two Men Seen in Profile

about 1635

Charcoal drawing of a bearded man leaning on a grain sack, glancing sideways at the viewer, on brown toned paper.

A Grain Merchant

1620

The Angel of the Annunciation

1638

The Madonna and Child with an Escaped Goldfinch

1630

Pen and brown ink drawing of an older bearded man embracing a barefoot younger man beside steps.

The Return of the Prodigal Son

1640

Pen and wash drawing of two muscular nude men raising clubs above serpent heads, Guercino, 1618.

Hercules Slaying the Hydra

1618

Erminia

1648

Brown ink and wash drawing of muscular Hercules standing on a hydra, leaning on a club, with sketches at right.

The Triumphant Hercules with the Vanquished Hydra

c. 1618

Pen and brown ink drawing of a kneeling youth before a bearded prelate in a mitre, with sketched steps below.

Youth Kneeling before a Prelate (recto); Another Study of a Youth Kneeling before a Prelate (verso)

ca. 1620

Pen and brown ink study of a woman in a headscarf gazing upward, holding a scroll with written lines.

A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl)

1638

Red chalk drawing of a young man seen from behind, bending over a bowl with a draped cloth at his waist.

Standing Youth Seen from Behind Holding a Bowl (Ganymede?)

ca. 1635-45

Brown ink and wash drawing of a veiled woman praying with clasped hands, gazing upward, standing on a crescent.

The Virgin Immaculate

ca. 1656

Red chalk drawing of a seated woman with curled hair and a small winged child reaching toward her.

Saint Cecilia Playing the Organ

1650s

Pen and ink sketch of a kneeling saint and seated bearded man looking up at a blank panel held by two flying angels.

Saint Francis of Assisi and Saint Louis of France Venerating an Image of the Virgin

ca. 1618

Pen and ink sketch of four nude putti on clouds, one holding a bow, above a faint landscape with a tower.

Four Putti with Bow and Arrows on Clouds above a Landscape with a Tower

1610-66