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Francisco Goya

1,220 works

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Etching of soldiers attacking and restraining figures in a dark street, with a woman struggling and a man lying on the ground

Ni por esas (Desastres de la Guerra 11)

1761

Etching of violent figures on a rocky outcrop, a man with a sword and nude struggling bodies, signed Goya 1810.

Caridad (Desastres de la Guerra 27)

1761

Etching of grieving figures huddled together with a soldier at right and bayonets rising behind, set against a dark backgroun

No se puede mirar (Desastres de la Guerra 26)

1761

Etching of a muscular man pointing at grimacing old women and a crowd of distorted faces in shadow.

Los Proverbios, Bl. Nr. 7

1816

Etching of a woman in a dark dress reaching toward a pale ghostly figure, watched by hooded figures in a dim interior.

Poor Folly

1815

Etching of bulls and a horse tangled in chaotic motion against a dark background, with flailing legs and tails.

Fool’s Folly, from Disparates

1816-19, published 1877

Etching of a man in a cloak and hat playing guitar while balancing on the back of a charging bull.

May God Repay You

1800/04

Etching of a winged monster with bat wings and claws writing in an open book, with small figures in the background.

Monsterlijk figuur met klauwen en vleermuisvleugels als oren schrijft in een boek

1810

Etching of a fallen figure beneath a large winged bat-like monster with smaller creatures flying in the sky above.

Monsterlijke vleermuizen doen zich tegeoed aan het lichaam van een gevallene

1810

Etching of a cat seated like a sphinx on steps, an owl flying toward it, and a kneeling man in a cloak before it.

Man knielt voor een kat die als een sfinx zit terwijl een uil aan komt vliegen

1810

Etching of a wolf writing on a scroll surrounded by kneeling figures, with the caption Esto es lo peor on a book page.

Wolf omringd door geknielde figuren schrijft op een rol

1810

Etching of a bird-headed robed figure surrounded by grotesque human and animal faces, with an owl on a branch at left.

Priester met een vogelkop omringd door half menselijke figuren

1810

Etching of a giant vulture with spread wings standing above a crowd, a man at left holding a long pole.

Man met een hooivork bij een reusachtige vogel

1810

Etching of a robed priest balancing on a rope above a crowd, arms outstretched, with a building at right.

Koorddansende priester

1810

Etching of a kicking horse surrounded by snarling dogs and wolves, with a seated dog at lower right.

Paard trapt en bijt een bedreigende groep honden

1810

Etching of a recumbent woman surrounded by radiating light, with a kneeling mourner and robed clergy crowding the dark backgr

Begrafenis van een vrouw omringd door stralenkrans

1810

Etching of a reclining figure in a radiant burst of light, with hooded figures and a kneeling woman in shadow.

Deels begraven dode vrouw omringd door stralenkrans

1810

Etching of a tall white shrouded ghost at left, fallen men on the ground and a figure raising a sword beside a tree at night.

Disparate de miedo (Folly of Fear)

in or after 1816

Etching of veiled, cloaked figures gathered on a large twisting tree branch against a grainy dark background.

Disparate ridiculo (Ridiculous Folly)

in or after 1816

Etching of a grinning, crouching man with raised fists beside floating heads and a small cloaked figure at left.

Bobalicon (Simpleton)

in or after 1816

Etching of a rider on a pale winged creature flying against a dark background, with a grotesque beast-like head behind.

Disparate volante (Flying Folly)

in or after 1816

Etching of a wild figure swinging a long staff among bent, cloaked figures under a dark, smoky sky.

Disparate furioso (Furious Folly)

in or after 1816

Etching of a muscular man pointing while a figure clings to his back, surrounded by grotesque onlookers in shadow.

Disparate desordenado (Disorderly Folly)

in or after 1816

Etching of hooded figures in sack-like garments standing and stooping in a dark, shadowed landscape at night.

Los ensacados (The Men in Sacks)

in or after 1816

Etching of a chaotic crowd of figures in dark, hatched shadows, with a reclining man at center and a pale figure at right.

Disparate general (General Folly)

in or after 1816

Etching of dancing figures in period dress, arms flung wide against a dark background, in a wild, energetic dance.

Disparate allegre (Merry Folly)

in or after 1816

Etching of a muscular man flying under huge bat-like wings in a dark sky, with other winged figures gliding around him.

Modo de volar (A Way of Flying)

in or after 1816

Etching of grotesque carnival figures in pointed hats and loose costumes, with a tall figure on stilts behind them.

Disparate de Carnabal (Carnival Folly)

in or after 1816

Etching of a crowd beneath a billowing cloth, with figures reaching upward and others gathered in the foreground.

Disparate claro (Clear Folly)

in or after 1816

Etching of cloaked figures in a dark night scene, one man covering his face while another gestures at him.

Sanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words)

in or after 1816

Etching of caricatured figures clustered around a seated figure and a small dog against a dark background.

La lealtad (Loyalty)

in or after 1816

Etching of a dark night scene with a bald old man in a cloak pointing at ghostly faces, with a prone figure below.

Dios los cria y ellos se juntan (God Creates Them and They Join Up Together)

in or after 1816

Etching of a woman gesturing beside a man with a shovel, a pig and basket of eggs, under radiating light.

Esto es lo verdadero (This Is the Truth)

1810/1820

Etching of a figure thrown backward from a rearing horse, with a crouching wolf-like creature at left under a dark sky.

El caballo raptor (The Horse-Abductor), also known as La mujer y el potro, que los dome otro (A Woman and a Horse, Le…

1816

Etching of a large elephant facing a group of robed figures at left, against a dark hatched background.

Animal Folly, from Disparates

1816-17, published 1877

Etching of a mounted bullfighter grappling with a bull in an arena, spectators in the stands behind, by Goya.

Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull f…

1816

Etching of a bullfighter with cape and banderilla facing a bull in an arena, with spectators in the stands.

Origen de los arpones ó banderillas (Origin of the Harpoons or Banderillas), Plate 7 from La tauromaquia

1816

Etching of women in period dresses tossing a figure in striped clothing from a stretched cloth, with an animal form beneath.

Disparate femenino (Feminine Folly)

in or after 1816

Etching of a hospital interior with sick and emaciated figures, a standing woman holding a child, and a veiled figure at righ

Sanos y enfermos (Desastres de la Guerra 57)

1761

Etching of a reclining figure lit by radiating light, with hooded figures leaning over it and faint heads in dark shadow abov

Si resucitará? (Desastres de la Guerra 80)

1761

Etching of a bull among panicked spectators on bullring seats, with a figure caught on its horn and people falling over bench

Desgracias acaecidas en el tendido de la Plaza de Madrid / Unglücke, die sich bei der Verlegung der Plaza de Madrid e…

1815

Etching of a bull lowering its head as two men thrust lances at it in an open landscape with a tree.

Toros y toreros / Stiere und Stierkämpfer (Tauromaquia 2)

1815

Etching of a grotesque laughing man towering over a cloaked woman, with distorted faces floating around him.

Bobalicón (Simpleton). Plate 4 from: Disparates (Follies)

1814

Etching of a vine-crowned Bacchus figure with drinking men in a revelry scene, with a Spanish inscription below.

The Drunkards

1778

Etching of women tossing a man in a blanket while a heavy animal-like form lies in the cloth center.

Heavier than a Dead Donkey, plate 1 from Los Proverbios

1815-17, published 1864

Sepia etching of a crowd in shadow, with a kneeling cloaked woman at center and a reaching figure at left.

The Claws of a Cat and the Dress of a Devotee - similar to Vice is often clothed in Virtue's habit, plate nine from L…

1815/24

Etching of a shrouded phantom towering over panicked soldiers at night beside a bare tree.

Soldiers Frightened by a Phantom, from Disparates, published as plate 2 in Los Proverbios

1816-19, published 1864

Etching of figures in striped veils gathered on a dark diagonal tree branch against a pale background.

To Go Amongst the Branches, i.e. to talk through one's hat, plate three from Los Proverbios

1815/24

Etching of women in long dresses tossing a man into the air with a blanket, brown ink on cream paper.

Heavier than a dead donkey, plate one from Los Proverbios

1815/24

Etching of a man with a staff striding past bowing figures under a dark sky beside a crumbling wall.

It is Amazing - and We were Made by God, plate six from Los Proverbios

1815/24

Etching of a grinning giant figure dancing beside a small cloaked woman, with grotesque faces emerging from dark shadows.

Dancing Giant, from Disparates, published as plate 4 in Los Proverbios

1816-19, published 1864

Etching of a winged hybrid creature with animal heads carrying a human rider against a dark background.

Renounce the Friend Who Covers You with His Wings and Bites You with His Beak, plate five from Los Proverbios

1815/24

Etching of a woman thrown from a rearing horse beside a crouching wolf-like creature under a dark sky.

A Woman and a Horse, Let Someone Else Master Them, plate ten from Los Proverbios

1815/24

Etching of distorted figures dancing wildly in ruffled costumes against a dark background, by Goya.

Merry Folly, from Disparates, published as plate 12 in Los Proverbios

1816-19, published 1864

Etching of a bull attacked by dogs in a bullring while a mounted horseman in a plumed hat watches from the right.

Plate 25 from "La Tauromaquia": They loose dogs on the bull

1816

Etching of a bull above a crowd of spectators tumbling over a wooden barrier in a bullring, by Goya, 1816.

Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Tor…

1816

Etching of a cloaked man raising a sword over a crowd, with a limp figure carried by others in the foreground.

Disparate conocido (Well-Known Folly)

in or after 1816

Etching of a mounted rider in a plumed hat spearing a charging bull in an arena, from Goya's La Tauromaquia.

Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull

1816

Etching of a half-naked man embracing a woman while pointing, surrounded by grotesque faces and a crowd in a dark setting.

Disorderly Folly, from "The Disparates" (Follies / Irrationalities)

ca. 1815-19 (published 1864)

Etching of a large boulder beside a waterfall, with a wooden bridge at left and a distant town under a pale sky.

Landscape with Waterfall

before 1810

Etching of a turbaned rider on a white horse lancing a charging bull in an arena, from Goya's La Tauromaquia.

Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules

1816

Etching of a bull goring a fallen bullfighter in an arena while another man with a cape approaches from the left.

Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid

1816

Etching of a kneeling man at a wooden railing as two hooded figures, one holding a crucifix, look down from above.

Plate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió)

1810 (published 1863)

Etching of a nude man astride a horse as a soldier with a raised sword and fallen figures appear in a landscape behind.

Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): 'This is worse' (Esto es peor)

1810 (published 1863)