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Francisco Goya

1,220 works

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Title page with ornate lettering reading Los Proverbios, a royal crest, and the text Madrid 1864.

Title Page from Los Proverbios

1864

Etching of a windswept tree beside a large rock, with a grazing horse and a distant building in a hazy landscape.

The Big Rock

before 1810

Etching of a nude man with a grotesque face pointing while embracing a woman, surrounded by caricatured onlookers in a dark s

She Who is Ill Wed Never Misses a Chance to Say So, plate seven from Los Proverbios

1815/24

Etching of men attacking and killing others, one raising an axe above a tangle of fallen figures under an open sky.

Plate 3 from "The Disasters of War" (Los Desastres de la Guerra): 'The same' (Lo mismo)

1810 (published 1863)

Etching of a standing figure by a post above a fallen body, with figures in a dark background, from Goya's Disasters of War.

Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): And there is nothing to be done (Y no hai remedio)

1810 (published 1863)

Etching of a bull attacking a fallen picador and horse in a bullring while a bullfighter waves a cape.

Plate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull

1816

Etching of a man struggling against soldiers with bayonets, with bodies lying on the ground beside him.

Plate 2 from "The Disasters of War" (Los Desastres de la Guerra): 'Rightly or wrongly' (Con razon ó sin ella)

1810 (published 1863)

Sketch of a bull surrounded by attacking dogs, one dog tossed in the air, with faint figures in the background.

Bull Attacked by Dogs

1824-25

Drawing of a picador on horseback facing a dark bull in an arena, with spectators on a rocky bank and a fallen man at left.

Der Picador und der Stier

Etching of a kneeling man with outstretched arms and anguished face against a dark, hatched landscape, by Goya.

Sad Forebodings of What is Going to Happen, plate one from The Disasters of War

1814/20, published 1863

Etching of two women with a sword and dagger beside a fallen man in a dark, barren battle scene.

The Women Give Courage, plate four from The Disasters of War

1810/15, published 1863

Title page of Los Desastres de la Guerra with ornate lettering, a crowned coat of arms, and the date Madrid 1863.

Title Page and biographical introduction for The Disasters of War

1863

Etching of a bullfighter with a cape and banderilla facing a bull in an arena, with spectators behind a wooden barrier.

Stierenvechter met banderilla

1876

Etching of a bull seizing a man in a bullring while two matadors with capes attempt to distract it.

Stier wordt gegrepen door stierenvechters

1876

Etching of a mounted rider and a figure in costume beside a fallen bull in an arena, printed in brown tones.

Spaanse ridder doodt een stier

1876

Etching of a plumed rider controlling a horse in a dark arena, with a shaft of light falling across the upper right.

Keizer Karel V in gevecht met een stier

1876

Etching of a mounted rider in a plumed hat lancing a charging bull in an arena, rendered in brown tones.

Rodrigo Díaz de Vivar verwondt een stier

1876

Etching of a dark bull surrounded by men with lances in a bullring, with a fallen man on the ground in the foreground.

Stierenvechters rondom een stier

1876

Etching of a horseman in a plumed hat riding in an arena while spectators watch from behind a stone wall.

Stierenvechter in een arena

1876

Etching of a man wrestling a bull in a bullring, with arena wall and doorway behind, numbered 15 in the corner.

Martincho in gevecht met een stier

1876

Brown etching of a man gripping a charging bull by its horn in an arena, with a figure in a cloak watching at right.

Martincho grijpt een stier bij zijn hoorn

1876

Sepia etching of a bull attacking horses and donkeys in an arena while lancers and a thrown rider surround it.

Moren en ezels in gevecht met een stier

1876

Etching of a bull charging toward a bullfighter standing on a draped table in an arena, with spectators watching.

Stierenvechter staand op een tafel in de arena

1815

Etching of a bull charging at a bullfighter seated on a chair in an arena, with spectators watching from behind a barrier.

Uitdaging van Martincho in de arena van Zaragoza

1876

Etching of a bullfighter hanging from a pole above a charging bull in an arena, with spectators in the stands.

Juanito Apiñani in de arena van Madrid

1876

Etching by Francisco de Goya of a bull standing over fallen figures behind a wooden barrier in a bullring.

Dood van de burgemeester van Torrejon

1876

Etching of a grinning man with outstretched arms beside a cowering cloaked figure, with floating faces in the shadows behind.

De dwaas

1815

Etching of a cloaked rider on a pale creature with huge wings and animal heads flying through a dark background.

Vliegende dwaasheid

1815

Etching of a half-nude man embracing a woman while a grotesque crowd with distorted faces looks on against a dark background.

Ongeordende dwaasheid

1815

Etching of cloaked men with ruffled collars grouped in shadow, one bent low in the foreground against a dark background.

Mannen in zakken

1815

Dark etching of a chaotic crowd of figures, one raising an arm, others holding small animals, against a shadowy background.

Algemene dwaasheid

1815

Etching of a wild man with a long pole attacking a crouching figure beside bent onlookers, before a crumbling wall and dark s

Woedende dwaasheid

1815

Etching of a rearing horse throwing its rider backward against a dark sky above a rocky landscape.

Het ontvoerende paard

1815

Etching of a woman recoiling from hooded old figures and a ghostly apparition emerging from mist at left.

Arme dwaasheid

1815

Etching of grotesque carnival figures, including a man in a pointed hat and a figure on stilts, in a crowded street scene.

Dwaasheid van het carnaval

1815

Etching of a man gripping a large batlike wing contraption, with other flying figures and a parachute against a dark sky.

Een manier van vliegen

1815

Etching of figures in ruffled costumes dancing energetically on a shallow stage against a dark background.

Vrolijke dwaasheid

1815

Etching of cloaked figures gathered under a dark sky, one kneeling with hands over his face and a winged shape above.

Drievoudige dwaasheid

1815

Etching of a crowd beneath a large draped cloth, figures raising their arms and gathering in dark hatched shadow.

Heldere dwaasheid

1815

Etching of grotesque figures grappling around a seated cloaked figure and a small dog, against a dark background.

De loyaliteit

1815

Etching of a man swinging a long pole at a crouching figure while hunched people watch against a dark, hatched sky.

Disparate furioso (Furious Folly), also known as Hizonos dios y maravillamos nos (It Is Amazing and We Were Made by G…

1816

Etching of a woman balancing on a white horse walking a tightrope before a dark crowd, from Goya's Los disparates.

Disparate puntual (Punctual Folly), unnumbered plate from the series Los disparates (The Follies/Irrationalities)

1816

Etching of a rider in a patterned costume on a bull, with a short spear in its back, charging left in an arena.

El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another…

1816

Etching of a man in bat-like wings flying through a dark sky, with other winged figures and a parachute nearby.

Donde hay ganas hay mana (Modo de Volar)

1815

Etching of intertwined struggling figures and fallen bodies against dark hatched background, from Goya's Disasters of War.

Plate10 from "The Disasters of War" (Los Desastres de la Guerra): Nor [do these] either (Tampoco)

1810 (published 1863)

Etching of armed men struggling over a prone figure, with a child on the ground and a small building behind.

Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): Not even in that way (Ni por esas)

ca. 1810 (published 1863)

Etching of a kneeling man with outstretched arms under a dark, hatched sky, captioned Tristes presentimientos de lo que ha de

Plate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes…

ca. 1815 (published 1863)

Etching of a couple embracing as an older woman lunges at them with a raised arm, from Goya's Disasters of War.

Plate 9 from "The Disasters of War" (Los Desastres de la Guerra): 'They don't like to' (No quieren)

1810 (published 1863)

Etching of women with a sword tending a wounded man on the ground, with the Spanish caption Las mugeres dan valor below.

Plate 4 from "The Disasters of War" (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor)

1810 (published 1863)

Etching of a woman in white standing by a cannon above fallen soldiers on a battlefield.

Plate 7 from "The Disasters of War" (Los Desastres de la Guerra): 'What courage!' (Que valor!)

1810 (published 1863)

Etching of struggling figures on a dark hillside beneath a stormy sky, with a fallen body in the foreground.

Plate 6 from "The Disasters of War" (Los Desastres de la Guerra): 'It serves you right' (Bien te se está)

1810 (published 1863)

Etching of a fallen horse and a rider on a battlefield, with figures and a horse in the background, captioned 'Siempre sucede

Plate 8 from "The Disasters of War" (Los Desastres de la Guerra): 'It always happens' (Siempre sucede)

1810 (published 1863)

Etching of armed figures and fallen bodies in a street by a ruined wall, with the caption Ya no hay tiempo below.

Plate 19 from "The Disasters of War" (Los Desastres de la Guerra): There isn't time now (Ya no hay tiempo)

ca. 1810 (published 1863)

Etching of stacked corpses on a mound with two standing men above them, under an open, bleak sky.

Plate 18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)

1810 (published 1863)

Etching of a plumed horseman with raised sword among fallen figures and attackers in a smoky battle scene.

Plate 17 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not agree' (No se convienen)

ca. 1810 (published 1863)

Etching of tangled, struggling and fallen figures on a dark hatched ground, Goya's Disasters of War plate 10.

Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor [do these] either' (Tampoco)

1810 (published 1863)

Etching of a bound man at a tree as soldiers aim muskets at him, with bodies on the ground in the foreground.

Plate 38 from "The Disasters of War" (Los Desastres de La Guerra): Barbarians! (Bárbaros!)

1810 (published 1863)

Etching of soldiers attacking a screaming captive with sabers, numbered 32 and captioned Por qué, by Goya.

Plate 32 from "The Disasters of War" (Los Desastres de la Guerra): 'Why?' (Por qué?)

1810 (published 1863)

Etching of a dog snarling over a prone, fallen figure in pale clothing, with dense horizontal hatching in the background.

Plate 40 from "The Disasters of War" (Los Desastres de La Guerra): 'He gets something out of it' (Algun partido saca)

ca. 1810 (published 1863)

Etching of soldiers in fur hats dragging a nude body across the ground, with a tree and hills behind them.

Plate 33 from "The Disasters of War" (Los Desastres de La Guerra): 'What more can be done?' (Qué hai que hacer mas?)

1810 (published 1863)

Etching of a seated man in a tall hat and dark cloak holding a knife, with a crowd behind him in a flat landscape.

Plate 34 from "The Disasters of War" (Los Desastres de La Guerra): 'On account of a knife' (Por una navaja)

1810 (published 1863)

Etching of seated hooded figures with crosses on their hats lined up on a wooden bench, some holding papers.

Plate 35 from "The Disasters of War" (Los Desastres de La Guerra): 'One Can't Tell Why' (No se puede saber por qué)

ca. 1810 (published 1863)

Etching of a hanged man on a tree beside a slumped seated figure on a stone block, under a grey sky.

Plate 36 from "The Disasters of War" (Los Desastres de La Guerra): 'Not [in this case] either' (Tampoco)

1810 (published 1863)

Etching of corpses hanging and sprawled in a landscape, with a grotesque head at right; Goya's Disasters of War plate 39.

Plate 39 from "The Disasters of War" (Los Desastres de La Guerra): 'An heroic feat! With dead men!' (Grande hazaña! C…

1810 (published 1863)

Etching of a man and woman beating a prone body while a crowd watches, with a small building behind them.

Plate 28 from "The Disasters of War" (Los Desastres de la Guerra): 'Rabble' (Populacho)

ca. 1810 (published 1863)

Etching of armed men in a violent scene, one standing over a fallen body with a sword, another raising a stick.

Plate 29 from "The Disasters of War" (Los Desastres de la Guerra): 'He deserved it' (Lo merecia)

ca. 1810 (published 1863)

Etching of figures in distress on stone steps before a dark building, titled Appeals are in vain, from Goya's Disasters of Wa

Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano)

1811-12 (published 1863)

Etching of a standing man beside fallen bodies, including a woman and child in a puddle, with the caption Cruel lástima.

Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): Cruel tale of woe! (Cruel Lástima!)

1811-12 (published 1863)

Etching of a group of figures by a ruined wall, including a standing woman in a feathered hat and children on the ground.

Plate 61 from "The Disasters of War" (Los Desastres de la Guerra): 'Perhaps they are of another breed' (Si son de otr…

1811-12 (published 1863)

Etching of a woman in a headscarf holding a cup above two prone figures on dark ground, under a stippled sky.

Plate 59 from "The Disasters of War" (Los Desastres de la Guerra): 'What is the use of a cup?' ( De qué sirve una taza?)

1811-12 (published 1863)

Etching of a pile of dead bodies on bare ground with a leaning wooden plank at right, under a dark hatched sky.

Plate 63 from "The Disasters of War" (Los Desastres de la Guerra): 'Harvest of the dead' (Muertos recogidos)

1811-12 (published 1863)

Etching of a cart with a spoked wheel, a figure lifting a limp body down to kneeling figures beside an archway.

Plate 64 from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cemente…

1811-12 (published 1863)

Etching of a gaunt seated man and hooded women beneath an arch, with dense hatched shading on the wall.

Plate 57 from "The Disasters of War" (Los Desastres de la Guerra): 'The healthy and the sick' (Sanos y enfermos)

1811-12 (published 1863)

Etching of two men carrying a limp body past a stone wall, with mourners kneeling on the ground behind them.

Plate 56 from "The Disasters of War" (Los Desastres de la Guerra): 'To the cemetery' (Al cementerio)

1811-12 (published 1863)

Etching of figures gathered around a collapsed man, with women bending over him and a basket carrier at right, on a dark back

Plate 53 from "The Disasters of War" (Los Desastres de la Guerra): 'There was nothing to be done and he died' (Espiró…

1811-12 (published 1863)

Etching of a small hooded figure standing before shadowy bundled forms on a dark ground, from Goya's Disasters of War.

Plate 62 from "The Disasters of War" (Los Desastres de la Guerra): 'The beds of death' (Las camas de la muerte)

1811-12 (published 1863)

Etching of a standing woman in white beside emaciated beggars seated and lying on dark ground under a pale sky.

Plate 55 from "The Disasters of War" (Los Desastres de la Guerra): 'The worst is to beg' (Lo peor es pedir)

1811-12 (published 1863)

Etching of hooded grotesque figures swirling in a chaotic crowd under a pale sky, from Goya's Disasters of War.

Plate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto)

1810 (published 1863)

Etching of figures fleeing across a barren hillside beside a shrub, with a crowd behind and the caption 'Tambien esto' below.

Plate 43 from "The Disasters of War" (Los Desastres de la Guerra): 'This too' (Tambien esto)

1810 (published 1863)

Etching of a woman offering food to a reclining man beside a stone wall, with two onlookers at right.

Plate 49 from "The Disasters of War" (Los Desastres de la Guerra): 'A woman's charity' (Caridad de una muger)

1811-12 (published 1863)

Etching of women mourning beside a stone wall, with a body lying on the ground at right.

Plate 52 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not arrive in time' (No llegan á tiempo)

1811-12 (published 1863)

Etching of women carrying bundles past a dead animal and a crowd under a hatched, stormy sky.

Plate 45 from "The Disasters of War" (Los Desastres de la Guerra): 'And this too' (Y esto tambien)

1810 (published 1863)

Etching of a night scene with men restraining a woman as a small child covers her face nearby, titled Madre infeliz.

Plate 50 from "The Disasters of War" (Los Desastres de la Guerra): 'Unhappy mother!' (Madre Infeliz!)

1811-12 (published 1863)

Etching of soldiers attacking a robed man on the ground, with the caption Esto es malo, from Goya's Disasters of War.

Plate 46 from "The Disasters of War" (Los Desastres de la Guerra): 'This is bad' (Esto es malo)

1810 (published 1863)

Etching of gaunt figures gathered around a bowl in a dim interior, one figure lying on the ground in the foreground.

Plate 51 from "The Disasters of War" (Los Desastres de la Guerra): 'Thanks to the millet' (Gracias á la almorta)

1811-12 (published 1863)

Etching of a man writing on the ground as hooded and ghostly faces loom out of dark shadows behind him.

Plate 69 from "The Disasters of War" (Los Desastres de la Guerra): 'Nothing. The event will tell' (Nada. Ello dirá)

1814-15 (published 1863)

Etching of a cloaked woman gesturing before a crowd of grotesque animal-headed figures on a rocky bank.

Plate 75 from "The Disasters of War" (Los Desastres de la Guerra): 'Charlatan's show' (Farándula de charlatanes)

1814-15 (published 1863)

Etching of ragged figures gathered around a large wolf-like animal, with a kneeling woman and children in the foreground.

Plate 74 from "The Disasters of War" (Los Desastres de la Guerra): 'That is the worst of it!' (Esto es lo peor!)

1814-15 (published 1863)

Etching of a winged demon with bat wings hunched over an open book, with the caption Contra el bien general below.

Plate 71 from "The Disasters of War" (Los Desastres de la Guerra): 'Against the common good' (Contra el bien general)

1814-15 (published 1863)

Etching of hooded figures stumbling along a hillside, some falling into a ditch, under a dark hatched sky.

Plate 70 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not know the way' (No saben el camino)

1814-15 (published 1863)

Etching of a seated hooded figure beside a pile of grotesque masks, with a chair and cluttered interior in the background.

Plate 68 from "The Disasters of War" (Los Desastres de la Guerra): 'What madness!' (Que locura!)

1814-15 (published 1863)

Etching of two stooped men with canes walking past a carried figure and a crowd beside a column.

Plate 67 from "The Disasters of War" (Los Desastres de la Guerra): 'This is not less so' (Esta no lo es menos)

1814-15 (published 1863)

Etching of a donkey carrying a glass box with a figure inside, with kneeling cloaked figures in the foreground.

Plate 66 from "The Disasters of War" (Los Desastres de la Guerra): 'Strange devotion!' (Extraña devocion!)

1814-15 (published 1863)

Etching of a woman in a pale dress fleeing with hands to her head, a dog running beside her, and a seated figure in a cap at

Plate 65 from "The Disasters of War" (Los Desastres de la Guerra): 'What is this hubbub?' (Qué alboroto es este?)

1814-15 (published 1863)

Etching of an owl with spread wings above a crouching cat, with a cloaked figure bending at right.

Plate 73 from "The Disasters of War" (Los Desastres de la Guerra): 'Feline pantomime' (Gatesca pantomima)

1814-15 (published 1863)

Etching of a pale reclining figure in radiant light, with a kneeling figure and shadowy faces in a dark background.

Plate 80 from "The Disasters of War" (Los Desastres de la Guerra): 'Will she rise again?' (Si resucitará?)

1814-15 (published 1863)