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Francisco Goya

1,220 works

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Lithograph of a bullfight: a rider on a bucking bull with a lance, spectators in the stands, and a second bull in the arena.

The Famous American, Mariano Ceballos, from The Bulls of Bordeaux

1825

Lithograph of a bull attacking a horse and picador in a bullring, with spectators in the stands behind.

Picador Caught by a Bull, from The Bulls of Bordeaux

1825

Lithograph of bulls in a bullring with a fallen figure, a caped man, and crowds of spectators in the stands.

Spanish Entertainment, from The Bulls of Bordeaux

1825

Lithograph of a bullfight in a divided ring, with bulls charging matadors and spectators crowding the stands.

Bullfight in a divided ring, from The Bulls of Bordeaux

1825

Brown etching of a bull charging beneath a man leaping on a pole in an arena, with spectators in the stands.

The Agility and Audacity of Juanito Apiñani in the Ring at Madrid

1815

Etching of a hanged man from a tree with a seated figure at right and bare trees behind, by Francisco de Goya.

Ei tässäkään (Tampoco)

1892

Etching of a soldier with a sword over a fallen robed man, two onlookers behind in shadow, Spanish caption below.

This Is Bad (Esto es malo)

1892

Etching of a mounted rider in a plumed hat lancing a charging bull in an arena, with diagonal light across the background.

Charles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia"

1816

Etching of a bullfighter vaulting over a charging bull with a pole in a bullring, spectators watching from the stands.

The agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia"

1816

Etching of a bull tossing a man in a bullring while a figure with a cape stands nearby and spectators watch from behind.

A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"

1816

Etching of a blind guitarist with a raised cape riding on the horns of a charging bull.

'Barbarous Entertainment', a blind guitarist on the horns of a bull

1800-1804 (published 1828-67)

Etching of a woman riding a white horse balanced on a tightrope, with a crowd of spectators behind.

'Punctual Folly' from the 'Disparates' (Follies / Irrationalities. Plate B)

ca. 1815-19 (published before 1877)

Lithograph of a bull goring a picador's horse in an arena while spectators watch from the stands.

A picador caught by a bull, from the "Bulls of Bordeaux"

1825

Lithograph of bulls in a bullring with spectators in the stands and a fallen man beside a cape-waving figure.

Spanish Entertainment from the 'Bulls of Bordeaux'

1825

Lithograph of a bullfight in a divided ring, with a matador facing a charging bull and crowds watching from the barrier.

Bullfight in a divided ring, from the 'Bulls of Bordeaux'

1825

Etching of a grinning crouching giant with floating faces beside a small cloaked figure on a dark background.

'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)

ca. 1815-19 (published between 1854-63)

Etching of a tall white shrouded ghost towering over fleeing men at night beside a bare tree.

'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)

ca. 1815-19 (published ca. 1848)

Etching of grotesque figures gathered around a seated woman and a dog in a dark setting, from Goya's Disparates series.

'Loyalty' from the 'Disparates' (Follies / Irrationalities)

ca. 1815-19 (private printing ca.1854)

Etching of a guitar-playing street musician among a crowd, with oxen, a child, and a distant tower under a cloudy sky.

Blind Guitarist

ca. 1778

Etching of several bulls in chaotic motion, one flipped upside down in the foreground, against a dark background.

'Little Bulls' Folly' from the 'Disparates' (Follies / Irrationalities, Plate D)

ca. 1815-19 (published before 1877)

Etching of a caped man raising a sword while a figure is tossed in a blanket by a crowd of onlookers.

'Well-Known Folly' from the 'Disparates' (Follies / Irrationalities, Plate A)

ca. 1815-19 (published before 1877)

Etching of a large elephant in spotlight at right, with three robed figures holding a scroll at left against a dark rocky wal

'Animal Folly' from the 'Disparates' (Follies / Irrationalities)

ca. 1815-19 (published before 1877)

Etching of a feast with a crowned Bacchus-like figure and drunken revelers around wine vessels, with an inscription below.

A False Bacchus Crowning Drunkards

1778

Etching of a man carrying a limp body while another corpse lies on the ground and a bound figure stands behind a tree.

Suuri sankariteko! Kuolleilla! (Grande hazaña! Con muertos!)

Etching of a mounted soldier with raised saber amid smoke, with fallen and kneeling figures on the ground below.

Plate 17: They do not agree (No se convienen), from "The Disasters of War" (Los Desastres de la Guerra)

ca. 1810

Dark etching of hooded mourners beside a shrouded body on the ground in a shadowy landscape.

'Funereal Folly' from the 'Disparates' (Follies / Irrationalities)

ca. 1815-19 (private printing ca.1854)

Etching of nude women and armed men on a dark rocky hill, with a child held aloft and a body lying in the distance.

Plate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad)

1810

Etching of soldiers pointing at a kneeling woman and child, with a fleeing crowd and a hill with ruins behind.

Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)

1810

Etching of several bodies lying sprawled on rocky ground beneath a dark, heavily hatched sky, from Goya's Disasters of War.

Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)

ca. 1810

Etching of wounded figures lying in a crowded ward while caregivers tend them, with dense dark hatching behind.

Plate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)

1810

Etching of tumbling and prostrate figures among broken wooden debris and an overturned chair in a dark interior.

Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of War' (Estragos de la guerra)

1810

Etching of people fleeing through flames and smoke, a man carrying a woman across a street, from Goya's Disasters of War.

Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre la…

1810

Etching of figures tending wounded men beside a stream with a broken tree, from Goya's Disasters of War series.

Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á…

1810

Etching of figures in a dark landscape: a man carries a limp body while a woman covers her face beside fallen bodies.

Plate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo)

ca. 1810

Etching of several dead men sprawled on barren ground with a broken sword and ruined building behind them.

Plate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas)

1810

Etching of men among fallen figures and scattered rifles on rocky ground, with a distant tower behind, by Goya.

Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir)

1810

Etching of a pile of naked corpses on a hill, with two clothed men standing above them under an open sky.

Plate18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)

1810

Etching of a standing man over sprawled bodies on a battlefield, with a dark smoke cloud rising behind them.

Plate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis…

1810

Etching of men restraining a woman on a floor in a vaulted room, with a figure standing beside a column at left.

Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)

1810

Etching of men struggling up a ladder beside a wooden frame, with a robed figure pointing and onlookers in the distance.

Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a Hard Step!' (Duro es el paso!)

ca. 1810

Etching of a bound, blindfolded man at a post above a fallen body, with figures in the dark background.

Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio)

1810

Etching of a violent struggle among figures, with several bodies lying motionless on the ground under a dark, hatched sky.

Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor do these' (Tampoco)

1810

Etching of soldiers attacking civilians, with a fallen figure and a crouching child in the foreground.

Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)

ca. 1810

Etching of women in long dresses tossing a man in the air from a blanket, with an animal lying on the cloth.

'Feminine Folly' from the 'Disparates' (Follies / Irrationalities)

ca. 1815-19 (printed ca.1848-54)

Etching of a man riding a large winged creature through a dark sky, wings spread wide, rider with arm raised.

'Flying Folly' from the 'Disparates' (Follies / Irrationalities)

ca. 1815-19 (private printing ca.1854)

Etching of a rearing horse throwing a man backward, with a crouching animal on rocky ground at left.

The Horse Abductor (El caballo raptor), from the series Los Disparates

1816

Sepia etching of a bull charging at a man seated on a chair in a bullring, spectators watching from the barrier.

Martincho's Recklessness in the Ring at Zaragoza (Temeridad de Martincho en la plaza de Zaragoza), from the series Ta…

1815

Lithograph of a rider on a bull lunging in a bullring, with a second bull, spectators in the stands, and capes on the sand.

Mariano Ceballos riding a bull, from the 'Bulls of Bordeaux'

1825

Etching of a large winged creature perched on a slumped human figure, with bats flying in a dark sky above.

Seuraukset (Las resultas)

Etching of figures on the ground and standing near a wall, with a woman in a white shawl at center, from Goya's Disasters of

Plate 58 from 'The Disasters of War' (Los Desastres de la Guerra): 'It's no use crying out.' (No hay que dar voces.)

1811-12

Etching of two men carrying a limp body past kneeling mourners beside a brick wall.

Plate 56, To the cemetery (Al cementerio), from "The Disasters of War" (Los Desastres de la Guerra)

1810-11

Etching of a man riding a flying white horse with large dark wings and a grotesque creature above him.

Flying Folly (Disparate volante), from the series Los Disparates

1816

Etching of a tall shrouded ghost looming over fleeing, terrified men beside a tree at night.

Folly of Fear (Disparate de miedo), from the series Los Disparates

1816

Sepia etching of a woman in a headscarf offering a cup to two reclining figures on the ground under a cloudy sky.

Mitä auttaa yksi kupillinen? (De qué sirve una taza?)

1892

Etching of a bull tossing a man over its back in an arena while a second man holds out sticks and others stand behind.

Plate 8 from "Tauromaquia": A moor caught by the bull in the ring

ca. 1816

Etching of dogs attacking a bull in a bullring, with a mounted rider and caped figures watching beside the wooden barrier.

Plate C: The dogs let loose on the bull, from "Tauromaquia"

ca. 1816

Etching of several bulls leaping and tumbling in chaotic motion against a dark background.

Little Bulls' Folly, from "The Disparates" (Disparates, Plate D)

ca. 1815-19 (published 1877)

Etching of a hanged man from a tree beside a seated figure in a cap, numbered 36, from Goya's Disasters of War.

Not [in this case] either (Tampoco), plate 36 from "The Disasters of War" (Los Desastres de La Guerra)

1810

Etching of figures plundering nude corpses on the ground beneath a large tree, with a distant group of figures behind.

Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan)

1810

Sketch of a bull surrounded by dogs, one dog tossed in the air, with a man in a hat watching at right.

Bull Attacked by Dogs

c. 1825

Two grey wash drawings: a woman and older man on sheet 49, and a woman wringing her hands by foliage on sheet 30.

Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso)

1796-97

Etching of men restraining a woman on the floor in a dark arched interior, with a figure watching from the left.

Duro es el paso! (Desastres de la Guerra 14)

1761

Etching of armed figures attacking a fallen man on a plain, with a kneeling woman and a dark sky above.

Bien te se está (Desastres de la Guerra 6)

1761

Etching of nude corpses piled on a dark mound, with a standing man in a cloak and hat looking down at them.

Enterrar y callar (Desastres de la Guerra 18)

1761