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Francisco Goya

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Etching of an elderly bearded man in a wide-brimmed hat and cloak standing beside a clay jug, titled Menippus.

Menippus

1778

Etching of a woman in a white nightgown leaning over a bed in a dark room, with a shadowy figure behind her.

Plate 36 from "Los Caprichos": A bad night (Mala noche)

1799

Etching of a hunched seated prisoner with clasped hands, chained at the wrists and shackled at the ankles against a dark back

Tan bárbara la seguridad como del delito / Der kleine Gefangene

1761

Etching of three men, one stout central figure in light clothing flanked by a man in a wide-brimmed hat and one with a cane,

Está um D. ... pues, como digo .. eh! cuidado! si no! .. / Sind Euer Gnaden ... nun wie ich sage ... eh! Vorsicht! So…

1761

Etching of a large owl above two bound figures tied back to back beneath a tree branch, with a Spanish caption below.

No hay que nos desate? / Gibt es denn niemanden, der uns losbindet? (Caprichos 75)

1761

Etching of two nude witches flying on broomsticks under an owl, with small figures walking on a path below.

Pretty teacher!

1799

Etching of two women in dark shawls seated on chairs at night, one older woman leaning toward a younger woman.

Pretty teaching

1799

Brown ink wash drawing of a bent man carrying a limp, emaciated body over his back.

Ein Mann trägt einen Toten

1815

Etching of a man in a plumed hat and ruff on a rearing horse, with a caption naming Felipe III, King of Spain.

Philip III

1778

Etching of a woman in ruff collar riding a pale horse side-saddle, with a hazy hilly landscape behind her.

Margaret of Austria

1778

Etching of a woman on a white horse wearing a large cloak and lace collar, with an inscription beneath the image.

Isabel de Borbon

1778

Etching of a young rider on a rearing horse in a cloudy landscape, with an inscription naming Baltasar Carlos below.

Baltasar Carlos

1778

Etching of a man in armor and a plumed hat riding a rearing horse across an open landscape.

Philip IV

1778

Etching of Gaspar de Guzman on a rearing horse, wearing a plumed hat and holding a baton, with a tree in the landscape.

Gaspar de Guzman, Conde Duque of Olivares

1778

Etching of a seated dwarf in a wide hat and fur-trimmed cloak, leaning on stacked books beside a candlestick.

A Dwarf

1778

Francisco de Goya y Lucientes, Painter, plate one from Los Caprichos

1797/99

Etching of a sleeping man at a desk surrounded by owls, bats and cats, with the caption 'El sueño de la razón produce monstru

The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos

1797/99

Etching of a woman in a dark cloak flying above several grimacing figures in a cloudy sky, numbered 61.

They Have Flown, plate 61 from Los Caprichos

1797/99

Etching of two bound figures beneath a large staring owl perched above them, with a caption reading ¿No hay quien nos desate?

Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?)

1799

Etching of a donkey-headed man in a coat reading a book of horse images at a desk, from Goya's Los Caprichos.

Plate 39 from "Los Caprichos": And so was his grandfather (Asta su Abuelo)

1799

Etching of a hooded bogeyman looming over a mother and two frightened children seated on a bed.

Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)

1799

Etching of a man leaning toward a standing woman in a dark dress, with a seated woman fanning herself behind them.

Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)

1799

Sepia etching of two women seated in dark shawls, the older one leaning toward the younger, with the caption Bellos consejos.

Plate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos)

1799

Etching of a young woman stretching cloth on a board while an elderly woman in a headscarf watches beside her.

Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)

1799

Etching of a seated woman having her hair brushed, while an elderly veiled woman with a rosary sits beside her foot.

Plate 31 from "Los Caprichos": She prays for her (Ruega por ella)

1799

Sepia print of a woman seated on a floor near a chain, head bowed beneath a small window in a dim room.

Plate 32 from "Los Caprichos": Because she was susceptible (Por que fue sensible)

1799

Etching of a nude witch flying on a broomstick with a black cat on its back over a hilly landscape.

Plate 66 from "Los Caprichos": There it goes (Allá vá eso)

1799

Etching of sleeping figures in white bonnets in a dark room, with a seated woman beside a barred window.

Plate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño)

1799

Etching of a man in period dress embracing a limp woman before a brick wall, with a sword on the ground.

Plate 10 from "Los Caprichos": Love and death (El amor y la muerte)

1799

Etching of a hunched prisoner bound by chains at the wrists and an ankle shackle, against a dark hatched background.

The Custody is as Barbarous as the Crime ("The Little Prisoner")

1810/20

Etching of gaunt figures straining to lift a heavy slab while others crouch beside it, against a pale sky.

Plate 59 from "Los Caprichos": And still they don't go! (Y aun no se van!)

1799

Etching of an aged woman in a ruffled bonnet before a mirror, watched by two men and a young woman in an interior.

Plate 55 from "Los Caprichos": Until death (Hasta la muerte)

1799

Etching of a woman in a dark gown flying with outstretched arms above grimacing figures tumbling below.

Plate 61 from "Los Caprichos": They have flown (Volaverunt)

1799

Etching of two men straining under a donkey standing on a man's back, with a second donkey behind them.

Plate 42 from "Los Caprichos": Thou who canst not (Tu que no puedes)

1799

Etching of an old man leaning toward a downcast young woman while onlookers watch behind them.

Plate 14 from "Los Caprichos": What a sacrifice! (Que sacrificio!)

1799

Etching of a fashionably dressed woman in a black mantilla beside a man with a fan, as an old woman whispers at left.

Plate 5 from "Los Caprichos": Two of a kind (Tal para qual)

1799

Sepia etching of three grotesque hobgoblins drinking in a barred interior, one laughing and gesturing with a cup.

Plate 49 from "Los Caprichos": Hobgoblins (Duendecitos)

1799

Etching of a bearded man bent over in a dark stone archway, lit strongly against hatched shadows.

If he is guilty, let him die quickly (Si es deliquente qe, muera presto)

ca. 1815 (printed around 1859)

Brown wash drawing of hooded monks singing beside a cross, with a procession of robed figures and a church behind them.

Prozession der Mönche (Procesión de monjes)

Self-Portrait

1799

Etching of a young woman in white between elderly figures and a crowd, with a Spanish caption below.

Plate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen…

1799

Etching of two masked figures in carnival costume, a woman and a man, with onlookers behind them.

Plate 6 from "Los Caprichos": Nobody knows himself (Nadie se conoce)

1799

Brown etching of a seated boy with hand to chin beside a cooking pot, with a nanny figure behind him in a dark room.

Plate 4 from "Los Caprichos": Nanny's boy (El de la rollona)

1799

Etching of an old woman on a swing, with a cat perched on a branch above her and foliage behind.

Old woman on a swing

n.d.

Plate 1 from "Los Caprichos": Self-portrait

1799

Isabel of Bourbon, Queen of Spain on horseback, after Veláquez

1778

Etching of a young woman with a fan beside an older woman with a cane and shawl, with a Spanish caption below.

Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

1799

Etching of a kneeling man embracing a woman beside a broken pitcher, with laundry hanging behind them and a basin on the floo

Plate 25 from "Los Caprichos": If he broke the pot (Si quebró el Cantaro)

1799

Sepia etching of a woman in a striped conical hat riding a donkey amid a crowd of grotesque onlookers.

Plate 24 from "Los Caprichos": Nothing could be done about It (Nohubo remedio)

1799

Etching of a man in a cloak and two women, one bowed with head down, beside a dark wall; Goya's Caprichos plate 22.

Plate 22 from "Los Caprichos": Poor little girls! (Pobrecitas!)

1799

Etching of a woman in a black mantilla and a leaning man gazing at her, with a small dog at their feet.

Plate 27 from "Los Caprichos": Which of them is the more overcome? (Quien mas rendido?)

1799

Sepia etching of a seated woman in a tall pointed cap before a crowd of dozing faces, with a man reading at a pulpit.

Plate 23 from "Los Caprichos": These specks of dust (Aquellos polbos)

1799

Etching of two seated men in dark coats plucking a bird, with a shaded background and a stone ledge below.

Plate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!)

1799

Etching of three men on rocky ground under a dark sky, one tying a bundle while another holds a knife.

Plate 11 from "Los Caprichos": Lads Making Ready (Muchachos al Avío)

1799

Etching of an old man gesturing at a table with a plate of food, two figures behind him in shadow.

Plate 13 from "Los Caprichos": They are hot (Estan calientes)

1799

Etching of a man pressing his hand to his face beside a limp reclining woman in a pale dress, titled Tantalo.

Plate 9 from "Los Caprichos": Tantalus (Tantalo)

1799

Sepia etching of a woman pulling a man's collar on stone steps at night, with caption A caza de dientes below.

Plate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes)

1799

Etching of a man carrying a struggling woman over his shoulder against a dark background, with a chair at left.

Plate 8 from "Los Caprichos": They carried her off! (Que se la llevaron!)

1799

Etching of a donkey-headed man tending a reclining woman in bed beneath a dark curtain, with caption De que mal morira.

Plate 40 from "Los Caprichos": Of what ill will he die? (De que mal morira?)

1799

Etching of a donkey-headed pupil at a letter A sheet, watched by a horse-headed teacher with a magnifying glass.

Plate 37 from "Los Caprichos": Might not the pupil know more? (Si Sabrá mas el discipulo?)

1799

Etching of a standing man in an ornate coat and wig beside two slumped figures and a shelf of bottles.

Plate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino)

1799

Etching of hooded, elderly figures crowding around a small doll-like figure, with a caption reading Obsequio á el maestro.

Plate 47 from "Los Caprichos": A gift for the master (Obsequio á el maestro)

1799

Sepia etching of a winged demon swooping over a hunched figure covering their face, with leering faces in the shadows.

Plate 48 from "Los Caprichos": Tale-Bearers--Blasts of Wind (Soplones)

1799

Etching of hooded elderly figures under a dark shadow, with winged demons and cats flying overhead.

Plate 46 from "Los Caprichos": Correction (Correccion)

1799

Sepia etching of two grotesque figures, one cutting the other's hair with scissors, a winged shape and third face behind them

Plate 51 from "Los Caprichos": They spruce themselves up (Se repulen)

1799

Etching of two hunched old women with a bat overhead and a basket of infants in the foreground, from Goya's Los Caprichos.

Plate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar)

1799

Sepia etching of an elderly man grinning beside a chair burning with flames and smoke in a dim room.

Plate 18 from "Los Caprichos": And his house is on fire (Ysele quema la Casa)

1799

Etching of a donkey seated beside a monkey painting at an easel in a dim studio, with a small face visible on the canvas.

Plate 41 from "Los Caprichos": Neither more nor less (Ni mas ni menos)

1799

Etching of winged women and birds above a branch, with an old woman and two younger women and a dog below.

Plate 19 from "Los Caprichos": All will fall (Todos Caerán)

1799

Etching of two bound men beside a donkey-headed figure with a spoon and a basket, sepia tones, plate 50.

Plate 50 from "Los Caprichos": The Chinchillas (Los Chinchillas)

1799

Etching of a hunched old man clutching money bags while three grinning figures, one in a top hat, watch him.

Plate 30 from "Los Caprichos": Why hide them? (Porque esconderlos?)

1799

Goya etching of an elderly woman reading a book while grotesque figures lurk behind and beside her, numbered plate 29.

Plate 29 from "Los Caprichos": That certainly is being able to read (Esto si que es leer)

1799

Sepia etching of a woman cutting a seated man's hair while another woman with a plate looks on in a dim room.

Plate 35 from "Los Caprichos": She fleeces him (Le descañona)

1799

Etching of an old woman leaning on a cane while a hooded companion whispers, with a dark tree behind them.

Plate 28 from "Los Caprichos": Hush (Chiton)

1799

Etching of a monkey playing guitar in front of a seated donkey, with a man peering over the donkey's back.

Plate 38 from "Los Caprichos": Bravo! (Brabisimo!)

1799

Etching of a woman in a nightgown struggling with billowing bedclothes beside a windswept tree at night.

Plate 36 from "Los Caprichos": A bad night (Mala noche)

1881-86

Goya etching of witches with brooms and plucked birds on the ground, a flying bird above, and a figure peering from a doorway

Plate 20 from "Los Caprichos": There they go plucked (i.e. fleeced) (Ya van desplumados)

1799

Etching of a figure in a shawl balancing two chairs on her head, with a seated woman and two laughing onlookers nearby.

Plate 26 from "Los Caprichos": They've already got a seat (Ya tienen asiento)

1799

Etching of a nude figure held by a grotesque man beneath a monstrous shadowy creature, with a figure reaching up below.

Plate 62 from "Los Caprichos": Who would have thought it? (Quien lo creyera!)

1799

Etching of two hooded witches above a winged creature with an open book, and a seated nude man in the foreground.

Plate 70 from "Los Caprichos": Devout Profession (Devota profesion)

1799

Goya etching of a woman in a white dress flying with arms raised, held by winged grotesque figures and a bird-like creature.

Plate 72 from "Los Caprichos": You will not escape (No te escaparàs)

1799

Etching of a seated man and older woman with a standing young woman in a white dress, from Goya's Los Caprichos.

Plate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar)

1799

Etching of a woman in a lace dress screaming while an old hooded woman and a man look on, caption below reads No grites, tont

Plate 74 from "Los Caprichos": Don't scream, stupid (No grites, tonta)

1799

Etching of a nude woman carried aloft by grotesque figures, with a cat holding an umbrella, by Goya, 1799.

Plate 65 from "Los Caprichos": Where is mom going? (Donde vá mamá?)

1799

Etching of a nude old witch flying on a broomstick with an owl above, signed Goya, plate 68 from Los Caprichos.

Plate 68 from "Los Caprichos": Pretty teacher! (Linda maestra!)

1799

Etching of a cloaked man and two bowed women beside a dark wall, with the caption Probrecitas below.

Plate 22 from 'Los Caprichos': Poor little girls! (Probrecitas!)

1799, posthumous impression

Etching of three figures in shadow, one hooded figure leaning toward a bowl, with caption El Vergonzoso below.

Plate 54 from "Los Caprichos": The shamefaced one (El Vergonzoso)

1799

Etching of an owl on a pedestal above a group of cloaked old men with grotesque faces gazing upward.

Plate 53 from "Los Caprichos": What a golden beak! (Que pico de Oro!)

1799

Etching of a kneeling woman gazing up at a tall robed figure with raised arms, surrounded by floating grotesque figures and o

Plate 52 from "Los Caprichos": What a tailor can do! (Lo que puede un Sastre!)

1799

Etching of hybrid human-animal creatures with bird and donkey heads in a grotesque scene, with a crowd behind them.

Plate 63 from "Los Caprichos": Look how solemn they are! (Miren que grabes!)

1799

Etching of figures in an interior, a woman reading an open book beside a seated woman, a man in a feathered hat with a monocl

Plate 57 from "Los Caprichos": The filiation (La filiacion)

1799

Etching of a kneeling man with clasped hands, surrounded by laughing grotesque faces and a hooded shadowy figure.

Plate 58 from "Los Caprichos": Swallow it, dog (Tragala perro)

1799

Etching of two nude figures, a horned goat, two cats, a skull and a jug, from Goya's Los Caprichos plate 60.

Pllate 60 from "Los Caprichos": Trials (Ensayos)

1799

Etching of a gaunt old woman holding a nude figure aloft while shadowy faces and an old man watch from below.

Plate 69 from "Los Caprichos": Blow (Sopla)

1799

Etching of nude grotesque figures under a starry night sky, one man pointing upward, with the caption Si amanece; nos vamos.

Plate 71 from "Los Caprichos": When day breaks we will be off (Si amanece; nos Vamos)

1799

Etching of three men drinking wine around a barrel, with caricatured faces and a shadowy figure behind them.

Plate 79 from "Los Caprichos": No one has seen us (Nadie nos ha visto)

1799