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Francisco Goya

1,220 works

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Etching of a powdered-wig nobleman standing over two bent men beside a shelf of bottles, titled Al Conde Palatino.

The Caprices pl. 33 : Al Conde Palatino (Delteil 70 ; Gassier-Wilson 517 ; Harris 68 III 1 ; Lefort 33)

1799

Brown etching of a seated man being attended by two women in an interior, with a jug on a table beside them.

The Caprices pl. 35 : Le descanona (Delteil 72 ; Gassier-Wilson 520 ; Harris 70 III 1 ; Lefort 35)

1799

Etching of an old man grinning beside a burning wooden chair, with smoke rising in a dark interior.

The Caprices pl. 18 : Y se le quema la Casa (Delteil 55 ; Gassier-Wilson 487 ; Harris 53 III 1 ; Lefort 18)

1799

Ink and wash drawing of a stooped elderly figure in a dark cloak leaning on two canes, with a Spanish inscription below.

He can no longer at the age of ninety-eight

about 1819-1823

Grey ink wash drawing of a seated man repairing a shoe, with a woman and child beside him on cream paper.

The Blind Worker, c. 1815-1820

1815

Etching of a seated man in a wide hat and fur-trimmed coat, leaning on a rolled paper beside an inkwell.

Un enano (A Dwarf)

1778

Etching of an elderly bearded man in a wide-brimmed hat and cloak, with a jug and shoes on the floor beside him.

Moenippus

1778

Brown wash drawing of a hooded woman beside two men and a two-wheeled cart in front of a stone arch.

Frau mit Umhang, dahinter zwei Männer mit einem zweirädrigen Wagen (Una mujer y dos hombres cerca de un carro)

1761

Etching of a laughing old man on a swing, gripping the ropes, with bare feet extended and a faint face behind him.

Viejo columpiándose / Alter Mann auf der Schaukel

1761

Etching of a seated woman clutching two frightened children as a tall white-hooded figure looms beside them in darkness.

Que viene el Coco. / Da kommt der Kinderschreck. (Caprichos 3)

1761

Etching of a seated man in lace collar and cloak, hands on knees, against a densely hatched dark background.

Un Enano (Sebastian de Morra)

1761

Sepia etching of a man and woman embracing against a dark wall, with a helmet and sword on the ground below.

Love and death

1799

Etching of a donkey-headed teacher with magnifier instructing a donkey-headed pupil who writes letters, with other animals wa

Might not the pupil knows more?

1799

Etching of a startled man beside a pot, with a figure carrying a woman on his back in a dark interior.

Nanny's Boy

1799

Etching of a donkey watching a monkey paint at an easel, with a donkey portrait on the canvas.

Neither more nor less

1799

Brown etching of men drinking around a barrel, one laughing with a raised glass, with a caption reading Nadie nos ha visto.

No one has seen us

1799

Etching of a woman in a striped cone hat riding a donkey, surrounded by a jeering crowd. Goya, 1799.

Nothing could be done about it

1799

Etching of an animal-headed figure in a lesson scene with a donkey-headed pupil and letters on a page, by Goya.

Might Not the Pupil Know More? (Si sabrá mas el discipulo?) from the series Los Caprichos

Etching of two women, one holding a fan and one stooped with a shawl and walking stick, against a shaded background.

For Heaven’s Sake: And It Was Her Mother (Dios la perdone: y era su madre) from the series Los Caprichos

1797

Etching of two women at night, one standing with flowing cloth and one crouching, with the caption Mala noche below.

A bad night (Mala noche), plate 36 from "Los Caprichos"

1799

Etching of a woman and a barefoot man on a stone ledge, the man reaching toward his mouth, against a dark background.

Out hunting for teeth (A caza des dientes), plate 12 from "Los Caprichos"

1799

Etching of a reclining woman and a man clutching his face before a rocky landscape, titled Tantalo.

Tantalus (Tantalo), plate 9 from "Los Caprichos"

1799

Etching of a woman stretching her leg beside a seated older woman in a dim bedroom, with a caption below.

It is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos"

1799

Etching of two women in black mantillas seated on wooden chairs, one leaning toward the other in conversation against a dark

A pretty piece of advice (Bellos consejos), plate 15 from "Los Caprichos"

1799

Etching of a man leaning toward a woman in a dark dress, with a seated woman fanning herself behind them.

Even thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos"

1799

Etching of two old women in a dim room, one sweeping with a broom and one leaning over a table with a plate.

Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)

1799

Etching of two gaunt old men seated, one washing his feet while a donkey stands upright above them, from Goya's Caprices.

The Caprices (Los Caprichos), plates 1-80

1799

Etching of a crouching, chained prisoner with shackled ankles and wrists against a dark hatched background.

'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito)

ca. 1815 (published after 1867)

Etching of a bound man bent forward, arms tied behind him, ankles shackled, against a dark hatched background.

'If he is guilty, let him die quickly' (Si es delinquente qe. muera presto)

ca. 1815 (published 1859)

Grey wash drawing of an old woman bent under two grotesque figures riding on her back, labeled 'Pesadilla'.

'Nightmare'; an old woman carrying figures on her back; page 20 from the Witches and Old Women Album (D)

ca. 1819-23

Etching of a garroted man seated against a post, with a lit candle at left and hatched dark background.

Garroted Man

ca. 1775-78

Etching of a woman in a ruff collar riding a decorated horse across a landscape, after Velázquez.

Margaret of Austria on horseback, after Velázquez

1778

Etching of a hunched man in a cloak and hat standing beside a horned bull on a shaded ground.

The cloaked man

1859

Etching of a standing woman in a dark shawl and pale lace-trimmed skirt against a hatched dark background.

A Maja standing against a dark background with figures

1859

Etching of a standing woman with hands on hips, wearing a dark lace mantilla and a pale skirt with lace trim.

A Maja standing with hands on her hips

19th century ?

Etching of a seated blind singer in a wide-brimmed hat playing guitar, head tilted back, against a dark hatched background.

Blind Singer

Ca. 1824-28 (published second half of the 19th century)

Etching of a laughing old man in a swing, legs stretched out, gripping two ropes against a dark background.

Old man on a swing

1825/27

Etching of a man clutching his head beside a reclining woman in a pale dress, with a handwritten caption reading Tantalo.

Plate 9: Tantalus (Tantalo), from "Los Caprichos"

ca. 1798-99

Etching of an elderly man in a robe recoiling at a table with two shadowy figures behind him, from Goya's Los Caprichos.

Plate 13: They are Hot (Estan Calientes), from "Los Caprichos"

ca. 1798

Etching of two women in dark mantillas seated on wooden chairs against a shaded background, with a handwritten caption below.

Plate 15: Pretty Advice (Bellos Consejos), from "Los Caprichos"

1799

Etching of a woman embracing a kneeling man beside a broken pot, with laundry hanging behind them and a wicker basket at left

Plate 25: If he broke the pot (Si quebró el cantaro), from "Los Caprichos"

ca. 1797-98

Etching of a woman in a dark gown and ruff riding a grey horse across a landscape, with an inscription beneath.

Isabel de Bourbon on horseback, after Velázquez

1778

Etching of Philip IV on a rearing horse in a hilly landscape, after Velázquez, by Goya, 1778.

Philip IV on horseback, after Velázquez

1778

Etching of a seated court dwarf in a lace-collared cloak, after Velázquez, with an inscription beneath, 1778.

Portrait of the court dwarf known as el Primo, after Velázquez

1778

Etching of a nobleman on a rearing horse holding a baton, with a tree and hills in the background, after Velázquez.

Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez

1778

Etching of an elderly man in a cloak holding a book, labeled Aesopus, after Velázquez, by Goya, 1778.

Aesop, after Velázquez

1778

Etching of an elderly bearded man in a wide hat and cloak beside a jug on a ledge, after Velázquez, by Goya, 1778.

Menippus, after Velázquez

1778

Etching of a seated man in a fur-trimmed cloak and wide hat, resting on a large open book beside a candle.

Portrait of the court dwarf El Primo, after Velázquez

1778

Drawing of a man with curly hair and a lace cravat, shaded in graphite on cream paper, with a stern direct gaze.

Self-Portrait

ca. 1796

Grey wash drawing of a woman on a swing held by ropes, with a man in a long coat raising his arms beside her.

Girl on a swing, a man with his arms raised; folio 21 (recto) from the Madrid Album "B"

1795-97

Grey wash drawing of a weeping young woman in a full skirt, embraced by two men beside a doorway.

Young woman weeping and covering her face with her hands, accompanied by men; folio 17 (recto) from the Madrid Album "B"

1795-97

Grey wash drawing of a woman in a mantilla seated on a chair, with a companion partly seen behind her.

Maja seated on a chair and two companions behind; folio 18 (verso) from the Madrid Album "B"

1795-97

Grey wash drawing of a seated man in a jacket beside a woman draped in a dark shawl, resting on a rock.

Lovers Sitting on a Rock; folio 24 (verso) from the Madrid Album "B"

1796-97

Grey wash drawing of a woman dancing with raised arms beside a bull behind a stone wall.

A young woman dancing, her arms raised, a bull in the background; folio 23 (recto) from the Madrid Album "B"

1796-97

Grey wash drawing of a wigged charlatan extracting a tooth from a seated patient, with a bent figure and bottles nearby.

A charlatan extracting a tooth from a patient's mouth, figure in the foreground vomiting; folio 68 (verso) from the M…

1796-98

Grey wash drawing of two men drinking together, a white-robed woman raising an arm, and a hooded figure watching at left.

They are getting drunk; folio 67 (recto) from the Madrid Album "B"

1796-98

Grey wash drawing of a veiled woman, a bent man, and seated figures at a table in a doorway interior, captioned below.

Generosity versus Greed; a woman and three men conducting a transaction inside a shop; folio 76 (recto) from the Madr…

1796-98 (possibly later)

Grey wash drawing of a young man in a sword bowing before an older man in a cloak, with onlookers behind them.

Humility versus Pride; a young man imploring an older man with other figures in front of them; folio 75 (recto) from…

1796-98 (possibly later)

Grey wash drawing of a man with a raised sword confronting a seated woman as another man stands behind her.

Two brothers killing their sister's lover in her presence; folio 77 (recto) from the Madrid Album "B"

1796-98

Grey wash drawing of two veiled women helping a cloaked figure climb through a window, with a handwritten Spanish caption bel

Two women helping a confessor to climb through a window; folio 78 (verso) from the Madrid Album "B"

1796-98

Grey wash drawing of a woman in a white dress pulling at her hair, with a shadowed man behind her and Spanish inscriptions.

Woman throwing a tantrum and pulling her hair; folio 94 (verso) from the Madrid Album "B"

1796-98

Grey wash drawing of a man in period dress whipping donkey-headed figures in coats, with handwritten Spanish captions above a

Masquerading asses being whipped; folio 93 (recto) from the Madrid Album "B"

1796-98

Grey wash drawing of a woman in a headscarf restraining a man who leans back drinking from a cup, within a ruled black border

You'll See Later; a man drinking, a woman trying to stop him; page 24 from the "Black Border Album" (E)

ca. 1816-20

Brown wash drawing of a dense crowd of people in hats and cloaks in a park, with strollers and trees behind.

Crowd in a Park; page 31 from the "Images of Spain" album (F)

ca. 1812-20