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Francisco Goya

1,220 works

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Etching of a rearing horse throwing its rider backward, with a fallen figure on rocky ground at left.

The woman and the colt, may another tame them. The raptor horse, unbridled disparate, pl. 10 (H : 257)

1823

Etching of a dark interior with a raised-armed woman before a group of hooded elderly women and a crouching figure.

Poor Disparate, pl. 11 (H : 258)

1823

Etching of ruffled dancing figures, men and women, in a dark tonal setting by Goya, 1823.

If she danced at sea, she took what she found. Cheerful Disparate, pl. 12 (H : 259)

1823

Etching of a man strapped to a large bat-like wing flying through a dark sky, with other gliding figures nearby.

Way of flying. Where there is desire there is strength, pl. 13 (H : 260)

1823

Etching of grotesque masked carnival figures in exaggerated poses, one in a tall pointed hat, against a dark landscape.

Carnival joys, tomorrow you will be ashes. Carnival Disparate, pl. 14 (H : 261)

1823

Dark etching of a crowd beneath a swirling cloth, with figures reaching upward on the right and a robed figure on the left.

Without recommending oneself to God or the devil. Clear Disparate, pl. 15 (H : 262)

1823

Etching of hooded and cloaked figures in a dark night scene, with a pointing man at right and a winged form above.

Wounds heal but not bad words. Triple Disparate, pl. 16. (H : 263)

1823

Dark etching of grotesque figures gathered around a seated old woman and a small dog, with a laughing man pointing.

Loyalty. He who does not love you, slanders you by mocking. Quiet folly, pl. 17 (H : 264)

1823

Etching of hooded figures gathered at night around a reclining body, with a kneeling woman looking up at an old man pointing.

God creates them and they get together. Funeral folly, pl. 18 (H : 265)

1823

Etching of a man flying with large bat-like wings while other figures glide in a dark sky.

The Proverbs: A Way of Flying

1864

Lithograph of a mounted rider with a lance confronting a bull in a bullring, with capes on the sand and spectators behind.

The Renowned American Mariano Cebellos

1825

Etching of seated robed men with cross emblems reading open books on a wooden bench, from Goya's Disasters of War.

One Can't Tell Why, plate 35 from The Disasters of War

1812/15, published 1863

Etching of a prone figure in the foreground, a mitred cleric pointing among robed onlookers, and a kneeling grieving woman at

Truth has Died (Murió la Verdad) from the series Los desastres de la guerra

1814

Etching of a frantic man standing over sprawled corpses on a battlefield under a dark, smoky sky.

Tätä varten olette syntyneet (Para eso habeis nacido)

Dark etching of a crowd of figures in shadow, with a cloaked figure and a standing figure carrying a bundle in the foreground

Disparate general (General Folly), also known as Unas de gato y habito de beato (The Claws of a Cat and the Dress of…

1816

Etching of a matador in a cape turning aside a charging bull in an arena, with spectators sketched along the top edge.

El diestrísmo estudiante de Falces, embozado burla al toro con sus quiebros (The Very Skillful Student of Falces, Wra…

1816

Etching of a monstrous vulture with spread wings standing among a crowd of people, one man at left holding a stick.

The Carnivorous Vulture (El buitre carnivoro)

1892

Etching of women tossing a flying man in the air with a sheet, while an animal-like form lies across the cloth.

Disparate femenino (Feminine Folly), plate 1 from the series Los disparates (Los proverbios) - (Follies [Proverbs])

1816

Etching of a nude wild-haired man pointing while grotesque figures crowd around him in a dark, chaotic scene.

Disorderly Folly (Disparate desordenado), from the series Los Disparates

1816

Etching of a rider on a pale flying beast with huge outstretched wings and a second head above on a dark ground.

Disparate volante (Flying Folly), from the series Los disparates (Follies [Irrationalities])

1815

Etching of a winged horse-like creature with a rider and bird heads against a dark background, by Francisco Goya, 1816.

Disparate volante (Flying Folly), plate 5 from the series Los disparates (Los proverbios) - (Follies [Proverbs])

1816

Etching of a man jabbing a pole at a crouching figure while onlookers stand near a brick wall.

Cruel Folly (Disparate cruel), from the series Los Disparates

1816

Etching of a reclining man writing on paper as ghostly faces and a hooded figure loom in darkness behind him.

Ei mitään. Sen saatte nähdä (Nada. Ello dirá)

Etching of men hauling a limp figure up a wooden ladder, a hooded man pointing, a bound figure hanging at left.

Raskas on askel! (Duro es el paso!)

Etching of a kneeling bearded man with outstretched arms beneath a dark, turbulent sky with faint figures in the clouds.

Synkkiä aavistuksia siitä mikä tuleman pitää (Tristes presentimientos de lo que ha de acontecer)

Sepia etching of a man leaping over a charging bull in a bullring while spectators watch from the side.

More of his (Martincho's) madness in the same Ring (Otra locura suya en la misma plaza) from the series Tauromaquia

1815

Etching of a mitred bishop pointing among robed figures, with a fallen body and a grieving woman in the foreground.

Murió la verdad (Desastres de la Guerra 79)

1761

Dark etching of a man writing on paper on the ground, with a hooded figure and pale faces emerging from shadows.

Nada (Desastres de la Guerra 69)

1761

Etching of a huge vulture with spread wings above a crowd of frightened people, one man holding a staff at left.

El buitre carnívoro / Der fleischfressende Geier (Desastres de la Guerra 76)

1761

Etching of soldiers attacking a crowd, with a fallen woman and bodies in the foreground and raised arms on the left.

Y son fieras / Und sie sind wie wilde Tiere (Desastres de la Guerra 5)

1761

Etching of a hanged man from a branch while a seated man rests on a stone bench beside a bush.

Tampoco / Auch hier nicht (Desastres de la Guerra 36)

1761

Dark etching of a bald man gesturing beside a kneeling woman, a hooded figure behind them and a reclining body on the ground.

Dios los cria y ellos se juntan (God Creates Them and They Join Up Together), from the series Los disparates (The Fol…

1816

Sepia etching of a matador with a cape and sword facing a standing bull in a bullring, with spectators above.

Pedro Romero Killing the Halted Bull (Pedro Romero matando á toro parado), from the series Tauromaquia

1814

Brown etching of a gaunt cloaked man and ragged group beside a well-dressed couple pointing at them, with a child on the grou

Perhaps They Are of Another Breed (Si son de otro linage)

1810

Etching of women tossing a man in a blanket above a bull, with hatched lines on a pale ground.

Feminine Folly (Disparate femenino), from the series Los Disparates

1816

Etching of women in pale robes perched on a diagonal tree branch against a dark stippled background.

Disparate ridiculo (Ridiculous Folly), also known as Andarse por las ramas (To Go Amongst the Branches), from the ser…

1816

Etching of a screaming nude man on a dead horse, with soldiers and fallen figures in a landscape behind him.

Esto es peor (Desastres de la Guerra 37)

1761

Etching of armed soldiers thrusting bayonets at a man and woman amid fallen figures on the ground.

Con razón o sin ella (Desastres de la Guerra 2)

1761

Etching of a nude figure bent over a log beside a hanging body and a grotesque face among trees.

Grande Hazana! Con Muertos! (Desastres de la Guerra 39)

1761

Etching of a woman with a ramrod beside a cannon, with fallen soldiers lying on the ground in the foreground.

Que valor! (Desastres de la Guerra 7)

1761

Etching of a crowned figure lying in radiant light as two hooded mourners lean over her beside a wooden bier.

Will She Rise Again? (Si resucitará?) from the series Los desastres de la guerra

Dark etching of a seated man surrounded by cats and chaotic cloaked figures emerging from shadow.

General Folly (Disparate general), from the series Los Disparates

1816

Etching of masked, grotesque carnival dancers with a hooded figure standing on a raised platform at upper right.

Carnival Folly (Disparate de carnaval), from the series Los Disparates

1816

Etching of a fallen figure surrounded by robed mourners gesturing in a dark, shadowy landscape.

Funeral Folly (Disparate fúnebre), from the series Los Disparates

1816

Etching of figures tossed into the air by a large billowing cloth while a crowd below looks up and points.

Clear Folly (Disparate claro), from the series Los Disparates

1816

Etching of many bodies piled on the ground beside a diagonal wooden cross under a dark, hatched sky.

Harvest of the Dead (Muertos recogidos)

1892

Etching of soldiers restraining a screaming man outdoors, one raising a sabre, with shrubs in the background.

Miksi? (Por qué?)

Etching of distorted, dancing figures in period dress, with women in full skirts and a feathered hat, mid-motion.

Merry Folly (Disparate alegre), from the series Los Disparates

1816

Etching of a winged, bat-eared figure seated at a large open book, pointing with a quill, with small figures crouched at righ

Against the Common Good (Contra el bien general), from the series Los desastres de la guerra

1814

Brown etching of a bull goring a fallen bullfighter while another figure waves a cape in a bullring.

The Unlucky Death of Pepe Illo in the Ring at Madrid (La desgraciada muerte de Pepe Illo en la plaza de Madrid) from…

1815

Etching of a hunched grotesque man with floating heads and a cloaked figure at left, by Francisco de Goya, 1816.

Simpleton (Bobalicón), from the series Los Disparates

1816

Etching of a woman standing by a cannon above fallen soldiers on a battlefield, by Francisco de Goya, 1810.

What Courage! (Que valor!) from the series Los desastres de la guerra

1810

Sepia etching of distorted figures in a dark landscape, a frightened woman in a shawl at center, a man pointing on the right.

The Exhortations (Las exhortaciones), from the series Los Disparates

1816

Etching of a man strapped to large bat-like wings flying in a dark sky, with other figures gliding nearby on similar devices.

A Way of Flying (Modo de Volar) from the series Los Disparates

1815

Etching of a black bull attacked by armed men with lances on a bare plain, with a fallen man on the ground.

Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lanc…

1816

Etching of exaggerated dancing figures, women in full skirts and men in ruffled costumes, in a dark stage-like setting.

Si Marina bayló, tome lo que halló (If Marion Will Dance, Then She has to Take the Consequences), from the series Los…

1816

Etching of soldiers with bayonets confronting armed civilians, with fallen bodies on the ground beside them.

Rightly or Wrongly (Con razon ó sin ella), from the series Los desastres de la guerra

1814

Title page of Los Proverbios by Francisco de Goya, with a crowned academy crest, the word Madrid, and a purple library stamp.

Los Proverbios (Disparates), title page for the series, 18 etchings

Etching of grotesque figures in a crowd with a dog and basket against a dark background, by Goya.

Loyalty (La lealtad), from the series Los Disparates

1816

Etching of a dark-gowned woman with outstretched arms beside hooded elderly women at a doorway, with a floating figure.

Poor Folly (Disparate pobre), from the series Los Disparates

1816

Etching of hooded figures in sack-like garments standing and bending in a dark, nocturnal landscape.

People in Sacks (Los ensacados), from the series Los Disparates

1816

Etching of armed men dragging a limp nude body across the ground, with a caption reading Qué hai que hacer mas? below.

Voiko tehdä pahempaa? (Qué hai que hacer mas?)

1892

Sepia etching of men carrying a limp body at night while a small weeping child stands apart on the right.

Äiti parka! (Madre infeliz!)

Etching of hooded and shawled figures gathered on a large tree branch, some with bird-like heads, dark cross-hatched shading.

Ridiculous Folly (Disparate ridiculo), from the series Los Disparates

1816